Cool Machining Supplier photos

Verify out these machining supplier images:

blast off!

Image by uteart
showing some fire right here… in the Large view: www.flickr.com/pictures/uteart/4143924855/sizes/o/
——————————–

For 9 days, each and every day one more trade or profession will pay for shooting off the hundreds of rockets. the first ones at 6am – then 12 noon – then7pm…. and the Rocket-Castle at 11pm at night.

Yesterday was the Bricklayer’s turn, constantly the loudest day of them all!! I went to the yard behind the church from exactly where they will be launching the rockets. This aparently is not for the public, it is a harmful undertaking and the gates were closed behind the coheteros. And i was locked in with them, nobody has told me to leave… they let me take images!!!

All of a sudden i noticed 5 guys were lighting up cigarettes, then the &quotsupplier’ brought bundles of rockets and the coheteros began lighting them with their cigarettes, holding them among two fingers until they had catched fire prior to letting go. This is a hazardous and essential moment, simply because virtually instantly following ignition, a enormous fire beam would shoot from the rocket to the ground and the rocket was launched… handheld!!! A total of 1300 rockets have been shot up into the air, in a 30-minute time frame, accompanied by a concert of ringing church bells.

Most rockets had been launched, as you see here, bare handed!! Other individuals had been launched all lined up and stuck in some wooden- or metal frame help. Thus, by igniting the 1st a single, some 50+ rockets would explode simultaneously… like machine-gunfire, Wow, what an experience!!!! – I took a handful of hundred shots (in brackets), just to catch that beam of fire, but neither the fire-beam, nor the explosions of the rockets up in the blue sky showed up significantly on my images taken in broad daylight, just a lot of smoke. I will appear for a night shot in my archives, where the beam of fire is quite visible and impressive.

My desk at Operate

Image by metamoof
Here’s a image of my desk at work, labelled with a variety of bits and bobs. As requested by syn on www.livejournal.com/users/synthclarion/363683.html . My phonecam is rather crap, no?

Helmet

Image by clarksworth
Custom-made helmet for a short film.

The helmet is primarily based on the old brass Mk two diving gear, but with a modern/alien twist. The design of the piece is inspired by peak sci-fi films such as Alien, Star Wars and Blade Runner – function before form.

The helmet was produced from two stock acryillic hemispheres, with a sheet styrene construction on the back. Detailing was with a variety of model kit components, sillicone glue and basic electronics, along with stock plastic fittings from specific effects suppliers EMA Model Supplies. The &quotgun&quot was made overnight from what ever leftover stock I had to hand, which consists of PVC pipe and a number of other prop components (the tip is the nosecone from Derek Medding’s Thunderbird 1). The faceplate with the several lenses was inspired by the Bolex cameras we utilised to use at uni. Concept to final building was about six days, with some overnight periods. The building technique wasn’t my preferred one – with a lot more funds, CNC machining and fibreglass casting would have created the process a lot less complicated, but that would have quadroupled the expense of the costume.

The helmet’s design was a important component of the cinematography of the piece – it is not only extremely reflective and complete of surface detail, but it also has two forward LED spotlamps that illumunate the scenery around it. My part in this film – largely as production designer and camera op – was to guarantee that the art path actually was an integral component of the film, and not just an afterthought.

Nice Surface Grinding Aluminum photos

Check out these surface grinding aluminum photos:

Steven F. Udvar-Hazy Center: Space Shuttle Enterprise (port complete view)

Image by Chris Devers
See more pictures of this, and the Wikipedia post.

Specifics, quoting from Smithsonian National Air and Space Museum | Space Shuttle Enterprise:

Manufacturer:
Rockwell International Corporation

Nation of Origin:
United States of America

Dimensions:
General: 57 ft. tall x 122 ft. extended x 78 ft. wing span, 150,000 lb.
(1737.36 x 3718.57 x 2377.44cm, 68039.6kg)

Supplies:
Aluminum airframe and physique with some fiberglass functions payload bay doors are graphite epoxy composite thermal tiles are simulated (polyurethane foam) except for test samples of actual tiles and thermal blankets.

The 1st Space Shuttle orbiter, &quotEnterprise,&quot is a full-scale test car utilized for flights in the atmosphere and tests on the ground it is not equipped for spaceflight. Despite the fact that the airframe and flight handle elements are like those of the Shuttles flown in space, this vehicle has no propulsion method and only simulated thermal tiles since these attributes have been not needed for atmospheric and ground tests. &quotEnterprise&quot was rolled out at Rockwell International’s assembly facility in Palmdale, California, in 1976. In 1977, it entered service for a nine-month-extended approach-and-landing test flight plan. Thereafter it was utilised for vibration tests and fit checks at NASA centers, and it also appeared in the 1983 Paris Air Show and the 1984 World’s Fair in New Orleans. In 1985, NASA transferred &quotEnterprise&quot to the Smithsonian Institution’s National Air and Space Museum.

Transferred from National Aeronautics and Space Administration

• • •

Quoting from Wikipedia | Space Shuttle Enterprise:

The Space Shuttle Enterprise (NASA Orbiter Automobile Designation: OV-101) was the 1st Space Shuttle orbiter. It was built for NASA as part of the Space Shuttle system to execute test flights in the atmosphere. It was constructed without having engines or a functional heat shield, and was consequently not capable of spaceflight.

Originally, Enterprise had been intended to be refitted for orbital flight, which would have produced it the second space shuttle to fly after Columbia. Nevertheless, during the building of Columbia, information of the final design changed, especially with regard to the weight of the fuselage and wings. Refitting Enterprise for spaceflight would have involved dismantling the orbiter and returning the sections to subcontractors across the nation. As this was an expensive proposition, it was determined to be significantly less pricey to construct Challenger about a physique frame (STA-099) that had been developed as a test post. Similarly, Enterprise was regarded for refit to replace Challenger soon after the latter was destroyed, but Endeavour was built from structural spares as an alternative.

Service

Construction began on the 1st orbiter on June four, 1974. Designated OV-101, it was initially planned to be named Constitution and unveiled on Constitution Day, September 17, 1976. A create-in campaign by Trekkies to President Gerald Ford asked that the orbiter be named following the Starship Enterprise, featured on the tv show Star Trek. Although Ford did not mention the campaign, the president—who for the duration of World War II had served on the aircraft carrier USS&nbspMonterey&nbsp(CVL-26) that served with USS&nbspEnterprise&nbsp(CV-six)—said that he was &quotpartial to the name&quot and overrode NASA officials.

The design and style of OV-101 was not the identical as that planned for OV-102, the initial flight model the tail was constructed differently, and it did not have the interfaces to mount OMS pods. A huge quantity of subsystems—ranging from main engines to radar equipment—were not installed on this car, but the capacity to add them in the future was retained. As an alternative of a thermal protection system, its surface was mainly fiberglass.

In mid-1976, the orbiter was employed for ground vibration tests, allowing engineers to examine data from an actual flight car with theoretical models.

On September 17, 1976, Enterprise was rolled out of Rockwell’s plant at Palmdale, California. In recognition of its fictional namesake, Star Trek creator Gene Roddenberry and most of the principal cast of the original series of Star Trek had been on hand at the dedication ceremony.

Strategy and landing tests (ALT)

Major report: Strategy and Landing Tests

On January 31, 1977, it was taken by road to Dryden Flight Investigation Center at Edwards Air Force Base, to begin operational testing.

Although at NASA Dryden, Enterprise was used by NASA for a variety of ground and flight tests intended to validate elements of the shuttle plan. The initial nine-month testing period was referred to by the acronym ALT, for &quotApproach and Landing Test&quot. These tests integrated a maiden &quotflight&quot on February 18, 1977 atop a Boeing 747 Shuttle Carrier Aircraft (SCA) to measure structural loads and ground handling and braking characteristics of the mated system. Ground tests of all orbiter subsystems had been carried out to confirm functionality prior to atmospheric flight.

The mated Enterprise/SCA combination was then subjected to five test flights with Enterprise unmanned and unactivated. The goal of these test flights was to measure the flight characteristics of the mated mixture. These tests were followed with three test flights with Enterprise manned to test the shuttle flight handle systems.

Enterprise underwent 5 free of charge flights where the craft separated from the SCA and was landed below astronaut manage. These tests verified the flight characteristics of the orbiter design and style and were carried out below many aerodynamic and weight configurations. On the fifth and final glider flight, pilot-induced oscillation difficulties have been revealed, which had to be addressed just before the very first orbital launch occurred.

On August 12, 1977, the space shuttle Enterprise flew on its own for the 1st time.

Preparation for STS-1

Following the ALT plan, Enterprise was ferried among several NASA facilities to configure the craft for vibration testing. In June 1979, it was mated with an external tank and strong rocket boosters (known as a boilerplate configuration) and tested in a launch configuration at Kennedy Space Center Launch Pad 39A.

Retirement

With the completion of critical testing, Enterprise was partially disassembled to permit certain components to be reused in other shuttles, then underwent an international tour going to France, Germany, Italy, the United Kingdom, Canada, and the U.S. states of California, Alabama, and Louisiana (throughout the 1984 Louisiana World Exposition). It was also utilised to match-check the in no way-utilised shuttle launch pad at Vandenberg AFB, California. Finally, on November 18, 1985, Enterprise was ferried to Washington, D.C., where it became house of the Smithsonian Institution.

Post-Challenger

Soon after the Challenger disaster, NASA deemed using Enterprise as a replacement. However refitting the shuttle with all of the needed equipment needed for it to be utilized in space was regarded, but rather it was decided to use spares constructed at the same time as Discovery and Atlantis to develop Endeavour.

Post-Columbia

In 2003, right after the breakup of Columbia for the duration of re-entry, the Columbia Accident Investigation Board carried out tests at Southwest Investigation Institute, which utilized an air gun to shoot foam blocks of equivalent size, mass and speed to that which struck Columbia at a test structure which mechanically replicated the orbiter wing major edge. They removed a fiberglass panel from Enterprise’s wing to perform evaluation of the material and attached it to the test structure, then shot a foam block at it. Although the panel was not broken as a outcome of the test, the influence was adequate to permanently deform a seal. As the reinforced carbon-carbon (RCC) panel on Columbia was 2.five occasions weaker, this recommended that the RCC major edge would have been shattered. Added tests on the fiberglass were canceled in order not to risk damaging the test apparatus, and a panel from Discovery was tested to determine the effects of the foam on a similarly-aged RCC leading edge. On July 7, 2003, a foam effect test designed a hole 41&nbspcm by 42.five&nbspcm (16.1&nbspinches by 16.7&nbspinches) in the protective RCC panel. The tests clearly demonstrated that a foam effect of the kind Columbia sustained could seriously breach the protective RCC panels on the wing leading edge.

The board determined that the probable lead to of the accident was that the foam influence caused a breach of a reinforced carbon-carbon panel along the leading edge of Columbia’s left wing, permitting hot gases generated for the duration of re-entry to enter the wing and lead to structural collapse. This brought on Columbia to spin out of handle, breaking up with the loss of the entire crew.

Museum exhibit

Enterprise was stored at the Smithsonian’s hangar at Washington Dulles International Airport ahead of it was restored and moved to the newly constructed Smithsonian’s National Air and Space Museum‘s Steven F. Udvar-Hazy Center at Dulles International Airport, where it has been the centerpiece of the space collection. On April 12, 2011, NASA announced that Space Shuttle Discovery, the most traveled orbiter in the fleet, will be added to the collection once the Shuttle fleet is retired. When that happens, Enterprise will be moved to the Intrepid Sea-Air-Space Museum in New York City, to a newly constructed hangar adjacent to the museum. In preparation for the anticipated relocation, engineers evaluated the automobile in early 2010 and determined that it was safe to fly on the Shuttle Carrier Aircraft after once more.

Steven F. Udvar-Hazy Center: Space Shuttle Enterprise (interior of nose landing gear bay)

Image by Chris Devers
See a lot more images of this, and the Wikipedia article.

Details, quoting from Smithsonian National Air and Space Museum | Space Shuttle Enterprise:

Manufacturer:
Rockwell International Corporation

Country of Origin:
United States of America

Dimensions:
Overall: 57 ft. tall x 122 ft. extended x 78 ft. wing span, 150,000 lb.
(1737.36 x 3718.57 x 2377.44cm, 68039.6kg)

Components:
Aluminum airframe and body with some fiberglass characteristics payload bay doors are graphite epoxy composite thermal tiles are simulated (polyurethane foam) except for test samples of actual tiles and thermal blankets.

The initial Space Shuttle orbiter, &quotEnterprise,&quot is a complete-scale test automobile utilised for flights in the atmosphere and tests on the ground it is not equipped for spaceflight. Despite the fact that the airframe and flight manage components are like those of the Shuttles flown in space, this car has no propulsion method and only simulated thermal tiles since these characteristics were not needed for atmospheric and ground tests. &quotEnterprise&quot was rolled out at Rockwell International’s assembly facility in Palmdale, California, in 1976. In 1977, it entered service for a nine-month-long approach-and-landing test flight program. Thereafter it was employed for vibration tests and match checks at NASA centers, and it also appeared in the 1983 Paris Air Show and the 1984 World’s Fair in New Orleans. In 1985, NASA transferred &quotEnterprise&quot to the Smithsonian Institution’s National Air and Space Museum.

Transferred from National Aeronautics and Space Administration

• • •

Quoting from Wikipedia | Space Shuttle Enterprise:

The Space Shuttle Enterprise (NASA Orbiter Car Designation: OV-101) was the very first Space Shuttle orbiter. It was built for NASA as portion of the Space Shuttle program to carry out test flights in the atmosphere. It was constructed without having engines or a functional heat shield, and was as a result not capable of spaceflight.

Originally, Enterprise had been intended to be refitted for orbital flight, which would have produced it the second space shuttle to fly right after Columbia. Nonetheless, for the duration of the construction of Columbia, information of the final style changed, especially with regard to the weight of the fuselage and wings. Refitting Enterprise for spaceflight would have involved dismantling the orbiter and returning the sections to subcontractors across the nation. As this was an expensive proposition, it was determined to be less costly to develop Challenger around a body frame (STA-099) that had been produced as a test report. Similarly, Enterprise was regarded as for refit to replace Challenger following the latter was destroyed, but Endeavour was constructed from structural spares rather.

Service

Building began on the 1st orbiter on June four, 1974. Designated OV-101, it was initially planned to be named Constitution and unveiled on Constitution Day, September 17, 1976. A write-in campaign by Trekkies to President Gerald Ford asked that the orbiter be named following the Starship Enterprise, featured on the tv show Star Trek. Even though Ford did not mention the campaign, the president—who during Planet War II had served on the aircraft carrier USS&nbspMonterey&nbsp(CVL-26) that served with USS&nbspEnterprise&nbsp(CV-six)—said that he was &quotpartial to the name&quot and overrode NASA officials.

The design of OV-101 was not the exact same as that planned for OV-102, the first flight model the tail was constructed differently, and it did not have the interfaces to mount OMS pods. A huge number of subsystems—ranging from principal engines to radar equipment—were not installed on this vehicle, but the capacity to add them in the future was retained. As an alternative of a thermal protection technique, its surface was mainly fiberglass.

In mid-1976, the orbiter was utilized for ground vibration tests, permitting engineers to compare data from an actual flight car with theoretical models.

On September 17, 1976, Enterprise was rolled out of Rockwell’s plant at Palmdale, California. In recognition of its fictional namesake, Star Trek creator Gene Roddenberry and most of the principal cast of the original series of Star Trek had been on hand at the dedication ceremony.

Approach and landing tests (ALT)

Main write-up: Method and Landing Tests

On January 31, 1977, it was taken by road to Dryden Flight Investigation Center at Edwards Air Force Base, to begin operational testing.

Although at NASA Dryden, Enterprise was utilised by NASA for a selection of ground and flight tests intended to validate elements of the shuttle program. The initial nine-month testing period was referred to by the acronym ALT, for &quotApproach and Landing Test&quot. These tests integrated a maiden &quotflight&quot on February 18, 1977 atop a Boeing 747 Shuttle Carrier Aircraft (SCA) to measure structural loads and ground handling and braking traits of the mated program. Ground tests of all orbiter subsystems had been carried out to confirm functionality prior to atmospheric flight.

The mated Enterprise/SCA combination was then subjected to five test flights with Enterprise unmanned and unactivated. The objective of these test flights was to measure the flight traits of the mated mixture. These tests had been followed with 3 test flights with Enterprise manned to test the shuttle flight handle systems.

Enterprise underwent 5 free flights where the craft separated from the SCA and was landed beneath astronaut handle. These tests verified the flight traits of the orbiter design and have been carried out under numerous aerodynamic and weight configurations. On the fifth and final glider flight, pilot-induced oscillation problems have been revealed, which had to be addressed ahead of the 1st orbital launch occurred.

On August 12, 1977, the space shuttle Enterprise flew on its own for the initial time.

Preparation for STS-1

Following the ALT plan, Enterprise was ferried among many NASA facilities to configure the craft for vibration testing. In June 1979, it was mated with an external tank and solid rocket boosters (identified as a boilerplate configuration) and tested in a launch configuration at Kennedy Space Center Launch Pad 39A.

Retirement

With the completion of crucial testing, Enterprise was partially disassembled to enable certain components to be reused in other shuttles, then underwent an international tour going to France, Germany, Italy, the United Kingdom, Canada, and the U.S. states of California, Alabama, and Louisiana (for the duration of the 1984 Louisiana World Exposition). It was also utilized to match-check the by no means-utilized shuttle launch pad at Vandenberg AFB, California. Lastly, on November 18, 1985, Enterprise was ferried to Washington, D.C., where it became home of the Smithsonian Institution.

Post-Challenger

Right after the Challenger disaster, NASA regarded as using Enterprise as a replacement. However refitting the shuttle with all of the required gear required for it to be employed in space was regarded as, but instead it was decided to use spares constructed at the identical time as Discovery and Atlantis to construct Endeavour.

Post-Columbia

In 2003, following the breakup of Columbia in the course of re-entry, the Columbia Accident Investigation Board performed tests at Southwest Investigation Institute, which used an air gun to shoot foam blocks of equivalent size, mass and speed to that which struck Columbia at a test structure which mechanically replicated the orbiter wing top edge. They removed a fiberglass panel from Enterprise’s wing to execute analysis of the material and attached it to the test structure, then shot a foam block at it. Although the panel was not broken as a result of the test, the effect was adequate to permanently deform a seal. As the reinforced carbon-carbon (RCC) panel on Columbia was two.5 times weaker, this suggested that the RCC top edge would have been shattered. Additional tests on the fiberglass had been canceled in order not to danger damaging the test apparatus, and a panel from Discovery was tested to figure out the effects of the foam on a similarly-aged RCC top edge. On July 7, 2003, a foam influence test produced a hole 41&nbspcm by 42.five&nbspcm (16.1&nbspinches by 16.7&nbspinches) in the protective RCC panel. The tests clearly demonstrated that a foam effect of the kind Columbia sustained could seriously breach the protective RCC panels on the wing leading edge.

The board determined that the probable lead to of the accident was that the foam effect caused a breach of a reinforced carbon-carbon panel along the leading edge of Columbia’s left wing, allowing hot gases generated in the course of re-entry to enter the wing and lead to structural collapse. This caused Columbia to spin out of manage, breaking up with the loss of the complete crew.

Museum exhibit

Enterprise was stored at the Smithsonian’s hangar at Washington Dulles International Airport before it was restored and moved to the newly built Smithsonian’s National Air and Space Museum‘s Steven F. Udvar-Hazy Center at Dulles International Airport, exactly where it has been the centerpiece of the space collection. On April 12, 2011, NASA announced that Space Shuttle Discovery, the most traveled orbiter in the fleet, will be added to the collection when the Shuttle fleet is retired. When that takes place, Enterprise will be moved to the Intrepid Sea-Air-Space Museum in New York City, to a newly constructed hangar adjacent to the museum. In preparation for the anticipated relocation, engineers evaluated the vehicle in early 2010 and determined that it was secure to fly on the Shuttle Carrier Aircraft as soon as again.

Turntables at Frostburg, MD

A couple of nice engine turning images I located:

Turntables at Frostburg, MD

Image by jimforsberg
took the Maryland Scenic RR from Cumberland to Frostburg, MD where they turned the engine about and we returned to Comberland

A Run Up The Yard – 46521

Image by Sir Hectimere
Severn Valley Railway mogul No. 46521 on test after a quick running repair, takes a turn up and down the shed yard at Bridgenorth.

Camera: Olympus OM1 35mm SLR.
Film: Kodacolour.

Vulcan steam train

Image by stratman² (2 many pix and busy)
Old train engines have been designed to pull forwards rather than push backwards. Due to the fact of this the only way for the engine to be in front of the carriages and pulling them is to physically rotate the direction of the train engine on a huge turn table like in this image.

Good Turning Machining photographs

Some cool turning machining images:

Machine Turned Gauge

Image by jonnyfixedgear

Up side down

Image by jurvetson
You’re turning me…

Green Goo

Image by www.louisdallaraphotography.com
Green goo is a hypothetical finish-of-the-world situation involving molecular nanotechnology in which out-of-control self-replicating robots consume all living matter on Earth even though building a lot more of themselves (a situation recognized as ecophagy).

The term &quotgreen goo&quot is normally used in a science fiction or popular-press context. In the worst postulated scenarios (requiring big, space-capable machines), matter beyond Earth would also be turned into goo (with &quotgoo&quot which means a massive mass of replicating nanomachines lacking large-scale structure, which might or may not really seem goo-like). The disaster is posited to result from a deliberate doomsday device, or from an accidental mutation in a self-replicating nanomachine utilized for other purposes, but designed to operate in a natural environment.

Image from page 406 of “Decorative textiles an illustrated book on coverings for furniture, walls and floors, such as damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furnishings trimmings, wall papers, automobile

Verify out these machining manufacturer images:

Image from web page 406 of “Decorative textiles an illustrated book on coverings for furniture, walls and floors, like damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furnishings trimmings, wall papers, automobile

Image by Net Archive Book Photos
Identifier: decorativetextil1918hunt
Title: Decorative textiles an illustrated book on coverings for furnishings, walls and floors, such as damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furnishings trimmings, wall papers, carpets and rugs, tooled and illuminated leathers
Year: 1918 (1910s)
Authors: Hunter, George Leland, 1867-1927
Subjects: Embroidery Tapestry Textile fabrics Lace and lace making Wallpaper Decoration and ornament
Publisher: Philadelphia and London, J. B. Lippincott business Grand Rapids, The Dean-Hicks firm
Contributing Library: Sterling and Francine Clark Art Institute Library
Digitizing Sponsor: Federally funded with LSTA funds via the Massachusetts Board of Library Commissioners

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Images From Book

Click right here to view book on the web to see this illustration in context in a browseable on the internet version of this book.

Text Appearing Just before Image:
(1) Garden tulip (two) Iris

Text Appearing Right after Image:
(3) Trellis (4) Honeysuckle Plate XIII—FAMOUS PAPERS BY WILLIAM MORRIS 379 DECORATIVE TEXTILES Dorado wall paper will have a excellent mental image of what I mean. The architecture pictured in the Boscoreale frescoes is notrealistic. In truth, a lot of it is impossible. The artist has madecolumns graceful at the expense of strength, and has piled structuralmasses where they would be theatrically successful. He was avowedlynot imitating nature but generating decoration. This is shown notonly by the fancifulness of the architecture, but also by the repetitionof scenes. Repetition is what separates decoration from the art thatimitates or interprets nature. Nature seldom repeats and neverexactly. Of ornament and pattern, repetition is the backbone. Inrepetition, as in most other factors, excess is easy—particularly if itis carried out by machine. Modern wall papers surround us with obtrusivestupidities repeated a thousand instances. No wonder that many of thewall paper producers bring out a new set

Note About Photos
Please note that these photos are extracted from scanned web page photos that could have been digitally enhanced for readability – coloration and appearance of these illustrations could not perfectly resemble the original function.

Cool Precision Machining Business images

Some cool precision machining organization images:

Image from page 525 of “Industrial history of the United States, from the earliest settlements to the present time: becoming a complete survey of American industries, embracing agriculture and horticulture including the cultivation of cotton, tobacco, wheat

Image by World wide web Archive Book Pictures
Identifier: industrialhistor00boll
Title: Industrial history of the United States, from the earliest settlements to the present time: becoming a total survey of American industries, embracing agriculture and horticulture including the cultivation of cotton, tobacco, wheat the raising of horses, neat-cattle, and so forth. all the critical manufactures, shipping and fisheries, railroads, mines and mining, and oil also a history of the coal-miners and the Molly Maguires banks, insurance, and commerce trade-unions, strikes, and eight-hour movement collectively with a description of Canadian industries
Year: 1878 (1870s)
Authors: Bolles, Albert Sidney, 1846-1939
Subjects: Industries Industries
Publisher: Norwich, Conn. : The Henry Bill pub. Firm
Contributing Library: Harold B. Lee Library
Digitizing Sponsor: Brigham Young University

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Photos: All Photos From Book

Click right here to view book on-line to see this illustration in context in a browseable on-line version of this book.

Text Appearing Prior to Image:
INDUSTRIAL HISTORY joints of all kinds. The operate is generally done in these machines by meansof chisels and saws. This class of machines has multiplied extremely Machineryfor makingsashes,blinds, anddoors. fast considering that 1861, and has concentrated in factories a large amount of operate which was formerly carried on by hand, and scattered farand wide among little shops. It has also tremendously lessened theart of production. The machines are all very basic, thoughfrequently very ingenious, and work with excellent precision. The framing, shap-ing, and panelling ofwindows, doors, andblinds, is now doneentirely by machine-ry and the applica-tion of mechanical la-bor in this industryhas gone so far, thateven the wire stapleswhich fasten the rodof the window – blindto the slats are alldriven by machine,and with incrediblespeed. If a machinewere invented tobrush on the greenpaint to the window-do in the constructionThat a device of that

Text Appearing After Image:
TWENTY-FOlR-INCH PLANER. blind, sash, or door, there would be nothing more toof these objects which could be completed by machine,character could be created is apparent each by the aid of the unassisted reasonand from the fact that England ex-hibited a painting-machine at Phila-delphia in 1876. It was, in fact, heronly wood-working machine shown. One of the comparatively current in-ventions is a set of machines for making Barrel- tne different parts Of bar- creating- rels. In these the stavesmachines. are sawed out, bent, jointed,and ready for the barrel, with scarce-ly the help of any hand-tool what ever. The heads of the barrels and the wooden hoops are also shaped by appro-Carving and priate inventions. There are also now in use machines for carving,engraving. engraving and portrait engines, lathes for cutting and boringspools, box-mortising-machines, stair-jointers, hub-boxing-machines, cork-

Note About Pictures
Please note that these pictures are extracted from scanned page photos that might have been digitally enhanced for readability – coloration and appearance of these illustrations may possibly not completely resemble the original perform.

Image from page 677 of “Railway mechanical engineer” (1916)

Image by Web Archive Book Photos
Identifier: railwaymechanica95newy
Title: Railway mechanical engineer
Year: 1916 (1910s)
Authors:
Subjects: Railroad engineering Engineering Railroads Railroad cars
Publisher: New York, N.Y. : Simmons-Boardman Pub. Co
Contributing Library: Carnegie Library of Pittsburgh
Digitizing Sponsor: Lyrasis Members and Sloan Foundation

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Pictures: All Photos From Book

Click right here to view book on-line to see this illustration in context in a browseable online version of this book.

Text Appearing Just before Image:
Fig. 1—Cross Section of a Set of V Pilot Packing slotted, the slots getting staggered to stop the escape ofsteam down the rod. The slots serve an additional useful purposeby retaining oil for the lubrication of the rod. A hasty glanceat Fig. 1 may give the impression that there are two pieces of metal instead of one particular, but on closer examination the V-shapeof the strong, white metal bar is apparent. V Pilot Packing has a resilient, pliable back, fitting itfor several makes use of for which purely metallic packing is not

Text Appearing After Image:
Fig. 2—View Showing Flexibility of New Packing adapted. Its intense flexibility, as shown in Fig. two, per-mits its use on tiny rods and gives simple and rapid ad-justment. This packing has successfully passed the experi-mental stage and demonstrated its worth by extended testsunder actual functioning situations, obtaining shown unusuallylong life and resultant economy. It has a wide variety of ap-plication and is utilized by railroads for air pumps, boiler feedpumps (steam and water ends), valve stems, throttle stems,energy reverse gear rods, stationary air compressors, steamengines, hot and cold water pumps, ammonia pumps, round-house washout pumps, energy plant feed water pumps, pump-ing station (steam or water glands), steam hammers.andmany other purposes. V Pilot Packing is supplied boxedand ready for quick service and is applied in the samemanner as ordinary fibrous packing. A New Precision Machine Alining Level THE Universal Boring Machine Organization, Hudson,Mass., has just placed on the m

Note About Images
Please note that these pictures are extracted from scanned web page pictures that may have been digitally enhanced for readability – coloration and appearance of these illustrations could not completely resemble the original operate.

a979

Image by Providence Public Library
wc 556 factories and companies – Brown and Sharpe Manufacturing Organization – North Kingstown 1964 –
Machine tools, precision tools and guaging gear and hydraulic pumps are manufactured at this place

Good Precision Turning pictures

Good Precision Turning pictures

Some cool precision turning photos:

Jantar Mantar observatory, sundial, built by Maharaja Jai Singh II of Jaipur in 1724 – buses, automobiles, individuals, palms, trees, photo from hotel, atmospheric distance steamy hot morning, downtown New Delhi, on pilgrimage, 1993, India

Image by Wonderlane
The Jantar Mantar is situated in the modern day city of New Delhi. It consists of 13 architectural astronomy instruments. The site is one particular of five built by Maharaja Jai Singh II of Jaipur, from 1724 onwards, as he was provided by Mughal emperor Muhammad Shah the process of revising the calendar and astronomical tables.

The primary goal of the observatory was to compile astronomical tables, and to predict the instances and movements of the sun, moon and planets. Some of these purposes today would be classified as astronomy.

Completed in 1724, the Delhi Jantar Mantar had decayed considerably by 1867.

There are three instruments inside the observatory of Jantar Mantar in New Delhi: the Samrat Yantra, the Jayaprakash, and the Misra Yantra.

Samrat Yantra: The Samrat Yantra, or Supreme Instrument, is a giant triangle that is essentially an equal hour sundial. It is 70 feet higher, 114 feet long at the base, and 10 feet thick. It has a 128-foot-lengthy (39 m) hypotenuse that is parallel to the Earth’s axis and points toward the North Pole. On either side of the triangle is a quadrant with graduations indicating hours, minutes, and seconds.

At the time of the Samrat Yantra’s building, sundials already existed, but the Samrat Yantra turned the standard sundial into a precision tool for measuring declination and other associated coordinates of numerous heavenly bodies.

Jayaprakash Yantra: The Jayaprakash consists of hollowed out hemispheres with markings on their concave surfaces. Crosswires have been stretched amongst points on their rim. From inside the Ram, an observer could align the position of a star with different markings or a window’s edge.

Misra Yantra: The Misra Yantra was developed as a tool to decide the shortest and longest days of the year. It could also be utilised to indicate the precise moment of noon in different cities and places regardless of their distance from Delhi – very remarkable!

The Mishra yantras have been in a position to indicate when it was noon in a variety of cities all over the planet and was the only structure in the observatory not invented by Jai Singh II.

en.wikipedia.org/wiki/Jantar_Mantar,_Delhi

Their view #hotwinterlight #essay #lastintheset

Image by ocDeluxe
Exhaustion. Fibrillation, noise, competing frequencies. My rhythm is off and I need to find my personal heartbeat once again. It is been foggy right here all week–I typically really like fog–but the final few months have left me feeling like a zombie, all hollow and empty and inhuman, and I haven’t been capable to take pleasure in it. I wake up every morning and go about my routine, which is about all I can say. I shared this with my wife and she suggested that I take the entire day off from what I normally do. (Thanks for the viewpoint and help, honey!) This morning I opened to exactly where I left off in the Bible and read Lev. 23, the Lord is establishing rules for days of rest. Huh, interesting… so possibly I make myself a guarantee to rest today, which ironically is even a Saturday, the classic Sabbath day. And by rest I mean avoiding all factors that really feel like work, like photography in most instances. I couldn’t think about wanting to perform anyway, feeling like a zombie and all, so mostly, I’d just concentrate on becoming and paying attention–but should the temptation arise I promised myself I would not work.

Friendship drew me out of the home this morning, got my proverbial feet moving, with the guarantee of a uncommon art show downtown. A myriad of booths promoting old prints from woodcuts, etchings, monotypes, linocuts, and some I’ve heard of, like mezzotints. Input. The 1 I liked most was 00. Pass, for now.

But I also necessary space, to be in space, by myself for a whilst. Someplace a handful of blocks away, on a library hold shelf, a Philippe Halsman retrospective sat with my name on it. So I let my pal Mike know I was going to duck out for a few minutes to fetch it. The hot winter light, living, alive, impossible to ignore caught my eye. It shaped, defined, every thing about me brick and stone brought to life. I created a handful of snaps on my phone as I walked, reflex, which didn’t feel like operate and I didn’t have to perform at it, although it did little to ease my weary spirit.

Sustenance. Mike and I headed northeast for lunch, to that one hundred-year-old schoolhouse turned restaurant that serves regional microbrews. Burger and a beer and, ahh, the bliss of unhurried conversation. My burger was overcooked, like me, but the copper ale, delicious. It is often wonderful to connect with buddies more than a great meal, and the conversation welcome and prompting of reflection.

The a single aspect I really feel is at the moment missing in my life: Solitude. There’s a vacancy in time to wander and stare. And now that I truly have the day cost-free I needed to figure out exactly where to devote the rest of it. Soon after I mentioned goodbye to Mike I drove to Cathedral Park. Despite the fact that I’ve spent most of my life in Portland and in no way observed it. Pity. It’s a lengthy drive, but seemed as good of location as any and so there I went. I wavered when although crossing the Freemont Bridge, seeing how beautifully hazy the extended views have been, but expertise tells me that if I changed my mind now I’d end up nowhere. The female GPS with a foot fetish (in 1000 feet, turn left…) guided me with disturbing precision into the parking lot. Craving simplicity I slung my manual film camera more than my shoulder and left the DSLR in the vehicle.

Temptation. A crowd had formed on the primary lawn, about a group of performers with soap buckets and roped sticks. Giant morphing bubbles emerging like dragons out of thin air. The halos and reflections… stunning against the textured sky. Youngsters were running and jumping, giggling, as they popped the bubbles. Photographers everywhere, I counted at least fifty if you consist of camera phones, and excellent photographs could have/would have come easy, though it would have felt like operate to me. My shoulders drooping, held back, I moved along to wander and stare and discover: following that intuitive thread beyond my comprehension. I wandered on the dock, along the bank, by way of the trees, back to the auto, back to the park, up along the bridge pillars, down and around. I was fairly thorough in my wandering. I hurried only once, when mud disguised as grass tried to swallow my shoes.

Withdrawal. I made my way to the prime of the park in line with the bridge pillars with the hope of sitting quietly by myself for a while. A number of photographers showed shortly right after and setup tripods around me–apparently I had picked a excellent photo spot–and went about their company quietly. I listened to the sound of clacking shutters for a while and then fled back toward the river in silence.

Train tracks cut through the park I guess I had seen them on my way in, but they never really registered. Had I been a tiny more quickly I may have beaten the train, but as it had been I was cutoff. I waited patiently and then not so patiently as every freight auto lumbered passed, eventually realizing I would be there for the longer I had patience for. So I walked along the graveled tracks toward the opposite finish of the park, often reaching out with my fingers and tracing the corrugated ribs on the passing automobiles, iron fence boards. How curious to be so close to such a massive moving object with out any sense of worry or awe. And I listened, deeply, to the higher-pitch groans and screams of the metal on metal as the tracks traveled up and down like slow-moving pistons flexing around every wheel. I believed about cutting amongst the vehicles, maybe using the access stairs, or possibly hopping on a vehicle, but knew it was a bad concept for a lot of motives, and, besides, I was here to be patient and stare. By way of the gaps I noticed other folks waiting on the other side. Apparently none of us were happy with exactly where we have been. Waiting was mandatory.

We uncover our own beat in silence. Stillness and quiet are essential to sound, or rather music. It is the rests in among that support shape the rest of time. And often, maybe, we can locate stillness amongst the noise.

Right after the train passed I settled into a bench for a whilst, close to the major activity. Three guys in blue jeans, black tees, baseball caps, circling a pull wagon overloaded with buckets and bags and discarded coats. A single of the guys handed his bubble sticks more than to young woman who was carrying out a great job. A father with blond curly hair, I’m guessing German by his speech, chassed a giggling small boy with matching features. The boy about my own’s age, produced me miss my family members. A performer with a video camera bolted firmly to a helmet steadily floated by means of the action as if balancing water. Shortly following, he launched an RC helicopter, a huge one, like 650 class, and dispatched some of the bubbles with the rotor blades before moving on to far more sophisticated maneuvers. And there I sat till the last of the sun crept more than the tops of the hills, just before moving down toward the bank to explore further.

I felt a tinge of jealousy for the boulders sitting along the bank, year soon after year and watching the river flow by, the sun rising and setting, the altering light on the beautifully gothic spires of the St. John’s Bridge. But there was also ugliness here too. In another context I may well have thought this river bank a crime scene: scattered discarded clothing, crunchy and brittle, bleached from the sun the purse, riffled and cast aside the empty liquor bottle the lone shoe bobbing face down among the rotting twigs and effluvium. I’m not sure why, but I finally felt compelled to pull out my Pentax and make a couple exposures of the bridge. Practically nothing I will want to keep, likely, but the making was enjoyable nonetheless–and it didn’t really feel like perform. And that prompted me to make a couple of snaps on my telephone, to complete the set from earlier, except my telephone flashed low battery and shut down unexpectedly soon after a couple of–a casualty of the casual GPS use earlier. Or maybe a sign.

In the distance the bubble guys now wielded a smoke machine. Really unusual–the blobs of trapped smoke looked specifically like anything from a lava lamp. They even managed to trap a smoke-filled bubble inside a bigger typical one. Impressive. Still no compulsion to photograph and I moved on.

I sat in the auto for really a whilst and watched the final of the light fade away. This day would never occur once again. I guess the time was excellent for the soul, I needed time to fill the vacancy, even if the encounter wasn’t wholly successful. The essential in the ignition eventually turned, I never bear in mind selecting to do this, the transmission engaged, I backed up, unconsciously headed in a familiar path. When I passed downtown I regarded dropping by operate for a couple hours to address one thing on my backlog I’ve been avoiding for weeks and then remembered my Lev. 23 promise. Near residence I pulled more than into a grocery retailer parking lot, exactly where I am now, and started performing this, journaling. I’m extremely thankful to God for providing me the present of a day like this. My head is nevertheless foggy, but I’m still grateful even if I could not clear my head. And fog requirements time to dissipate, correct? But fog can be great as well. It can support reveal depth to shape what we may otherwise take for granted. It’s the in-between that shapes the light and it’s the in-between that shapes us, which assists us locate our rhythm. And fog increases that in-between. If it tends to make focusing challenging, then perhaps I require to concentrate on what’s close to. My loved ones is near, so I guess it really is time to go home.

Not A Day Goes By

A couple of good turning parts photos I located:

Not A Day Goes By

Image by Cate Storymoon
&quotNot a day goes by,
Not a single day,
But you happen to be someplace a portion of my life, and it appears
like you will remain.
As the days go by
I keep pondering when
does it finish?
Where’s the day I’ll have
started forgetting?
But I just go on thinking,
and sweating,
And cursing, and crying,
And turning, and reaching,
And waking and dying…

And no, not a day goes by,
Not a blessed day.
But you are still somehow
component of my life,
And you will not go away…
So there’s hell to pay,
And till I die I will die
day following day following day
soon after day right after day right after day
right after day…
‘Til the days go by…
‘Til the days go by…
‘Til the days go by.&quot

Stephen Sondheim
Sung by inimitable Bernadette:

www.youtube.com/watch?v=5kMlQgyz834&ampfeature=kp

Few information, I’ve reworked an older photo:
Dress by Donna Flora
Hair by Wasabi Tablets

Place: the Tulip sim

as dark turns to light

Image by Singing With Light
Yet another shot from Exchange spot searching over the east river at NYC as the sun rises
Better on B l a c k M a g i c

Concorde!

Concorde!

Some cool turning parts manufacturer images:

Concorde!

Image by Chris Devers
Posted by way of email to ☛ HoloChromaCinePhotoRamaScope‽: cdevers.posterous.com/concorde. See the full gallery on Posterous …

• • • • •

Quoting Smithsonian National Air and Space Museum | Concorde, Fox Alpha, Air France:

The first supersonic airliner to enter service, the Concorde flew thousands of passengers across the Atlantic at twice the speed of sound for more than 25 years. Designed and constructed by Aérospatiale of France and the British Aviation Corporation, the graceful Concorde was a beautiful technological achievement that could not overcome severe economic issues.

In 1976 Air France and British Airways jointly inaugurated Concorde service to destinations about the globe. Carrying up to 100 passengers in excellent comfort, the Concorde catered to initial class passengers for whom speed was essential. It could cross the Atlantic in fewer than 4 hours – half the time of a traditional jet airliner. Nonetheless its high operating fees resulted in extremely high fares that limited the quantity of passengers who could afford to fly it. These issues and a shrinking market ultimately forced the reduction of service till all Concordes had been retired in 2003.

In 1989, Air France signed a letter of agreement to donate a Concorde to the National Air and Space Museum upon the aircraft’s retirement. On June 12, 2003, Air France honored that agreement, donating Concorde F-BVFA to the Museum upon the completion of its last flight. This aircraft was the initial Air France Concorde to open service to Rio de Janeiro, Washington, D.C., and New York and had flown 17,824 hours.

Gift of Air France.

Manufacturer:
Societe Nationale Industrielle Aerospatiale
British Aircraft Corporation

Dimensions:
Wingspan: 25.56 m (83 ft ten in)
Length: 61.66 m (202 ft 3 in)
Height: 11.three m (37 ft 1 in)
Weight, empty: 79,265 kg (174,750 lb)
Weight, gross: 181,435 kg (400,000 lb)
Best speed: 2,179 km/h (1350 mph)
Engine: Four Rolls-Royce/SNECMA Olympus 593 Mk 602, 17,259 kg (38,050 lb) thrust each and every
Manufacturer: Société Nationale Industrielle Aérospatiale, Paris, France, and British Aircraft Corporation, London, United Kingdom

Physical Description:
Aircaft Serial Number: 205. Like four (4) engines, bearing respectively the serial quantity: CBE066, CBE062, CBE086 and CBE085.
Also integrated, aircraft plaque: &quotAIR FRANCE Lorsque viendra le jour d’exposer Concorde dans un musee, la Smithsonian Institution a dores et deja choisi, pour le Musee de l’Air et de l’Espace de Washington, un appariel portant le couleurs d’Air France.&quot

1966 Bizzarrini GT Strada 5300 (02)

Image by Georg Sander
Bizzarrini S.p.A. was an automotive manufacturer in the 1960s. Founded by former Alfa Romeo, Ferrari and ISO engineer, Giotto Bizzarrini, the business built a modest number of highly created and advanced sport and racing automobiles prior to failing in 1969.

In 1966 Bizzarrini S.p.A. released a beautiful street legal Grifo A3C as the Bizzarrini 5300 GT Strada (or Bizzarrini 5300 GT America, based on the market). The physique shape and mechanical parts have been the a lot the same as the Iso A3Cs, resulting in a power-packed but sensuous coupe below 40&quot in height.[1]

At least three 5300s had been turned out as gorgeous Style Italia designed spyder/targa versions, all of which survive.v

(Wikipedia)

Der Bizzarrini GT 5300 war ein in geringen Stückzahlen produzierter Sportwagen des italienischen Automobilherstellers Automobili Bizzarrini, der historisch und technisch eng mit dem Iso Grifo des Mailänder Sportwagenherstellers Iso Rivolta verwandt ist. Das Auto war als Rennsportversion des Grifo konzipiert und wurde anfänglich als Iso A3/C vermarktet. Nach dem Ende der geschäftlichen Beziehungen zwischen Bizzarrini und Iso Rivolta wurde es 1965 zu einem eigenständigen Modell. Bizzarrini bot den nun GT 5300 genannten Wagen in einer straßentauglichen Version und in einer überarbeiteten, für Motorsporteinsätze geeigneten Ausführung an. Der Produktionsumfang beider Versionen blieb hinter Bizzarrinis Erwartungen zurück. Auch im Motorsport konnte der GT 5300 nicht an die Erfolge anknüpfen, die 1964 und 1965 mit dem weitgehend baugleichen Iso A3/C erzielt worden waren.

(Wikipedia)

Cool Cnc Cutting Machine photos

Cool Cnc Cutting Machine photos

Some cool cnc cutting machine images:

Lazerian: Light Modulator

Image by Liverpool Design Festival
A pc-generated kind was converted into modular sections, which have been reduce from 3mm birch plywood making use of a CNC routing machine. Emphasis was placed on limiting the quantity of special module shapes in order to simplify building twenty six distinctive units are utilized in total, repeated through the symmetry of the kind. Design Liam Hopkins and Richard Sweeney