Good Cnc Cutting Services pictures

Good Cnc Cutting Services pictures

Check out these cnc cutting services pictures:

edge slab box assembled

Image by Caliper Studio
Center stringer comfort stair connects two workplace floors in Starret Lehigh constructing. Stringer and slab edge assemblies are blackened. Twenty four stainless steel treads are welded to the stringer form a continuous ribbon. 1 1/four&quot diameter handrail posts are continuous bent &quotC&quot shapes that wrap around treds and are welded to stringer. Stair will be delivered to website in 1 piece [24′ lengthy 3′ wide 3′ tall @ 2000lbs].

Design and style by Diller Scofidio + Renfro

Detailing, Fabrication and Installation by Caliper Studio. Caliper Studio engaged Eckersley O’Callaghan &amp partners for engineering services.

Image from web page 7 of “The Gardeners’ chronicle and agricultural gazette” (1844)

Image from web page 7 of “The Gardeners’ chronicle and agricultural gazette” (1844)

A handful of good id od grinding images I found:

Image from page 7 of “The Gardeners’ chronicle and agricultural gazette” (1844)

Image by World wide web Archive Book Photos
Identifier: gardenerschronic1868lond
Title: The Gardeners’ chronicle and agricultural gazette
Year: 1844 (1840s)
Authors:
Subjects: Gardening Agriculture
Publisher: [London : Published for the proprietors
Contributing Library: UMass Amherst Libraries
Digitizing Sponsor: Boston Library Consortium Member Libraries

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Text Appearing Prior to Image:
early spnng to October, 1am justified in saying it is a most charming addition to the flowergarden, far more specially for little beds and front lines, for which itI effectively adapted. Like all Violas it requries very good rich soil and plenty of □ &gt, and prefers a moist SUPEEB GLADIOLI, ia 200 Varieties,Selections of Early Varieties for pots or ground, 63., 10s., and15s. per dozen.Selections of RAMOSUS HYBRIDS, 3s., Gs.. and 9s. per dozen. All the above need to be planted without delay.Selections of GANDAVENSIS HYBKIDS, 3«., 6s., i)»., 12*., andl&amps. per dozen. 100 Roots, in ten vartetiea, for 18s. Od. one hundred Roots, 1 100 Roots,one hundred Roots,Decision LILIES, in 70 finest and 2i8. per dozea.HEBBACE6uS and ALPINE PLANTS.-A fine Collection of thet and greatest in cultivation a DESCRIPTIVE CATALOGUE„^tpi ■ ■ ..18s., Basic Nursery Stock. A KCHIBALD HENDER- J. SON begs to inform his triendsand patrons that his DESCRIFflVEand PRICED CATALOGUE ofGENERAL NURSERY SrOCK ispublished, containing sensible

Text Appearing Right after Image:
Decision COLLECTIONS ofVINES in pots ever provided to the A. H.s BULB CATALOGUE contains a Pick List of Kitchen Garden and Flower Seeds for autumn sowing also a Selection Assortment of Gladioli for spnng nlanting. CATALOGUES may be had gratis and post totally free on application. Sion Nursery, Thornton Heath, Surrey, and at the East Surrey Seed Warehouse, College Grounds, North Finish. Ci-oydon. TREES FOREST VC EEDLING O ASH, two-yr., 2s. BEECH, 3-yr., 3s. G(I. HOLLIEai-yr., 5s.OAK. 3-yr , 7s. 6d. Swift, 1-yr., Is. Cd. SILVER FIR. 6-yr.,3s 6d • SPRUCE, six-yr., three#.6d. CRAB. three-yr.. 6s. and SYCAMORE,three-yr., 3s. 6d. per lOOO. Cheaper by the 100.000. Apply to J. RiDDELL, Pai-k Attwood, Bewdley, Worcesterabire. H Larch, Quick, &ampc. AND G. EARNSWOKTH, Nursertien, Matlock, • Derbyshire, have to offer a quantity of LARCH, 3 to 4 feet,and well rooted Strong Rapid, SPRUCE FIR, 9 to 15 inches, Larch, &ampc. LARCH, 2i to 4 feet. Ids. three to four^ feet, 17*. six^.31 to six feet, 20s. SCOTCH FIR, 1 togardenerschronic1868lond

Note About Pictures
Please note that these pictures are extracted from scanned web page images that may have been digitally enhanced for readability – coloration and look of these illustrations may not completely resemble the original perform.

Image from web page 166 of “The marine mammals of the north-western coast of North America, described and illustrated together with an account of the American whale-fishery” (1874)

Image by Internet Archive Book Images
Identifier: marinemammalsofn00scam
Title: The marine mammals of the north-western coast of North America, described and illustrated collectively with an account of the American whale-fishery
Year: 1874 (1870s)
Authors: Scammon, Charles Melville, 1825-1911
Subjects: Marine mammals Cetacea Sealing Whaling Whales Dolphins
Publisher: San Francisco, J.H. Carmany New York, Putnam
Contributing Library: Smithsonian Libraries
Digitizing Sponsor: Smithsonian Libraries

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Text Appearing Ahead of Image:

Text Appearing Right after Image:
rO O 7^Id en CD^ SI CO &gt g^ O r3 ^ s ■— 1 —- O ^ ^ CO * 1 pi Sm pq S B ■OD OjCO rd V=S 3 &ltu =1CD Ph~- -i five three ■3 § &amp •^ 5 „° o o^ pq fe 5 03 £ –2° I THE DOLPHINS. 101 SECTION VII.—THE Correct WHALE PORPOISE. Ledcorhamphus borealis, Peale. (Plate xix, fig. 3.) The Appropriate Whale Porpoise of the western coast of North America, -in habitand kind, is nearly the identical as the Proper Whale Porpoise of the southern hemi-sphere (Leucorhamphus Peronii), but it is not so beautifully marked, in vivid con-trast, with pure white and jet black, as the latter the former getting black aboveand lighter beneath, with but little of its decrease extremities banded with white. TheLeucorJiamphus borealis is not normally met with in huge numbers, and is seldom foundin shallow bays or lagoons. We have observed them as far south as San Diego Bay,on the California coast, and as far north as Behring Sea showing plainly, that thetwo species of the same genus have a feeding-ground which emb

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Please note that these photos are extracted from scanned web page pictures that may have been digitally enhanced for readability – coloration and appearance of these illustrations may not completely resemble the original work.

Nice Precision Turned Components Suppliers pictures

Nice Precision Turned Components Suppliers pictures

A few nice precision turned components suppliers images I found:

Montblanc Watch

Image by antefixus21
Montblanc Flagship Boutique 151 Bloor Street West Toronto ON.

Montblanc Wrist Watch wall display case.

Chronograph – Nicholas Rieussec time piece.

Swiss made.

Montblanc Nicolas Rieussec Chronograph Automatic Watch Review
WRIST TIME REVIEWS
20 COMMENTSJANUARY 3, 2011 BY ARIEL ADAMS

This watch review is going to be a bit different than how I usually do them. Why? Because shortly before the review I was actually able to visit the manufacture making the movements of this watch. That experience offered me some special insight that allowed me to understand this timepiece more.
I know there is a lot of talk on the "manufacture" movement. In fact, a recent panel discussion I had with fellow watch expert journalists allowed me to realize that there is no strict definition of "watch manufacture" or "manufacture movement." This definitional ambiguity hurts my ability to explain things properly, but let it be said that Montblanc makes the movement in each of the Nicolas Rieussec watches themselves. Of course there is some help from suppliers, but this is about as "in-house" a job as most people want it to be. My understanding is that the components of the movements are made at the Valfleurier facility in Buttes Switzerland. The pieces are then sent to Montblanc Le Locle for assembly and testing.

What fascinated me most about the Montblanc manufacture in Le Locle Switzerland was just how modern it was. I mean it is true that many watch manufactures feel like you are in some combo of a hospital and science lab, but the machinery available to the watch makers at the Le Locle facility was impressive. I have a larger feature length article on this topic that will come out soon – but in short, when it comes to the Nicolas Rieussec line of timepieces, Montblanc relies on a clever environment that combines the human approach of watch makers with the precision assistance of machines.

A few example of this synergy between man (or woman) and machine? Here are two. One of the images here is of a machine that robotically applies lubricant to designated spots in a watch. Such lubricant must be precisely applied with an exact amount. The more consistently applied the better. While a human assembles the movement, a robot is used to apply the lubricant better and with more precision in terms of amount than any human can do consistently. Another example is a machine that allows a watch maker to adjust the screws on a balance wheel and test the accuracy of the rate in real time. Basically the machine combines a magnifier, computer controlled screw driver, and a watch movement rate tester in one. While it is operated by a person, the machine makes it easy to adjust a traditional weighted balance wheel to its most precise weight distribution in the escapement assembly.

One of my favorite images here that illustrates the culture of the manufacture is the image of the watch tools with the computer mouse. If you look closely you’ll also notice the presence of a Montblanc pen. Each work station gives watchmakers a computer terminal as well as watch making tools. While I have seen this before, it certainly isn’t common.

With their movements all made in Switzerland by Montblanc, the Nicolas Rieussec collection currently consists of a few watches. My main focus here is on the Automatic Chronograph that also has a GMT and date complication (that I tested). The movement is known as the R200. The two manually wound variants (with slightly different functions) are the R100, R110, and R120 (a limited edition that used a silicium escapement). I am not going to go overboard with technical details, but the movements represent an interesting medium between the ultra-high end, and mass manufactured pieces.

The R200 has a lot of impressive features on paper. Notable to the watch nerd is that it has a column wheel based chronograph that uses a vertical clutch. These features offer more durability and precision when using the chronograph. There are very few European chronographs that feature both of these features. I should also note that some of Seiko’s higher-end chronograph movements also feature column wheels and vertical clutches, as do pieces by brands such as Patek Philippe and (the former) Daniel Roth. Why all the focus on the chronograph? Well that is the new signature complication of Montblanc. The brand latched on to the complication for good reason (as well as to Mr. Nicolas Rieussec). "Chronograph" literally means "time writer." What is Montblanc known for? Yes, making pens. Sound too good to be true to have a watch in your collection that is a "time writer?" So the emphasis on this complication make perfect sense. Nicolas Rieussec is guy credited with "inventing the chronograph." Montblanc adopted him.

A while ago Rieussec created a device that looks like an early seismograph. It was a clock with a stop and start function that pulled a disc of paper along a smaller writing tip. This device was the first known "chronograph." It was meant to measure time in horse races and actually "wrote." The look of the chronograph on the watch is taken from this early device. Montblanc keeps replicas of them around the manufacture for inspiration. Each Nicolas Rieussec watch uses two discs that move along stationary hands to show the chronograph time (up to 30 minutes). These are also monopusher chronographs that use a single pusher to cycle through "start, stop, and reset" functions for the chronograph. The pusher is large, easy to find, and placed at the 5 o’clock position on the watch. Don’t miss the exposed synthetic palette rubies exposed on the top of the chronograph dials.

This chronograph style is the signature look of the Nicolas Rieussec collection. The time is displayed on an off-centered dial at the top of the face. While small, Montblanc really helped that dial standout and be legible. It uses that fancy looking font that you’ll find on most Montblanc Star watches. I really do love that font.

On the manually-wound versions of the Nicolas Rieussec, the time dial has a third hand used for the date. On the automatic, the third had is GMT hand. Working just like you would assume, the main time hour hand can be independently adjusted to alter the time when moving through time zones when traveling. To the left of the dial is a day/night indicator linked to the GMT hand. This useful complication help you know if it is day or night on your second timezone given that it is displayed on the 12, versus 24 hour scale. Who’d a though this would turn out to be such a useful travel watch? Both time zones share the minute hand. I was generally impressed by the GMT functionality of the watch and feels that the R200 movement’s use of the third hand is better than having it be a date indicator.

While the left of the dial has the day/night indicator, the right has a date wheel. For symmetry Montblanc uses a window of a similar shape, but I don’t much care for "open" date windows. It also does not look spectacular with the upper and lower date being partially under the dial – though that does actually help with keeping your focus on the actual date. While the windows that flank the time dial look nice, I have a feeling Montblanc might work to revise or polish the design in future generations of the watch.

Coming in a few tones, the dial of the Montblanc Nicolas Rieussec is an interesting creature. It took me a while to warm up to it, but I am enjoying the design. While totally different than other collection Montblanc offers, the Nicolas Rieussec does share the brand’s DNA nicely. Of course the crown has that lovely white Montblanc star, and the case is very much inspired by the Star collection. To create visual depth, the power part of the dial is partially "eclipsed" by a plate of Geneva stripe polished metal – plus, the dial looks to be made up of a few layers. The chronograph dials are covered with a sort of wish-bone like bridge that uses blued steel screws (blued steel is also used for some of the hands). This is a nice element, but I had one suggestion for Montblanc. While this might increase the cost a bit, I think it would be really welcome. The bridge is made from stamped steel. What if it could be made from milled and hand-polished steel? It would provide a wonderful visual cue and reminder that this is a hand-assembled watch. Perhaps in the future.

Let’s visit the R200 movement again. It is an automatic version of the R100 with a few addition complications (as mentioned above). You can see the rotor placed over the movement, with the small Montblanc star shaped hole that is designed to pass right over the column wheel opening window. The movement has two mainspring barrels for a power reserve of 72 hours. The movement operates at 28,800bmp and can be adjusted to be very accurate. I saw a movement at the manufacture that was adjusted to operate within less than one second of deviation a day. I love that the movement combines modern technology and traditionalism. Like I said, it uses a free-weighted balance spring and column wheel, enjoys helps from highly sophisticated machinery in its assembly and manufacture.

The Nicolas Rieussec watch case is 43mm wide and 14.8mm tall. It isn’t a small watch, but it does wear like a medium one. Its height is visually reduced by the highly curved lugs. Front and rear crystal are sapphire (with the front crystal having double AR coating), while it is water resistant to 30 meters.

Montblanc has assured me that their dedication to the Nicolas Rieussec collection is intense. The collection will receive more attention in the future, which is aided by the fact that the watch is a marketing success. One of the reasons for this is the pricing. While the watches aren’t cheap they are more reasonable that you’d expect. The pieces come in gold, platinum, and steel. The gold models are in the ,000 range. Not cheap, but Montblanc isn’t asking for ,000. Actually, their platinum version is about ,000 – which in the luxury market isn’t that much for a platinum watch. In steel the watch retails for about ,200. It comes in a steel bracelet or an alligator strap (black or brown). I am told that soon Montblanc will develop a brand new metal bracelet for the Nicolas Rieussec collection.

Overall these are enjoyable watches. The Montblanc identity is a major positive, and I enjoy the visual design and functionality of the R200 movement. While unique in its looks, this is an easy watch to wear daily. Montblanc isn’t making a mere collector’s piece here. Designed to prevent boredom but maintain utility the Nicolas Rieussec watch collection is intended for all types of watch lovers to worn daily.

Montblanc Watch

Image by antefixus21
Montblanc Flagship Boutique 151 Bloor Street West Toronto ON.

Montblanc Wrist Watch wall display case.

Chronograph – Nicholas Rieussec time piece. This was their most expensive time piece in stock that day.

Swiss made.

Montblanc Nicolas Rieussec Chronograph Automatic Watch Review
WRIST TIME REVIEWS
20 COMMENTSJANUARY 3, 2011 BY ARIEL ADAMS

This watch review is going to be a bit different than how I usually do them. Why? Because shortly before the review I was actually able to visit the manufacture making the movements of this watch. That experience offered me some special insight that allowed me to understand this timepiece more.
I know there is a lot of talk on the "manufacture" movement. In fact, a recent panel discussion I had with fellow watch expert journalists allowed me to realize that there is no strict definition of "watch manufacture" or "manufacture movement." This definitional ambiguity hurts my ability to explain things properly, but let it be said that Montblanc makes the movement in each of the Nicolas Rieussec watches themselves. Of course there is some help from suppliers, but this is about as "in-house" a job as most people want it to be. My understanding is that the components of the movements are made at the Valfleurier facility in Buttes Switzerland. The pieces are then sent to Montblanc Le Locle for assembly and testing.

What fascinated me most about the Montblanc manufacture in Le Locle Switzerland was just how modern it was. I mean it is true that many watch manufactures feel like you are in some combo of a hospital and science lab, but the machinery available to the watch makers at the Le Locle facility was impressive. I have a larger feature length article on this topic that will come out soon – but in short, when it comes to the Nicolas Rieussec line of timepieces, Montblanc relies on a clever environment that combines the human approach of watch makers with the precision assistance of machines.

A few example of this synergy between man (or woman) and machine? Here are two. One of the images here is of a machine that robotically applies lubricant to designated spots in a watch. Such lubricant must be precisely applied with an exact amount. The more consistently applied the better. While a human assembles the movement, a robot is used to apply the lubricant better and with more precision in terms of amount than any human can do consistently. Another example is a machine that allows a watch maker to adjust the screws on a balance wheel and test the accuracy of the rate in real time. Basically the machine combines a magnifier, computer controlled screw driver, and a watch movement rate tester in one. While it is operated by a person, the machine makes it easy to adjust a traditional weighted balance wheel to its most precise weight distribution in the escapement assembly.

One of my favorite images here that illustrates the culture of the manufacture is the image of the watch tools with the computer mouse. If you look closely you’ll also notice the presence of a Montblanc pen. Each work station gives watchmakers a computer terminal as well as watch making tools. While I have seen this before, it certainly isn’t common.

With their movements all made in Switzerland by Montblanc, the Nicolas Rieussec collection currently consists of a few watches. My main focus here is on the Automatic Chronograph that also has a GMT and date complication (that I tested). The movement is known as the R200. The two manually wound variants (with slightly different functions) are the R100, R110, and R120 (a limited edition that used a silicium escapement). I am not going to go overboard with technical details, but the movements represent an interesting medium between the ultra-high end, and mass manufactured pieces.

The R200 has a lot of impressive features on paper. Notable to the watch nerd is that it has a column wheel based chronograph that uses a vertical clutch. These features offer more durability and precision when using the chronograph. There are very few European chronographs that feature both of these features. I should also note that some of Seiko’s higher-end chronograph movements also feature column wheels and vertical clutches, as do pieces by brands such as Patek Philippe and (the former) Daniel Roth. Why all the focus on the chronograph? Well that is the new signature complication of Montblanc. The brand latched on to the complication for good reason (as well as to Mr. Nicolas Rieussec). "Chronograph" literally means "time writer." What is Montblanc known for? Yes, making pens. Sound too good to be true to have a watch in your collection that is a "time writer?" So the emphasis on this complication make perfect sense. Nicolas Rieussec is guy credited with "inventing the chronograph." Montblanc adopted him.

A while ago Rieussec created a device that looks like an early seismograph. It was a clock with a stop and start function that pulled a disc of paper along a smaller writing tip. This device was the first known "chronograph." It was meant to measure time in horse races and actually "wrote." The look of the chronograph on the watch is taken from this early device. Montblanc keeps replicas of them around the manufacture for inspiration. Each Nicolas Rieussec watch uses two discs that move along stationary hands to show the chronograph time (up to 30 minutes). These are also monopusher chronographs that use a single pusher to cycle through "start, stop, and reset" functions for the chronograph. The pusher is large, easy to find, and placed at the 5 o’clock position on the watch. Don’t miss the exposed synthetic palette rubies exposed on the top of the chronograph dials.

This chronograph style is the signature look of the Nicolas Rieussec collection. The time is displayed on an off-centered dial at the top of the face. While small, Montblanc really helped that dial standout and be legible. It uses that fancy looking font that you’ll find on most Montblanc Star watches. I really do love that font.

On the manually-wound versions of the Nicolas Rieussec, the time dial has a third hand used for the date. On the automatic, the third had is GMT hand. Working just like you would assume, the main time hour hand can be independently adjusted to alter the time when moving through time zones when traveling. To the left of the dial is a day/night indicator linked to the GMT hand. This useful complication help you know if it is day or night on your second timezone given that it is displayed on the 12, versus 24 hour scale. Who’d a though this would turn out to be such a useful travel watch? Both time zones share the minute hand. I was generally impressed by the GMT functionality of the watch and feels that the R200 movement’s use of the third hand is better than having it be a date indicator.

While the left of the dial has the day/night indicator, the right has a date wheel. For symmetry Montblanc uses a window of a similar shape, but I don’t much care for "open" date windows. It also does not look spectacular with the upper and lower date being partially under the dial – though that does actually help with keeping your focus on the actual date. While the windows that flank the time dial look nice, I have a feeling Montblanc might work to revise or polish the design in future generations of the watch.

Coming in a few tones, the dial of the Montblanc Nicolas Rieussec is an interesting creature. It took me a while to warm up to it, but I am enjoying the design. While totally different than other collection Montblanc offers, the Nicolas Rieussec does share the brand’s DNA nicely. Of course the crown has that lovely white Montblanc star, and the case is very much inspired by the Star collection. To create visual depth, the power part of the dial is partially "eclipsed" by a plate of Geneva stripe polished metal – plus, the dial looks to be made up of a few layers. The chronograph dials are covered with a sort of wish-bone like bridge that uses blued steel screws (blued steel is also used for some of the hands). This is a nice element, but I had one suggestion for Montblanc. While this might increase the cost a bit, I think it would be really welcome. The bridge is made from stamped steel. What if it could be made from milled and hand-polished steel? It would provide a wonderful visual cue and reminder that this is a hand-assembled watch. Perhaps in the future.

Let’s visit the R200 movement again. It is an automatic version of the R100 with a few addition complications (as mentioned above). You can see the rotor placed over the movement, with the small Montblanc star shaped hole that is designed to pass right over the column wheel opening window. The movement has two mainspring barrels for a power reserve of 72 hours. The movement operates at 28,800bmp and can be adjusted to be very accurate. I saw a movement at the manufacture that was adjusted to operate within less than one second of deviation a day. I love that the movement combines modern technology and traditionalism. Like I said, it uses a free-weighted balance spring and column wheel, enjoys helps from highly sophisticated machinery in its assembly and manufacture.

The Nicolas Rieussec watch case is 43mm wide and 14.8mm tall. It isn’t a small watch, but it does wear like a medium one. Its height is visually reduced by the highly curved lugs. Front and rear crystal are sapphire (with the front crystal having double AR coating), while it is water resistant to 30 meters.

Montblanc has assured me that their dedication to the Nicolas Rieussec collection is intense. The collection will receive more attention in the future, which is aided by the fact that the watch is a marketing success. One of the reasons for this is the pricing. While the watches aren’t cheap they are more reasonable that you’d expect. The pieces come in gold, platinum, and steel. The gold models are in the ,000 range. Not cheap, but Montblanc isn’t asking for ,000. Actually, their platinum version is about ,000 – which in the luxury market isn’t that much for a platinum watch. In steel the watch retails for about ,200. It comes in a steel bracelet or an alligator strap (black or brown). I am told that soon Montblanc will develop a brand new metal bracelet for the Nicolas Rieussec collection.

Overall these are enjoyable watches. The Montblanc identity is a major positive, and I enjoy the visual design and functionality of the R200 movement. While unique in its looks, this is an easy watch to wear daily. Montblanc isn’t making a mere collector’s piece here. Designed to prevent boredom but maintain utility the Nicolas Rieussec watch collection is intended for all types of watch lovers to worn daily.

Montblanc Watch

Image by antefixus21
Montblanc Flagship Boutique 151 Bloor Street West Toronto ON Canada

Montblanc Wrist Watch wall display case.

Chronograph – Nicholas Rieussec time piece.

Swiss made.

Montblanc Nicolas Rieussec Chronograph Automatic Watch Review
WRIST TIME REVIEWS
20 COMMENTSJANUARY 3, 2011 BY ARIEL ADAMS

This watch review is going to be a bit different than how I usually do them. Why? Because shortly before the review I was actually able to visit the manufacture making the movements of this watch. That experience offered me some special insight that allowed me to understand this timepiece more.
I know there is a lot of talk on the "manufacture" movement. In fact, a recent panel discussion I had with fellow watch expert journalists allowed me to realize that there is no strict definition of "watch manufacture" or "manufacture movement." This definitional ambiguity hurts my ability to explain things properly, but let it be said that Montblanc makes the movement in each of the Nicolas Rieussec watches themselves. Of course there is some help from suppliers, but this is about as "in-house" a job as most people want it to be. My understanding is that the components of the movements are made at the Valfleurier facility in Buttes Switzerland. The pieces are then sent to Montblanc Le Locle for assembly and testing.

What fascinated me most about the Montblanc manufacture in Le Locle Switzerland was just how modern it was. I mean it is true that many watch manufactures feel like you are in some combo of a hospital and science lab, but the machinery available to the watch makers at the Le Locle facility was impressive. I have a larger feature length article on this topic that will come out soon – but in short, when it comes to the Nicolas Rieussec line of timepieces, Montblanc relies on a clever environment that combines the human approach of watch makers with the precision assistance of machines.

A few example of this synergy between man (or woman) and machine? Here are two. One of the images here is of a machine that robotically applies lubricant to designated spots in a watch. Such lubricant must be precisely applied with an exact amount. The more consistently applied the better. While a human assembles the movement, a robot is used to apply the lubricant better and with more precision in terms of amount than any human can do consistently. Another example is a machine that allows a watch maker to adjust the screws on a balance wheel and test the accuracy of the rate in real time. Basically the machine combines a magnifier, computer controlled screw driver, and a watch movement rate tester in one. While it is operated by a person, the machine makes it easy to adjust a traditional weighted balance wheel to its most precise weight distribution in the escapement assembly.

One of my favorite images here that illustrates the culture of the manufacture is the image of the watch tools with the computer mouse. If you look closely you’ll also notice the presence of a Montblanc pen. Each work station gives watchmakers a computer terminal as well as watch making tools. While I have seen this before, it certainly isn’t common.

With their movements all made in Switzerland by Montblanc, the Nicolas Rieussec collection currently consists of a few watches. My main focus here is on the Automatic Chronograph that also has a GMT and date complication (that I tested). The movement is known as the R200. The two manually wound variants (with slightly different functions) are the R100, R110, and R120 (a limited edition that used a silicium escapement). I am not going to go overboard with technical details, but the movements represent an interesting medium between the ultra-high end, and mass manufactured pieces.

The R200 has a lot of impressive features on paper. Notable to the watch nerd is that it has a column wheel based chronograph that uses a vertical clutch. These features offer more durability and precision when using the chronograph. There are very few European chronographs that feature both of these features. I should also note that some of Seiko’s higher-end chronograph movements also feature column wheels and vertical clutches, as do pieces by brands such as Patek Philippe and (the former) Daniel Roth. Why all the focus on the chronograph? Well that is the new signature complication of Montblanc. The brand latched on to the complication for good reason (as well as to Mr. Nicolas Rieussec). "Chronograph" literally means "time writer." What is Montblanc known for? Yes, making pens. Sound too good to be true to have a watch in your collection that is a "time writer?" So the emphasis on this complication make perfect sense. Nicolas Rieussec is guy credited with "inventing the chronograph." Montblanc adopted him.

A while ago Rieussec created a device that looks like an early seismograph. It was a clock with a stop and start function that pulled a disc of paper along a smaller writing tip. This device was the first known "chronograph." It was meant to measure time in horse races and actually "wrote." The look of the chronograph on the watch is taken from this early device. Montblanc keeps replicas of them around the manufacture for inspiration. Each Nicolas Rieussec watch uses two discs that move along stationary hands to show the chronograph time (up to 30 minutes). These are also monopusher chronographs that use a single pusher to cycle through "start, stop, and reset" functions for the chronograph. The pusher is large, easy to find, and placed at the 5 o’clock position on the watch. Don’t miss the exposed synthetic palette rubies exposed on the top of the chronograph dials.

This chronograph style is the signature look of the Nicolas Rieussec collection. The time is displayed on an off-centered dial at the top of the face. While small, Montblanc really helped that dial standout and be legible. It uses that fancy looking font that you’ll find on most Montblanc Star watches. I really do love that font.

On the manually-wound versions of the Nicolas Rieussec, the time dial has a third hand used for the date. On the automatic, the third had is GMT hand. Working just like you would assume, the main time hour hand can be independently adjusted to alter the time when moving through time zones when traveling. To the left of the dial is a day/night indicator linked to the GMT hand. This useful complication help you know if it is day or night on your second timezone given that it is displayed on the 12, versus 24 hour scale. Who’d a though this would turn out to be such a useful travel watch? Both time zones share the minute hand. I was generally impressed by the GMT functionality of the watch and feels that the R200 movement’s use of the third hand is better than having it be a date indicator.

While the left of the dial has the day/night indicator, the right has a date wheel. For symmetry Montblanc uses a window of a similar shape, but I don’t much care for "open" date windows. It also does not look spectacular with the upper and lower date being partially under the dial – though that does actually help with keeping your focus on the actual date. While the windows that flank the time dial look nice, I have a feeling Montblanc might work to revise or polish the design in future generations of the watch.

Coming in a few tones, the dial of the Montblanc Nicolas Rieussec is an interesting creature. It took me a while to warm up to it, but I am enjoying the design. While totally different than other collection Montblanc offers, the Nicolas Rieussec does share the brand’s DNA nicely. Of course the crown has that lovely white Montblanc star, and the case is very much inspired by the Star collection. To create visual depth, the power part of the dial is partially "eclipsed" by a plate of Geneva stripe polished metal – plus, the dial looks to be made up of a few layers. The chronograph dials are covered with a sort of wish-bone like bridge that uses blued steel screws (blued steel is also used for some of the hands). This is a nice element, but I had one suggestion for Montblanc. While this might increase the cost a bit, I think it would be really welcome. The bridge is made from stamped steel. What if it could be made from milled and hand-polished steel? It would provide a wonderful visual cue and reminder that this is a hand-assembled watch. Perhaps in the future.

Let’s visit the R200 movement again. It is an automatic version of the R100 with a few addition complications (as mentioned above). You can see the rotor placed over the movement, with the small Montblanc star shaped hole that is designed to pass right over the column wheel opening window. The movement has two mainspring barrels for a power reserve of 72 hours. The movement operates at 28,800bmp and can be adjusted to be very accurate. I saw a movement at the manufacture that was adjusted to operate within less than one second of deviation a day. I love that the movement combines modern technology and traditionalism. Like I said, it uses a free-weighted balance spring and column wheel, enjoys helps from highly sophisticated machinery in its assembly and manufacture.

The Nicolas Rieussec watch case is 43mm wide and 14.8mm tall. It isn’t a small watch, but it does wear like a medium one. Its height is visually reduced by the highly curved lugs. Front and rear crystal are sapphire (with the front crystal having double AR coating), while it is water resistant to 30 meters.

Montblanc has assured me that their dedication to the Nicolas Rieussec collection is intense. The collection will receive more attention in the future, which is aided by the fact that the watch is a marketing success. One of the reasons for this is the pricing. While the watches aren’t cheap they are more reasonable that you’d expect. The pieces come in gold, platinum, and steel. The gold models are in the ,000 range. Not cheap, but Montblanc isn’t asking for ,000. Actually, their platinum version is about ,000 – which in the luxury market isn’t that much for a platinum watch. In steel the watch retails for about ,200. It comes in a steel bracelet or an alligator strap (black or brown). I am told that soon Montblanc will develop a brand new metal bracelet for the Nicolas Rieussec collection.

Overall these are enjoyable watches. The Montblanc identity is a major positive, and I enjoy the visual design and functionality of the R200 movement. While unique in its looks, this is an easy watch to wear daily. Montblanc isn’t making a mere collector’s piece here. Designed to prevent boredom but maintain utility the Nicolas Rieussec watch collection is intended for all types of watch lovers to worn daily.

Cool Cnc Grinding images

Cool Cnc Grinding images

A handful of nice cnc grinding pictures I discovered:

Image from web page 144 of “Underground water sources of Iowa” (1912)

Image by World wide web Archive Book Images
Identifier: undergroundwater00nort
Title: Underground water resources of Iowa
Year: 1912 (1910s)
Authors: Norton, William Harmon, b. 1856 Hendrixson, Walter Scott, 1859- [from old catalog] joint author Simpson, Howard E. (Howard Edwin), 1874-1938, joint author Meinzer, Oscar Edward, 1876- [from old catalog] joint author Iowa. Geological survey. [from old catalog]
Subjects: Water-supply
Publisher: Washington, Govt. print. off.
Contributing Library: The Library of Congress
Digitizing Sponsor: The Library of Congress

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Photos From Book

Click right here to view book online to see this illustration in context in a browseable on the web version of this book.

Text Appearing Just before Image:
-S ft § &gt m g two Hfe.,^,two:5 ARTESIAN PHENOMENA. 133 o CT&gt &gt&gt5 = a s &gt&gt Tv o as pqt: O O.Ui W I © CD a p^fl d a&gt -22 ■S^ ) mtC D 1 oa 3 CD ■s^s is _. ^ S M^.S .s 00 SftM o CD r- 3 B^ — o fl 3 two two ao ^ SJim o2oO !-. O fl ^:^H:l M c33o S C3 g &gt&gtq O ■^ S o CD ■*^ &gt flt&gt ) »0 CI (N (MO OOi O-^ ? CO CO CO Oi 11CO(NCOt&gt- O lO i-( W t^ CO CO GO (N GO to »0 OO O.I—(00 CO O OS O Oi OO O C500 GO 00000500 CO ooo CO CD CO ^lOOfN O lO iO CO O O GOO O GO lO CO O CO (O &gt0 CO t^ *-i 1—I o cocooo ot^ooj coosi—1 Oi CO cocn I lO CO CO * o (M tM 1—1 lOr^CNC

Text Appearing After Image:
(D ^ S^ +J rC nj P MP t&gt fe ■ c3p d d fl 134 UNDERGEOUND WATER Resources OF IOWA. a &amp 9 ft ® O &amp ^three ■? a &gt, two 3 *: o C3 is ^ is © i* £ a Oi ^ o T) o n1 ft CO t&gt, ^ ^ fe C ,=five cS-O is§ s&gt a !&gt w C9 03 a^ ^ S a »® S a S g ® ^five S i-l 1-1 02 o -^ O 03 &gt&gt.-So.-H M.-S MO a .. o S So3o S 3ft fl ^1 15| o^ ^ CQ « s S Sag o o a, a CHAPTER V.CHEMICAL COMPOSITION OF UNDEKGROUND WATERS. By W. S. Hendrixson. INTKODUCTION. NATURE OF ANALYSES. The analytical function of this investigation has been confined todetermination of these mineral or inorganic constituents that are com-monly found in practically all ground waters and that have an importantbearing on the suitability of the waters for municipal and industrialuses. The following: are the substances determined: Silica (SiOa).Iroii(Fe).Aluminum (Al).Calcium (Ca).Magnesium (Mg).Sodium (Na). Potassium (K).Carbonate radicle (CO3).Bicarbonate radicle (HCO3).Sulphate radicle (SO4).Ni

Note About Pictures
Please note that these images are extracted from scanned web page photos that could have been digitally enhanced for readability – coloration and look of these illustrations might not perfectly resemble the original function.

Stadler030

Image by wirtschaftsteiermark
Stadler CNC Technik Detuschfeistritz Steiermark Wirtschaft Buchmann SFG Styria Austria Technologie Innovation technologies innovation Metall Verarbeitung

Dieses Bild kann unter Angabe der Quelle verwendet werden
www.wirtschaft.steiermark.at
www.sfg.at

Stadler029

Image by wirtschaftsteiermark
Stadler CNC Technik Detuschfeistritz Steiermark Wirtschaft Buchmann SFG Styria Austria Technologie Innovation technology innovation Metall Verarbeitung

Dieses Bild kann unter Angabe der Quelle verwendet werden
www.wirtschaft.steiermark.at
www.sfg.at

Nice Precision Element Producers photos

Nice Precision Element Producers photos

Some cool precision element producers images:

Steven F. Udvar-Hazy Center: B-29 Superfortress “Enola Gay” panorama

Image by Chris Devers
Quoting Smithsonian National Air and Space Museum | Lockheed P-38J-10-LO Lightning:

In the P-38 Lockheed engineer Clarence &quotKelly&quot Johnson and his team of designers produced 1 of the most effective twin-engine fighters ever flown by any nation. From 1942 to 1945, U. S. Army Air Forces pilots flew P-38s over Europe, the Mediterranean, and the Pacific, and from the frozen Aleutian Islands to the sun-baked deserts of North Africa. Lightning pilots in the Pacific theater downed more Japanese aircraft than pilots flying any other Allied warplane.

Maj. Richard I. Bong, America’s leading fighter ace, flew this P-38J-10-LO on April 16, 1945, at Wright Field, Ohio, to evaluate an experimental strategy of interconnecting the movement of the throttle and propeller handle levers. Nevertheless, his proper engine exploded in flight ahead of he could conduct the experiment.

Transferred from the United States Air Force.

Manufacturer:
Lockheed Aircraft Business

Date:
1943

Nation of Origin:
United States of America

Dimensions:
General: 390 x 1170cm, 6345kg, 1580cm (12ft 9 9/16in. x 38ft four 5/8in., 13988.2lb., 51ft ten 1/16in.)

Supplies:
All-metal

Physical Description:
Twin-tail boom and twin-engine fighter tricycle landing gear.

• • • • •

Quoting Smithsonian National Air and Space Museum | Boeing B-29 Superfortress &quotEnola Gay&quot:

Boeing’s B-29 Superfortress was the most sophisticated propeller-driven bomber of World War II and the 1st bomber to residence its crew in pressurized compartments. Despite the fact that created to fight in the European theater, the B-29 discovered its niche on the other side of the globe. In the Pacific, B-29s delivered a selection of aerial weapons: traditional bombs, incendiary bombs, mines, and two nuclear weapons.

On August six, 1945, this Martin-constructed B-29-45-MO dropped the very first atomic weapon used in combat on Hiroshima, Japan. Three days later, Bockscar (on show at the U.S. Air Force Museum near Dayton, Ohio) dropped a second atomic bomb on Nagasaki, Japan. Enola Gay flew as the advance weather reconnaissance aircraft that day. A third B-29, The Wonderful Artiste, flew as an observation aircraft on each missions.

Transferred from the United States Air Force.

Manufacturer:
Boeing Aircraft Co.
Martin Co., Omaha, Nebr.

Date:
1945

Country of Origin:
United States of America

Dimensions:
General: 900 x 3020cm, 32580kg, 4300cm (29ft 6 5/16in. x 99ft 1in., 71825.9lb., 141ft 15/16in.)

Components:
Polished general aluminum finish

Physical Description:
4-engine heavy bomber with semi-monoqoque fuselage and higher-aspect ratio wings. Polished aluminum finish general, standard late-World War II Army Air Forces insignia on wings and aft fuselage and serial quantity on vertical fin 509th Composite Group markings painted in black &quotEnola Gay&quot in black, block letters on reduced left nose.

Good Grinding Service photographs

Good Grinding Service photographs

Some cool grinding service pictures:

Vlotho – Windmühle in Exter 11

Image by Daniel Mennerich
The photo show the Lindemann Windmill built in 1850 of organic stone. In 1961 the wings were damaged by a storm and the mill was brought to the shutdown.

The association &quotfrom the grain to the bread&quot which maintains a mill court arrangement with water mill in Löhne-Wittel took more than in 1985 the mill.
In 2004 in September the association “windmill Exter inc.” was founded to acquire the monument distinctive in this area.

It issues a Dutchman’s mill.

As a operating platform for the service an earthwork and on the valley side a wooden gallery serves on the mountain side this is a massive distinct function.
Earlier the cap had to be turned by hand. Later the cap was turned by the wind rose automatically in wind direction.

The wings are provided with flaps which can be opened by a hand device or be closed. The mill had 3 sets of millstones, one to grind coarsely (grain feed), one for rye and 1 for wheat (today not far more accessible).

Ground Service

Image by tgoldkamp
Turkish Airlines Flight TK 459 to Boryspil International Airport Kiev (KBP) getting serviced for takeoff at Istanbul Ataturk Airport (IST), January 4th, 2015.

3D Printing

A couple of nice 3d printing firm photos I identified:

3D Printing

Image by Joseph.Morris
3D Printing event in Toronto, Ontario, Canada.

Featured:
women2.com/female-founders-to-watch-doing-jaw-dropping-th…
www.agentofdisruption.com/tag/3d-printing/
www.virgin.com/unite/entrepreneurship/staffreads-anti-cap…

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3D Print: Catherdral

Image by chattlibrary
This sweet print was printed at The Organization Lab and displayed at the Chattanooga Public Library for the duration of Maker Day 2013.