Cool Machining Supplier pictures

Cool Machining Supplier pictures

Some cool machining supplier images:

Australasian Gaming Expo Trade Exhibition, Paltronics

Image by Eva Rinaldi Celebrity and Live Music Photographer
Australasian Gaming Expo report from Sydney; Australia – Day 2

Today was the 2nd day for the most high profile and successful gaming expo in Australia – the Australasian Gaming Expo, which is being hosted by the Sydney Convention Centre at Darling Harbour.

It’s a key time for the gaming industry in Australia with all the regulation elements, responsible gambling initiatives and such, and most of the big boys of the industry were on hand to show off their wares, with some exhibitors demonstrating significant creative flair to help showoff their latest and greatest wares.

Our friends at Human Statue Bodyart had a couple of body models made up in bodypaint (Anastasia as a butterfly and Victoria as a panda) – complete with wings, for leading gaming brand Paltronics and its latest game ‘Jungle Madness’.

The expo centre itself is huge – 15,000 square metres (about the size of an Aussie Rules football oval) and this provided more than ample opportunity for over 750 slot games aka "pokies" to strut their stuff.

The Australasian Gaming Expo is by far the largest event of its type in Australia and one of the world’s biggest.

We learned through the grapevine that a trip for 2 to Las Vegas will be won by a lucky visitor on each of the 3 days of the Expo, and this is compliments of the Gaming Technologies Association which owns the event.

We understand that over 16,000 people have walked through the games thus far, with those in the business being the majority, and no doubt a few punters, checked through the gates (but note that the games on display do not accept coins or notes).

News…

Human Statue Bodyart helps make Paltronics…

Gaming firm Paltronics was once again looking for their fair share of attention by having a few body models made up in forest like bodypaint attire to compliment their selection of games, including the very popular ‘Jungle Madness’.

There’s little doubt that folks Paltronics knew that competitors of sorts, IGT, were going all out with an Elvis promotion (including imitator), and may have also noted their ‘Sex In The City’ promotional stand from last years show.

It’s always good to see Australian companies such as Paltronics take on international giants such as IGT and promotional models are just one of the weapons that gaming companies will continue to employ in the high stakes world of electronic gaming, and the folks from the Human Statue Bodyart creative arts agency certainly helped Paltronics make a positive splash today.

We hear that more bodypainted models are on the cards tomorrow (the 3rd and final day of the expo) so be sure to check the stands, with 11am to 2pm

News…

Shuffle Master promotes The Flintstones Slot…

"We are thrilled to be able to offer such an iconic brand as The Flintstones and we feel confident that it will take center stage at the show," said Adrian Halpenny, President of Shuffle Master Australasia. "Our game development team worked very hard to deliver a final product that demonstrated meticulous attention to detail in order to maintain the high quality and authenticity of the television series. As a result, The Flintstones is a breakthrough product that is not only highly enjoyable to play as a traditional gaming machine, but also brings the much-loved characters to life with entertaining and engaging features."

Since debuting on American television, The Flintstones has endured as one of the most recognized cartoon TV shows of all time and is still shown on TV around the world. The beloved characters of The Flintstones have been a part of our childhoods for decades, and this new game allows us to play and interact with them in new and exciting ways.

Preston Kevin Lewis, Managing Director of Warner Bros. Consumer Products ANZ, said, "It is testament to the enduring nature of The Flintstones brand that the likes of Fred, Barney, Wilma and Betty continue to reach new audiences in diverse areas. Shuffle Master is one of the world’s leading gaming suppliers and we’re sure these fantastic machines will provide consumers with yet another opportunity to fall in love with The Flintstones."

Designed to make a big impact on the gaming floor with its broad appeal, The Flintstones is a three-level standalone progressive, low-denomination product with a suite of exciting base games and attractive jackpot prizes. It also introduces Shuffle Master’s patented new "mini-reel" feature trigger that ignites the player’s anticipation during game play.

The game offers three interactive bonus features that provide players with the chance to win jackpots and credit prizes. Each bonus feature evokes classic scenes from the original TV show, such as the ten-pin challenge at Bedrock Bowl, the family night out at The Drive-In and the antics of Fred Flintstone’s lovable pet dinosaur in Dino’s Dig.

Every element has been carefully crafted to captivate players. The Flintstones will feature themed door trims with matching halo lighting, a unique character marquee with a built-in LCD top box, and re-mastered music and sound effects from the original TV show. The three launch games – Lioness, Peacock Garden and Tiger Power – will be supplemented with more games from Shuffle Master on an ongoing basis to keep the installations fresh and exciting.

Press Release…

IGT Highlights Innovative 3D Gaming Technology and a Star-studded Gaming Lineup at the Australasian Gaming Expo…

LAS VEGAS, Aug. 20, 2012 — International Game Technology (NYSE:IGT), a global leader in casino gaming entertainment and systems technology, announced today it will deliver new industry firsts for Australia’s gaming enthusiasts at the Australasian Gaming Expo (AGE) Aug. 21 – 23 at the Sydney Convention & Exhibition Centre in Sydney, Australia.

IGT will launch the 3D gaming technology MLD™ (Multi-Layer Display™), paired with the unveiling of one of the world’s most iconic pop culture brands, Elvis The King®. This new title is now available in Australia exclusively on the IGT bluechip Neo® Tower Top cabinet after successful launches in other global markets, along with many new games and products.

"IGT continues to provide our customers with strong game performance, the widest variety of games, the latest in systems innovation and world-class service, all of which will be on display at AGE," said Eric Tom, IGT executive vice president of Global Sales.

"Our research indicates that many players are entertainment seekers who are attracted to iconic brands and IGT delivers this with our pop culture hit Elvis The King®. This game has been adapted to suit the Australasian players’ playing style. The 3D capabilities of MLD with Elvis The King® also provides venues with a strong differentiator as they look to broaden gaming’s appeal and provide something special for players," said Tom. "Elvis The King® is packed with multiple features and number one hits."

IGT’s 3D MLD™ screens take gaming to another dimension in play. The 3D effect is simulated because the content exists on two separate LCD panels; one in front of the other which gives a depth of field, with game elements appearing and moving between the front and back screens. This allows for new game play options and heightened entertainment.

The line-up of over fifty games at AGE reflects IGT’s re-invigorated game design strategy with the legendary performance of games such as Siberian Storm® and Dangerous Beauty®. Additional games debuting at AGE include:

Black Widow® – a low denomination game with a ‘web capture’ feature during free games for the chance to accumulate additional credits.

Dakota Thunder® – featuring the ‘Thunder Shudder’.

A global leader in casino gaming entertainment and systems technology, IGT provides a holistic solution to the industry and its strength in gaming management systems and new interactive technologies will also be showcased at AGE.

The IGT Advantage Club® System will be demonstrated with new technologies such as Service Window, a small window that appears on the left hand side of the screen. The Service Window can be used for personalized player messaging and for service requests, adding a unique level of service for venues with the IGT system. The IGT Advantage Club® system is proving to be a winner with clubs in New South Wales.

IGT will again be playing host to industry experts who will present a range of topics including game floor design, customer service and systems. For more details on the free business seminar sessions visit www.igt.com.au/AGE12.

About IGT
International Game Technology (NYSE: IGT) is a global leader in casino gaming entertainment and continues to transform the industry by translating casino player experiences to social, mobile and interactive environments for regulated markets around the world. IGT’s recent acquisition of Double Down Interactive provides engaging casino style entertainment to more than 5 million players monthly. More information about IGT is available at www.IGT.com or connect with IGT at @IGTNews or www.facebook.com/IGT.

© EPE, Reg. U.S. Pat & TM O_.

Dangerous Beauty and Black Widow were created by High 5 Games. For more information on High 5 Games, go to www.High5games.com

Pure Depth™, MLD®, Multi-Layer Display® and Actual Depth™ are trademarks or registered trademarks of Pure Depth, Inc. All other trademarks are registered trademarks or the property of their respective owners without the intent to infringe. www.puredepth.com. All trademarks or registered trademarks are owned by IGT (Australia) Pty. Limited or its related entities. All information is subject to change without notice. Game type availability is subject to jurisdictional approval.

Websites

Australasian Gaming Expo
www.austgamingexpo.com

Gaming Technologies Association
www.gamingta.com

PALtronics Australasia
www.paltronics.com.au

Sydney Convention and Exhibition Centre
www.scec.com.au

Human Statue Bodyart
www.humanstatuebodyart.com.au

Human Statue Bodyart Flickr
www.flickr.com/photos/humanstatuebodyart

Eva Rinaldi Photography Flickr
www.flickr.com/evarinaldiphotography

Australasian Gaming Expo Trade Exhibition, Paltronics

Image by Eva Rinaldi Celebrity and Live Music Photographer
Australasian Gaming Expo report from Sydney; Australia – Day 2

Today was the 2nd day for the most high profile and successful gaming expo in Australia – the Australasian Gaming Expo, which is being hosted by the Sydney Convention Centre at Darling Harbour.

It’s a key time for the gaming industry in Australia with all the regulation elements, responsible gambling initiatives and such, and most of the big boys of the industry were on hand to show off their wares, with some exhibitors demonstrating significant creative flair to help showoff their latest and greatest wares.

Our friends at Human Statue Bodyart had a couple of body models made up in bodypaint (Anastasia as a butterfly and Victoria as a panda) – complete with wings, for leading gaming brand Paltronics and its latest game ‘Jungle Madness’.

The expo centre itself is huge – 15,000 square metres (about the size of an Aussie Rules football oval) and this provided more than ample opportunity for over 750 slot games aka "pokies" to strut their stuff.

The Australasian Gaming Expo is by far the largest event of its type in Australia and one of the world’s biggest.

We learned through the grapevine that a trip for 2 to Las Vegas will be won by a lucky visitor on each of the 3 days of the Expo, and this is compliments of the Gaming Technologies Association which owns the event.

We understand that over 16,000 people have walked through the games thus far, with those in the business being the majority, and no doubt a few punters, checked through the gates (but note that the games on display do not accept coins or notes).

News…

Human Statue Bodyart helps make Paltronics…

Gaming firm Paltronics was once again looking for their fair share of attention by having a few body models made up in forest like bodypaint attire to compliment their selection of games, including the very popular ‘Jungle Madness’.

There’s little doubt that folks Paltronics knew that competitors of sorts, IGT, were going all out with an Elvis promotion (including imitator), and may have also noted their ‘Sex In The City’ promotional stand from last years show.

It’s always good to see Australian companies such as Paltronics take on international giants such as IGT and promotional models are just one of the weapons that gaming companies will continue to employ in the high stakes world of electronic gaming, and the folks from the Human Statue Bodyart creative arts agency certainly helped Paltronics make a positive splash today.

We hear that more bodypainted models are on the cards tomorrow (the 3rd and final day of the expo) so be sure to check the stands, with 11am to 2pm

News…

Shuffle Master promotes The Flintstones Slot…

"We are thrilled to be able to offer such an iconic brand as The Flintstones and we feel confident that it will take center stage at the show," said Adrian Halpenny, President of Shuffle Master Australasia. "Our game development team worked very hard to deliver a final product that demonstrated meticulous attention to detail in order to maintain the high quality and authenticity of the television series. As a result, The Flintstones is a breakthrough product that is not only highly enjoyable to play as a traditional gaming machine, but also brings the much-loved characters to life with entertaining and engaging features."

Since debuting on American television, The Flintstones has endured as one of the most recognized cartoon TV shows of all time and is still shown on TV around the world. The beloved characters of The Flintstones have been a part of our childhoods for decades, and this new game allows us to play and interact with them in new and exciting ways.

Preston Kevin Lewis, Managing Director of Warner Bros. Consumer Products ANZ, said, "It is testament to the enduring nature of The Flintstones brand that the likes of Fred, Barney, Wilma and Betty continue to reach new audiences in diverse areas. Shuffle Master is one of the world’s leading gaming suppliers and we’re sure these fantastic machines will provide consumers with yet another opportunity to fall in love with The Flintstones."

Designed to make a big impact on the gaming floor with its broad appeal, The Flintstones is a three-level standalone progressive, low-denomination product with a suite of exciting base games and attractive jackpot prizes. It also introduces Shuffle Master’s patented new "mini-reel" feature trigger that ignites the player’s anticipation during game play.

The game offers three interactive bonus features that provide players with the chance to win jackpots and credit prizes. Each bonus feature evokes classic scenes from the original TV show, such as the ten-pin challenge at Bedrock Bowl, the family night out at The Drive-In and the antics of Fred Flintstone’s lovable pet dinosaur in Dino’s Dig.

Every element has been carefully crafted to captivate players. The Flintstones will feature themed door trims with matching halo lighting, a unique character marquee with a built-in LCD top box, and re-mastered music and sound effects from the original TV show. The three launch games – Lioness, Peacock Garden and Tiger Power – will be supplemented with more games from Shuffle Master on an ongoing basis to keep the installations fresh and exciting.

Press Release…

IGT Highlights Innovative 3D Gaming Technology and a Star-studded Gaming Lineup at the Australasian Gaming Expo…

LAS VEGAS, Aug. 20, 2012 — International Game Technology (NYSE:IGT), a global leader in casino gaming entertainment and systems technology, announced today it will deliver new industry firsts for Australia’s gaming enthusiasts at the Australasian Gaming Expo (AGE) Aug. 21 – 23 at the Sydney Convention & Exhibition Centre in Sydney, Australia.

IGT will launch the 3D gaming technology MLD™ (Multi-Layer Display™), paired with the unveiling of one of the world’s most iconic pop culture brands, Elvis The King®. This new title is now available in Australia exclusively on the IGT bluechip Neo® Tower Top cabinet after successful launches in other global markets, along with many new games and products.

"IGT continues to provide our customers with strong game performance, the widest variety of games, the latest in systems innovation and world-class service, all of which will be on display at AGE," said Eric Tom, IGT executive vice president of Global Sales.

"Our research indicates that many players are entertainment seekers who are attracted to iconic brands and IGT delivers this with our pop culture hit Elvis The King®. This game has been adapted to suit the Australasian players’ playing style. The 3D capabilities of MLD with Elvis The King® also provides venues with a strong differentiator as they look to broaden gaming’s appeal and provide something special for players," said Tom. "Elvis The King® is packed with multiple features and number one hits."

IGT’s 3D MLD™ screens take gaming to another dimension in play. The 3D effect is simulated because the content exists on two separate LCD panels; one in front of the other which gives a depth of field, with game elements appearing and moving between the front and back screens. This allows for new game play options and heightened entertainment.

The line-up of over fifty games at AGE reflects IGT’s re-invigorated game design strategy with the legendary performance of games such as Siberian Storm® and Dangerous Beauty®. Additional games debuting at AGE include:

Black Widow® – a low denomination game with a ‘web capture’ feature during free games for the chance to accumulate additional credits.

Dakota Thunder® – featuring the ‘Thunder Shudder’.

A global leader in casino gaming entertainment and systems technology, IGT provides a holistic solution to the industry and its strength in gaming management systems and new interactive technologies will also be showcased at AGE.

The IGT Advantage Club® System will be demonstrated with new technologies such as Service Window, a small window that appears on the left hand side of the screen. The Service Window can be used for personalized player messaging and for service requests, adding a unique level of service for venues with the IGT system. The IGT Advantage Club® system is proving to be a winner with clubs in New South Wales.

IGT will again be playing host to industry experts who will present a range of topics including game floor design, customer service and systems. For more details on the free business seminar sessions visit www.igt.com.au/AGE12.

About IGT
International Game Technology (NYSE: IGT) is a global leader in casino gaming entertainment and continues to transform the industry by translating casino player experiences to social, mobile and interactive environments for regulated markets around the world. IGT’s recent acquisition of Double Down Interactive provides engaging casino style entertainment to more than 5 million players monthly. More information about IGT is available at www.IGT.com or connect with IGT at @IGTNews or www.facebook.com/IGT.

© EPE, Reg. U.S. Pat & TM O_.

Dangerous Beauty and Black Widow were created by High 5 Games. For more information on High 5 Games, go to www.High5games.com

Pure Depth™, MLD®, Multi-Layer Display® and Actual Depth™ are trademarks or registered trademarks of Pure Depth, Inc. All other trademarks are registered trademarks or the property of their respective owners without the intent to infringe. www.puredepth.com. All trademarks or registered trademarks are owned by IGT (Australia) Pty. Limited or its related entities. All information is subject to change without notice. Game type availability is subject to jurisdictional approval.

Websites

Australasian Gaming Expo
www.austgamingexpo.com

Gaming Technologies Association
www.gamingta.com

PALtronics Australasia
www.paltronics.com.au

Sydney Convention and Exhibition Centre
www.scec.com.au

Human Statue Bodyart
www.humanstatuebodyart.com.au

Human Statue Bodyart Flickr
www.flickr.com/photos/humanstatuebodyart

Eva Rinaldi Photography Flickr
www.flickr.com/evarinaldiphotography

Australasian Gaming Expo Trade Exhibition, Paltronics

Image by Eva Rinaldi Celebrity and Live Music Photographer
Australasian Gaming Expo report from Sydney; Australia – Day 2

Today was the 2nd day for the most high profile and successful gaming expo in Australia – the Australasian Gaming Expo, which is being hosted by the Sydney Convention Centre at Darling Harbour.

It’s a key time for the gaming industry in Australia with all the regulation elements, responsible gambling initiatives and such, and most of the big boys of the industry were on hand to show off their wares, with some exhibitors demonstrating significant creative flair to help showoff their latest and greatest wares.

Our friends at Human Statue Bodyart had a couple of body models made up in bodypaint (Anastasia as a butterfly and Victoria as a panda) – complete with wings, for leading gaming brand Paltronics and its latest game ‘Jungle Madness’.

The expo centre itself is huge – 15,000 square metres (about the size of an Aussie Rules football oval) and this provided more than ample opportunity for over 750 slot games aka "pokies" to strut their stuff.

The Australasian Gaming Expo is by far the largest event of its type in Australia and one of the world’s biggest.

We learned through the grapevine that a trip for 2 to Las Vegas will be won by a lucky visitor on each of the 3 days of the Expo, and this is compliments of the Gaming Technologies Association which owns the event.

We understand that over 16,000 people have walked through the games thus far, with those in the business being the majority, and no doubt a few punters, checked through the gates (but note that the games on display do not accept coins or notes).

News…

Human Statue Bodyart helps make Paltronics…

Gaming firm Paltronics was once again looking for their fair share of attention by having a few body models made up in forest like bodypaint attire to compliment their selection of games, including the very popular ‘Jungle Madness’.

There’s little doubt that folks Paltronics knew that competitors of sorts, IGT, were going all out with an Elvis promotion (including imitator), and may have also noted their ‘Sex In The City’ promotional stand from last years show.

It’s always good to see Australian companies such as Paltronics take on international giants such as IGT and promotional models are just one of the weapons that gaming companies will continue to employ in the high stakes world of electronic gaming, and the folks from the Human Statue Bodyart creative arts agency certainly helped Paltronics make a positive splash today.

We hear that more bodypainted models are on the cards tomorrow (the 3rd and final day of the expo) so be sure to check the stands, with 11am to 2pm

News…

Shuffle Master promotes The Flintstones Slot…

"We are thrilled to be able to offer such an iconic brand as The Flintstones and we feel confident that it will take center stage at the show," said Adrian Halpenny, President of Shuffle Master Australasia. "Our game development team worked very hard to deliver a final product that demonstrated meticulous attention to detail in order to maintain the high quality and authenticity of the television series. As a result, The Flintstones is a breakthrough product that is not only highly enjoyable to play as a traditional gaming machine, but also brings the much-loved characters to life with entertaining and engaging features."

Since debuting on American television, The Flintstones has endured as one of the most recognized cartoon TV shows of all time and is still shown on TV around the world. The beloved characters of The Flintstones have been a part of our childhoods for decades, and this new game allows us to play and interact with them in new and exciting ways.

Preston Kevin Lewis, Managing Director of Warner Bros. Consumer Products ANZ, said, "It is testament to the enduring nature of The Flintstones brand that the likes of Fred, Barney, Wilma and Betty continue to reach new audiences in diverse areas. Shuffle Master is one of the world’s leading gaming suppliers and we’re sure these fantastic machines will provide consumers with yet another opportunity to fall in love with The Flintstones."

Designed to make a big impact on the gaming floor with its broad appeal, The Flintstones is a three-level standalone progressive, low-denomination product with a suite of exciting base games and attractive jackpot prizes. It also introduces Shuffle Master’s patented new "mini-reel" feature trigger that ignites the player’s anticipation during game play.

The game offers three interactive bonus features that provide players with the chance to win jackpots and credit prizes. Each bonus feature evokes classic scenes from the original TV show, such as the ten-pin challenge at Bedrock Bowl, the family night out at The Drive-In and the antics of Fred Flintstone’s lovable pet dinosaur in Dino’s Dig.

Every element has been carefully crafted to captivate players. The Flintstones will feature themed door trims with matching halo lighting, a unique character marquee with a built-in LCD top box, and re-mastered music and sound effects from the original TV show. The three launch games – Lioness, Peacock Garden and Tiger Power – will be supplemented with more games from Shuffle Master on an ongoing basis to keep the installations fresh and exciting.

Press Release…

IGT Highlights Innovative 3D Gaming Technology and a Star-studded Gaming Lineup at the Australasian Gaming Expo…

LAS VEGAS, Aug. 20, 2012 — International Game Technology (NYSE:IGT), a global leader in casino gaming entertainment and systems technology, announced today it will deliver new industry firsts for Australia’s gaming enthusiasts at the Australasian Gaming Expo (AGE) Aug. 21 – 23 at the Sydney Convention & Exhibition Centre in Sydney, Australia.

IGT will launch the 3D gaming technology MLD™ (Multi-Layer Display™), paired with the unveiling of one of the world’s most iconic pop culture brands, Elvis The King®. This new title is now available in Australia exclusively on the IGT bluechip Neo® Tower Top cabinet after successful launches in other global markets, along with many new games and products.

"IGT continues to provide our customers with strong game performance, the widest variety of games, the latest in systems innovation and world-class service, all of which will be on display at AGE," said Eric Tom, IGT executive vice president of Global Sales.

"Our research indicates that many players are entertainment seekers who are attracted to iconic brands and IGT delivers this with our pop culture hit Elvis The King®. This game has been adapted to suit the Australasian players’ playing style. The 3D capabilities of MLD with Elvis The King® also provides venues with a strong differentiator as they look to broaden gaming’s appeal and provide something special for players," said Tom. "Elvis The King® is packed with multiple features and number one hits."

IGT’s 3D MLD™ screens take gaming to another dimension in play. The 3D effect is simulated because the content exists on two separate LCD panels; one in front of the other which gives a depth of field, with game elements appearing and moving between the front and back screens. This allows for new game play options and heightened entertainment.

The line-up of over fifty games at AGE reflects IGT’s re-invigorated game design strategy with the legendary performance of games such as Siberian Storm® and Dangerous Beauty®. Additional games debuting at AGE include:

Black Widow® – a low denomination game with a ‘web capture’ feature during free games for the chance to accumulate additional credits.

Dakota Thunder® – featuring the ‘Thunder Shudder’.

A global leader in casino gaming entertainment and systems technology, IGT provides a holistic solution to the industry and its strength in gaming management systems and new interactive technologies will also be showcased at AGE.

The IGT Advantage Club® System will be demonstrated with new technologies such as Service Window, a small window that appears on the left hand side of the screen. The Service Window can be used for personalized player messaging and for service requests, adding a unique level of service for venues with the IGT system. The IGT Advantage Club® system is proving to be a winner with clubs in New South Wales.

IGT will again be playing host to industry experts who will present a range of topics including game floor design, customer service and systems. For more details on the free business seminar sessions visit www.igt.com.au/AGE12.

About IGT
International Game Technology (NYSE: IGT) is a global leader in casino gaming entertainment and continues to transform the industry by translating casino player experiences to social, mobile and interactive environments for regulated markets around the world. IGT’s recent acquisition of Double Down Interactive provides engaging casino style entertainment to more than 5 million players monthly. More information about IGT is available at www.IGT.com or connect with IGT at @IGTNews or www.facebook.com/IGT.

© EPE, Reg. U.S. Pat & TM O_.

Dangerous Beauty and Black Widow were created by High 5 Games. For more information on High 5 Games, go to www.High5games.com

Pure Depth™, MLD®, Multi-Layer Display® and Actual Depth™ are trademarks or registered trademarks of Pure Depth, Inc. All other trademarks are registered trademarks or the property of their respective owners without the intent to infringe. www.puredepth.com. All trademarks or registered trademarks are owned by IGT (Australia) Pty. Limited or its related entities. All information is subject to change without notice. Game type availability is subject to jurisdictional approval.

Websites

Australasian Gaming Expo
www.austgamingexpo.com

Gaming Technologies Association
www.gamingta.com

PALtronics Australasia
www.paltronics.com.au

Sydney Convention and Exhibition Centre
www.scec.com.au

Human Statue Bodyart
www.humanstatuebodyart.com.au

Human Statue Bodyart Flickr
www.flickr.com/photos/humanstatuebodyart

Eva Rinaldi Photography Flickr
www.flickr.com/evarinaldiphotography

Good Wire Cutting Solutions photographs

Good Wire Cutting Solutions photographs

Some cool wire cutting services images:

Burying soldier who reduce barbed wire defence of Adrianople (LOC)

Image by The Library of Congress
Bain News Service,, publisher.

Burying soldier who cut barbed wire defence of Adrianople

[1913]

1 adverse : glass five x 7 in. or smaller sized.

Notes:
Title from negative.
Photo connected to Battle of Adrianople, 1912-13, 1st Balkan War. The year 1913 seems on marker behind coffin. (Supply: Flickr Commons project, 2008, and Bain unfavorable LC-B2-2483-14)
Types element of: George Grantham Bain Collection (Library of Congress).

Format: Glass negatives.

Rights Information: No recognized restrictions on publication.

Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print

Basic information about the Bain Collection is obtainable at hdl.loc.gov/loc.pnp/pp.ggbain

Greater resolution image is offered (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.11367

Call Quantity: LC-B2- 2501-12

Electrical wiring

Image by slworking2
Inside a lately reduce-open nuclear bomb shelter.

Now abandoned, the Mount Laguna Air Force Station was a DEW (Distant Early Warning) internet site, watching for incoming missiles. It was residence to the 751st Aircraft Handle and Warning &amp Squadron, later the 751st Radar Squadron, component of the Air Defense Command. The facility was abandoned in the early 1980’s.

The buildings that once housed up to 400 Air Force personnel at Mount Laguna are now gutted shells covered with graffiti and filled with building debris.

For years, U.S. Forest Service officials have wanted to demolish the buildings at the abandoned base, but no cash was offered. Now, with federal stimulus funds, they’ll be in a position to get the job carried out.

The barracks, administration building, mess hall and other buildings that made up the Laguna Mountain Air Force Base will be torn down utilizing money from .two million in stimulus funds for Forest Service facilities in disrepair in 14 California counties.

www3.signonsandiego.com/stories/2009/aug/17/1m17laguna001…

www.eastcountymagazine.org/?q=node/1737

Verify out my videos of this location: www.youtube.com/profile?user=slworking2&ampview=videos&a…

Good Vertical Grinding pictures

Good Vertical Grinding pictures

Some cool vertical grinding photos:

The Beth Chatto Gardens – (S)weeping into Pink!

Image by antonychammond
One of the greats of British gardening, Beth Chatto OBE has entered the realm of national treasuredom. Plants-woman, designer, author, ten-time gold-medal winner at Chelsea, holder of the Royal Horticultural Society’s Victoria Medal of Honour and, of course, the owner of the celebrated Beth Chatto Gardens at Elmstead Industry, near Colchester, in Essex – her horticultural abilities seem boundless. With the notion of “right plant, correct place” – in other words, place a plant in conditions close to its organic habitat and it will thrive with out support – running as a thread all through her profession, she has inspired a generation of gardeners to take their lead from nature.

The garden has been the inspiration for a lot of of her influential books, such as The Dry Garden (1978), The Damp Garden (1992) and Beth Chatto’s Gravel Garden (2000). It was developed on land that was previously portion of a fruit farm, owned by her late husband, Andrew, 14 years her senior, whom she married in 1943. “We met in the course of the war,” she says. “I was a schoolgirl of about 17, taking into consideration going to college.”

A scholarly man, who died in 1999 right after suffering from emphysema for 25 years, Andrew devoted much of his life to research into plant habitats. Chatto says it was he who inspired her interest in gardening and refers to him regularly, modestly deferring to his superior understanding. “He’s such an essential influence in my life,” she says. “My parents had been keen, but they had a conventional garden, using mostly cultivars.”

The couple lived initially in his parents’ in Colchester, but in the late 1950s moved to a modernist residence they’d built on the edge of the farm – exactly where Chatto nevertheless lives nowadays. Even inside, the garden is a constant presence. Big windows frame views and vignettes of the planting on each and every side and invite a tapestry of textures, colours and shapes into the house.

Chatto credits her husband practically totally for her achievement. “My two daughters had been teenagers ahead of I started to believe about generating a enterprise,” she says. “Andrew had looked after us and given me the safety and freedom to experiment.” Her husband’s failing overall health and the trials of operating a fruit farm concentrated her thoughts on developing the garden commercially, even though what we see these days took time to emerge.

“For the very first seven or eight years, significantly of the land was a wilderness,” she recalls. But there have been assets, too, not least a rare natural water source in the drought-prone east of Essex, where rainfall can be as tiny as 20in a year. “There were a few fine 300-year-old oaks and a spring-fed ditch ran through the hollow.” Right now, the ornamental gardens cover about 5 acres a further ten are occupied by the nursery, which opened in 1967, and working locations.

Obtaining water was not the only challenge. “There was land that was so dry, the native weeds curled up and died. That ultimately became my gravel garden,” she says. This she developed in 1991, on the internet site of a car park. Apart from watering in the young, drought-tolerant plants during the very first year, she has by no means artificially irrigated it.

Chatto has a knack for turning dilemma places into an asset, and there are several distinct places in the garden, each and every requiring a different approach. The large water gardens are dominated by a series of ponds surrounded by bog plants and swathes of lush grass. A lengthy, shady walk runs parallel to a single of the boundaries. Right here, shade-tolerant planting – including ferns, tiarella and pulmonaria – carpet the ground beneath oaks and other specimen trees added by Chatto. By contrast, the gravel region is a mass of sun-loving perennials, with asters, rudbeckias and sedums glowing via hazy grasses.

The garden could have started out to give pleasure to a loved ones, but it has developed into a self-contained horticultural powerhouse, attracting guests from all more than the planet – about 40,000 a year. “It’s like sowing an acorn, which is my symbol,” says Chatto. “I have an acorn and an oak tree on a weather vane, which was a superb present from my employees.” Incredibly, it is tended by only a single complete-time and four element-time gardeners and volunteers – many of whom are foreign students. Chatto remains resolutely hands-on and is keen to pass on the expertise she has gained through encounter.

Chatto utilizes grasses brilliantly, and was performing so lengthy prior to it became fashionable. She creates seemingly effortless but completely satisfying combinations. Therein lies her genius – there may be other individuals out there with an equal understanding of plants, but no one else has her eye. Shape, scale, proportion, texture, colour – all are balanced with the skill of a plate-spinner.

She also variables in horticultural considerations – how huge a plant will get, how quickly or gradually it will develop, what situations it requirements to thrive and how it is maintained. The result is a garden that performs on every level – sensible, horticultural and aesthetic – with layer upon layer of carefully placed plants, as enticing asmillefeuillepastry. It all appears totally uncontrived, but, on closer inspection, 1 notices geometric lines and angles. The huge picture is built up gradually, with small groupings of three or much more plants forming a satisfying melange of verticals and horizontals, and fluffy and solid plants. “I need the trees and shrubs to kind a background, to paint the sky and lead the eye upwards towards the clouds,” Chatto explains. “Then one particular adds the embroidery, which I appreciate so a lot.” Absolutely nothing is permitted to get out of hand, but stagnation is not an choice, either. “A garden is not a image hanging on a wall,” she says. “It changes not only from hour to hour, week to week or month to month, but from year to year.”

Chatto has definitely noticed the effects of climate alter. Drought is practically nothing new in her portion of the world, exactly where (the past two years aside) there is often no rain for up to ten weeks in the summer. “The most interesting adjust is the lack of cold weather,” she says. “Only ten years ago, we had icicles hanging down, and when the children have been small, they utilized to skate. Now we hardly have enough ice to bear a duck.” From an article by Rachel de Thame

Please check out www.bethchatto.co.uk/ for additional information about this inspirational gardener and garden.

I enjoy flickr – I love Flickr Day – January five, 2014

Image by Daniel Mennerich (Saigon HCM City)

Please join the campaign, if you do not like the proposed new flickr layout.
Please download this image and upload it to your stream on Sunday, January 5, 2014. You can also make your personal picture with the text as noticed in this picture ( or of similar nature, but make positive to emphasize the boycott ), in any language of your selection. Please circulate it and remember to upload it on Sunday, January five, 2014 ( or just before, if you know you are going to be away on January five )

Images of Beta :
www.flickr.com/photographs/110293295@N04/11461406716/in/photographs...
www.flickr.com/pictures/110293295@N04/11461406746/in/images...

Beta feedback : Completed / Top suggestions / Hot suggestions

Want to know ? :
Why there is a sudden rise in views of your photos ?
Why is Flickr slow now ?

———————————————————————- ————————————-

Français :

J’aime Flickr
J’aime Flickr jour – five janvier 2014
Les changements proposés vont ruiner Flickr.
Si la nouvelle photo expérience de est mis en œuvre sans selection, je vais déciderai à boycotter et appel également tous mes amis et les famille à boycotter toutes les marques / produits qui affichent des publicités sur Yahoo.
www.flickr.com/photographs/23416307@N04/11706877113/

Deutsch :

Ich liebe Flickr !

Ich liebe Flickr -Tag am five. Januar 2014
Die geplanten Änderungen werden Flickr ruinieren.
Wenn die neue Gestaltung von Flickr ohne Wahlmöglichkeit verpflichtend eingeführt wird, werde ich boykottieren und an alle meine Freunde, Kontakte und Familienmtglieder appelieren, in Zukunft alle Marken/Produkte zu boykottieren, die bei Yahoo werben.

——————–
Ich liebe Flickr
Ich liebe Flickr Tag – 5 Januar 2014

Die vorgeschlagenen Änderungen werden ruinieren Flickr.
Wenn das neue Foto-Erlebnis ohne Option implementiert ist, wird ich entscheiden, zu boykottieren und auch appelliere, alle meine Freunde und Familie zum Boykott alle Marken / Produkte, die auf Yahoo Werbung anzuzeigen.

____________________

Ελληνικά

Αγαπώ το Flickr.
Υποστηρίζω την Hμέρα για το Flickr της 5ης Ιανουαρίου 2014.
Οι προτεινόμενες αλλαγές πρόκειται να καταστρέψουν το Flickr.
Εάν η νέα παρουσίαση/εμπειρία εφαρμοστεί χωρίς να δίνεται η
δυνατότητα εναλλακτικής επιλογής, θα αποφασίσω να μποϊκοτάρω
όλες τις μάρκες / προϊόντα που εμφανίζουν διαφημίσεις στη Yahoo
και θα καλέσω τους φίλους και την οικογένειά μου να πράξουν το ίδιο

—————————–

Italiano

Che amo Flickr
Amo giorno Flickr – five GENNAIO 2014
Le modifiche proposte will rovinare Flickr .
Se la nuova esperienza foto è attuato senza l’opzione , deciderò di boicottare e chiamare anche tutti i miei amici e la famiglia di boicottare tutti i marchi / prodotti che visualizzano gli annunci su Yahoo .

_________________

Português

Eu amo Flickr
Eu amo Flickr dia – 05 de janeiro de 2014
As alterações propostas vai estragar Flickr.
Se a nova experiência foto é implementado sem uma opção, vou vai decidir boicotar e também chamar todos os meus amigos e família para boicotar todas as marcas / produtos que exibem anúncios no Yahoo.

———————–

Español – apelación

Por favor únase a la campaña, si no te gusta el diseño de la nueva propuesta flickr.
Descargue la imagen y subirla a su galeria el domingo 5 de enero de 2014. Usted puede hacer su propia imagen tambien con el texto como se ve en esta imagen (o de naturaleza related, el objetivo de hacer un uso Seguro enfatizar el boicot), en cualquier idioma de su elección. Ejemplo si la nueva experiencia fotográfica se realiza sin opcion , voy a decidir boicotear y también llamar a todos mis amigos y familiares a boicotear todas las marcas / productos que muestran anuncios en Yahoo .
Por favor, distribuirlo y recordar a subirlo a Domingo, 05 de enero 2014 (o antes, si usted sabe que va a estar fuera el five de enero)

______________________________________________________________________ __

Beta is a test preview of the alter that is receiving prepared to be implemented quickly. It can be for a limited group of flickr members, intended to seek feedback and right faults ( if any), just before it is made public.
Change is good and public has always welcomed good adjustments. The preference for Windows XP by most men and women even soon after the introduction of Vista is a classic example of public acceptance. The public liked and preferred the predecessor ( Windows XP ) and the follower ( Windows 7 and Windows eight ) versions of Vista. A change is good and frequently gladly welcomed by public, if it offers much more utilities and user friendliness, without depriving even a single advantage of the predecessor.
The Beta version is unacceptable to the majority of Flickr users* ( who occurred to encounter it ) , because it’s not user friendly and has only disadvantages to mention. *Please check the Beta feedback : Completed / Leading tips / Hot tips

The layout itself is a disaster. Please check : Try our new photo experience beta / Comment box
However they try, it is really evident that it’s not possible to offer a lot more space for descriptions, comment box, and comments not to mention comments with photos , group invites / awards. The far more they attempt to repair it, the much more cumbersome it becomes. The buddy icons now appear as dots making the web page a lot more unaesthetic than what you see in the earlier photographs of beta . They are desperately attempting to make it attractive and user friendly, which is actually impossible with the proposed layout .
It is a huge challenge for the programmers to attempt find indicates to provide a lot more space in a vertical column which is currently cramped.
Is it possible to make a rugby stadium inside a one hundred square feet ground ?

Want to know ? :
Why there is a sudden rise in views of your photographs ?
Why is Flickr slow now ?

The Beth Chatto Gardens – Weeping Willow or Sweeping Willow?

Image by antonychammond
One particular of the greats of British gardening, Beth Chatto OBE has entered the realm of national treasuredom. Plants-lady, designer, author, 10-time gold-medal winner at Chelsea, holder of the Royal Horticultural Society’s Victoria Medal of Honour and, of course, the owner of the celebrated Beth Chatto Gardens at Elmstead Market place, near Colchester, in Essex – her horticultural skills look boundless. With the notion of “right plant, correct place” – in other words, put a plant in circumstances close to its organic habitat and it will thrive without support – running as a thread all through her career, she has inspired a generation of gardeners to take their lead from nature.

The garden has been the inspiration for a lot of of her influential books, such as The Dry Garden (1978), The Damp Garden (1992) and Beth Chatto’s Gravel Garden (2000). It was designed on land that was previously element of a fruit farm, owned by her late husband, Andrew, 14 years her senior, whom she married in 1943. “We met throughout the war,” she says. “I was a schoolgirl of about 17, contemplating going to college.”

A scholarly man, who died in 1999 right after suffering from emphysema for 25 years, Andrew devoted considerably of his life to research into plant habitats. Chatto says it was he who inspired her interest in gardening and refers to him frequently, modestly deferring to his superior information. “He’s such an critical influence in my life,” she says. “My parents have been keen, but they had a conventional garden, using mainly cultivars.”

The couple lived initially in his parents’ in Colchester, but in the late 1950s moved to a modernist residence they’d constructed on the edge of the farm – where Chatto still lives today. Even inside, the garden is a continual presence. Huge windows frame views and vignettes of the planting on each side and invite a tapestry of textures, colours and shapes into the house.

Chatto credits her husband almost entirely for her good results. “My two daughters had been teenagers just before I started to feel about creating a organization,” she says. “Andrew had looked following us and offered me the security and freedom to experiment.” Her husband’s failing well being and the trials of operating a fruit farm concentrated her thoughts on establishing the garden commercially, even though what we see today took time to emerge.

“For the 1st seven or eight years, significantly of the land was a wilderness,” she recalls. Yet there have been assets, too, not least a rare organic water source in the drought-prone east of Essex, where rainfall can be as little as 20in a year. “There were a handful of fine 300-year-old oaks and a spring-fed ditch ran via the hollow.” These days, the ornamental gardens cover about 5 acres a further ten are occupied by the nursery, which opened in 1967, and functioning locations.

Locating water was not the only challenge. “There was land that was so dry, the native weeds curled up and died. That eventually became my gravel garden,” she says. This she developed in 1991, on the site of a vehicle park. Apart from watering in the young, drought-tolerant plants in the course of the very first year, she has in no way artificially irrigated it.

Chatto has a knack for turning dilemma locations into an asset, and there are a number of distinct areas in the garden, every single requiring a diverse approach. The big water gardens are dominated by a series of ponds surrounded by bog plants and swathes of lush grass. A lengthy, shady walk runs parallel to a single of the boundaries. Here, shade-tolerant planting – including ferns, tiarella and pulmonaria – carpet the ground beneath oaks and other specimen trees added by Chatto. By contrast, the gravel area is a mass of sun-loving perennials, with asters, rudbeckias and sedums glowing by means of hazy grasses.

The garden might have started out to give pleasure to a family, but it has created into a self-contained horticultural powerhouse, attracting guests from all more than the world – about 40,000 a year. “It’s like sowing an acorn, which is my symbol,” says Chatto. “I have an acorn and an oak tree on a weather vane, which was a great present from my employees.” Incredibly, it is tended by only 1 full-time and 4 component-time gardeners and volunteers – many of whom are foreign students. Chatto remains resolutely hands-on and is keen to pass on the expertise she has gained by means of knowledge.

Chatto uses grasses brilliantly, and was carrying out so extended before it became fashionable. She creates seemingly effortless but thoroughly satisfying combinations. Therein lies her genius – there could be other people out there with an equal understanding of plants, but no one else has her eye. Shape, scale, proportion, texture, colour – all are balanced with the ability of a plate-spinner.

She also factors in horticultural considerations – how large a plant will get, how fast or slowly it will develop, what conditions it requirements to thrive and how it is maintained. The result is a garden that works on each and every level – practical, horticultural and aesthetic – with layer upon layer of carefully placed plants, as enticing asmillefeuillepastry. It all seems totally uncontrived, but, on closer inspection, 1 notices geometric lines and angles. The huge image is built up progressively, with little groupings of 3 or more plants forming a satisfying melange of verticals and horizontals, and fluffy and solid plants. “I want the trees and shrubs to form a background, to paint the sky and lead the eye upwards towards the clouds,” Chatto explains. “Then one adds the embroidery, which I appreciate so considerably.” Nothing at all is permitted to get out of hand, but stagnation is not an option, either. “A garden is not a picture hanging on a wall,” she says. “It changes not only from hour to hour, week to week or month to month, but from year to year.”

Chatto has surely noticed the effects of climate change. Drought is absolutely nothing new in her part of the world, exactly where (the previous two years aside) there is at times no rain for up to 10 weeks in the summer time. “The most intriguing alter is the lack of cold climate,” she says. “Only 10 years ago, we had icicles hanging down, and when the young children have been little, they utilized to skate. Now we hardly have enough ice to bear a duck.” From an report by Rachel de Thame

Please check out www.bethchatto.co.uk/ for additional info about this inspirational gardener and garden.

Good Precision Machining Business photos

Good Precision Machining Business photos

A couple of good precision machining business images I found:

Image from web page 1050 of “Electrical planet” (1883)

Image by Web Archive Book Pictures
Identifier: electricalworld43newy
Title: Electrical world
Year: 1883 (1880s)
Authors:
Subjects: Electrical engineering
Publisher: [New York McGraw-Hill Pub. Co., and so on.]
Contributing Library: Engineering – University of Toronto
Digitizing Sponsor: University of Toronto

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About This Book: Catalog Entry
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Click right here to view book on-line to see this illustration in context in a browseable on the internet version of this book.

Text Appearing Prior to Image:
he Regular Underground CableCompany near the northwest corner entrance. The installation of ing was in its infancy. About the walls of the exhibit spaces arehung photographs of the pioneers and their early perform. The Jumbodynamo, produced by the Edison Machine Performs, direct-connected toa higher-speed engine, forms an intriguing comparison with themodel of the General Electric io,ooo-hp Niagara generator, which 1036 ELECTRICAL World and ENGINEER. Vol. XLIII, Xo. 22 is across the aisle. The 1st Edison electric locomotive vith itspassenger vehicle shows in a graphic way the progress in transportationmade given that 1880. The photograph of the British section reveals the splendid displayof electrical and scientific instruments made by the English manu-facturers. Most of these instruments have been tested and havecertificates from Lord Kelvins laboratory or the National PhysicalLaboratory. The General Post Workplace makes an excellent displayof the telegraphic apparatus used in Great Britain. Kelvin and

Text Appearing Right after Image:
FIG. six.—ENGLISH EXHIBIT. James White, of Glasgow, and Muirhead &amp Co., of Kent, have casesof galvanometers, condensers, normal cells, ammeters, voltmetersand other instruments of precision. In the foreground may possibly beseen a working model of Behrs monorail and higher-speed car asauthorized by act of Parliament for the railway in between Manchesterand Liverpool, to be operated at a speed of no miles per hour. The greater element of the sp-ace of the Wagner Electric Business, ofSt. Louis, in Section 9. is occupied by the different applications ofsingle-phase alternating-existing motors. This consists of the standardform, enclosed, semi-enclosed and back-geared varieties, from }4 to 35hp. The notable function of these motors is their beginning below

Note About Photos
Please note that these photos are extracted from scanned page pictures that could have been digitally enhanced for readability – coloration and look of these illustrations could not completely resemble the original perform.

Image from page 150 of “Life in a tank” (1918)

Image by World wide web Archive Book Images
Identifier: lifeintank00haig
Title: Life in a tank
Year: 1918 (1910s)
Authors: Haigh, Richard, b. 1895
Subjects: Globe War, 1914-1918
Publisher: Boston and New York, Houghton Mifflin company
Contributing Library: The Library of Congress
Digitizing Sponsor: The Library of Congress

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Text Appearing Prior to Image:
ajor, who had been standing on the edgeof the field, walked forward to inspect. Every morning was spent in this manner,except for those who had unique courses tofollow. We devoted all our time and attentionto Forming Fours in as ideal a manner aspossible to saluting with the greatest accuracyand fierceness and to unwearying repetitionof each and every movement and detail, until machine-like precision was attained. All that we had been performing then is the veryfoundation and essence of good discipline. Dis-cipline is the state to which a man is trained,in order that beneath all situations he shallcarry out with no secondary reasoning anyorder that may possibly be given him by a superior.There is nothing of a servile nature in this formof obedience. Each man realizes that it is forthe great of the entire. By putting his implicitconfidence in the commands of 1 of a higherrank than his own, he gives an earnest of hisability to himself command at some futuretime. It is but an additional proof of the old adage, 124

Text Appearing Right after Image:
Rest and Discipline that the man who obeys least is the least fittedto command. When this war began, specific large forma-tions, with the sheer lust for fighting in theirblood, did not, although being formed, understand theabsolute necessity of unending drill and in-spection. Their initial cry was, Give us arifle, a bayonet, and a bomb, show us how touse them, and we will do the rest. Actingupon this concept, they flung themselves into bat-tle, disregarding the iron guidelines of a preliminarytraining. At first their extremely impetus and cour-age carried them more than incredible obstacles.But after a time, and as their ideal had been killedoff, the original blaze died down, and the steadyflame of ingrained discipline was not thereto take the place of burning enthusiasm. Theterrible waste and useless sacrifice that ensuedshowed only also plainly that even the wonderful-est person bravery is not sufficient. In this modern day warfare there are several trialsand experiences unimagined just before, whichwear down the actual will-pow

Note About Images
Please note that these pictures are extracted from scanned page pictures that could have been digitally enhanced for readability – coloration and look of these illustrations may not perfectly resemble the original operate.

Image from web page 561 of “American engineer” (1912)

Image by Net Archive Book Pictures
Identifier: americanengineer861newy
Title: American engineer
Year: 1912 (1910s)
Authors:
Subjects: Railroad engineering Engineering Railroads Railroad automobiles
Publisher: New York, N.Y. : Simmons-Boardman Pub. Co
Contributing Library: Carnegie Library of Pittsburgh
Digitizing Sponsor: Lyrasis Members and Sloan Foundation

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Text Appearing Before Image:
anager should give it their endorsement and ap-proval. Guys are fast to notice whether a new plan is backedor not, and human nature is such that, without proper backing,the greatest technique might fail via neglect to conscientiously fol-low its principles. As we view it this system forces everyone to do his duty.The man in authority who desires a method which will force each-physique else to do his duty but leave him free of charge to do as he pleasesis as well often evident such a man could not introduce this systemsuccessfully obtaining when endorsed it he also need to reside up to thedates and schedules. Unquestionably this perform will turn into moreand a lot more well-liked in railway repair shops the principles involvedcan be applied to the car shop as to the locomotive shop, andto the small or tbe big shop. High SPEED METAL CUTTINGMACHINE A machine using a flat saw blade which will reduce via a 6in. diameter bar of machinery steel in 20 minutes, or througha 12 in. I-beam in ten minutes, leaving a face whicli is true and

Text Appearing Following Image:
High Speed Metal Saw. October, 1912. AMERICAN ENGINEER. 541 square, is getting built by the Racine Tool &amp Machine Firm,Racine Junction, Wis. It is a improvement of a power hack sawcarricil to a point where it becomes a tool of precision and canbe classed witli other high grade machine tools. Even though it usesa saw blade, the frame carrying it is remarkably rigid and iscarried by a support, so designed as to avert any possibilityor tendency for movement outdoors of the accurate vertical plane.The cutting is performed by the draw stroke and the blade islifted clear on the return stroke. A geared circulating pump ap-plies a cutting compound to the blade whilst in operation, allow-ing it to be run efficiently at high speed. The macliinc consists of a substantial base on wliicli is mountedthe vise for carrying the perform and the frame carrying the driv-ing mechanism. The vise is arranged to swivel at any angle upto 45 deg., and has a capacity for cutting an 11 in. bar at thisangle. The saw fram

Note About Photos
Please note that these pictures are extracted from scanned web page images that may have been digitally enhanced for readability – coloration and look of these illustrations could not completely resemble the original operate.

four Air racers in progress

four Air racers in progress

Check out these plastic machining organization images:

4 Air racers in progress

Image by wbaiv
These are all 1/72 scale kits from some to numerous years ago. Clockwise, from the white a single:

Academy 1/72 Grumman F6F-three Hellcat. Nicest kit of the lot, and newest. Plausible cockpit detail, great shapes, choices for -3 and -5. Brushpainted with Polly Scale Railroad Refer White waterbased paint.

Hasegawa 1/72 Nakajima Ki-44 Shoki (TOJO), &quotCalico Cat&quot colors, right after my old pal, Moustache. No actual cockpit detail, two various canopies, no gear effectively boxing or detail, but you do get bellows over the oleo struts on the primary gear. I locate black, white and gold make the most striking calico pattern- I know genuine cats aren’t metallic gold, but none of the orange/gold/golden-rod or other ‘real’ strawberry blonde colors I’ve tried looked remotely good, whilst gold looks wonderful.

Hasegawa 1/72 Mitsubishi J2M3 Raiden (JACK), &quotAdvantest&quot corporate colors- wine-red and a cool grey. All their equipment is painted these colors, and the firm newsletter is known as &quotWine Red&quot. I believe the gray was my version of &quotBAC 707 Gray&quot, the standard Boeing, Douglas, and so on, gray painted on factors (composites) that are intended to blend with bare aluminum. I use one particular of the FS 595 grays, diluted with white, three to four. The red is Polly Scale Fantasy Gaming colors, &quotDark Red&quot. The Raiden’s cockpit was less crowded than most Japanase fighters, it appears quite empty by means of the huge canopy. The kit comes with a huge clear part for the bullet-proof glass inside the canopyBoth the Raiden and the Shoki appeal to me because they appear like they had been created as racers in the 1st location- tiny all round, large engines, light airframes, extremely tapered, cockpits nicely aft so the fuel can go proper in the middle. The Hayate is less radical and a lot more mainstream-hunting. The tail surface on the Shoki are tiny!

Hasegawa 1/72 Nakajima KI 84 Hayate (FRANK). Paint is Tamiya vibrant blue, glossy, brushed, three coats over Polly Scale white as a primer over the kit’s dark green plastic. Cockpit detail is pretty sparse, seat, stick, instrumet decal, but the exterior seems about correct. No wheel properly specifics. I do not recall any boxing in.

IMG_4818

IMG_0175

Image by 3DMONG

Mitton & Mitton rubber stamp mirror flip vertical, so we can read it.

Image by spelio
The rubber stamp was from his accounting enterprise which H.A.Mitton had from the ’20s.

We have had this for years, so possibly it is time to clear out yet another cupboard…

Harold had two organizations.. &quotStyle Clothes Organization&quot and &quotAqua proofing&quot.

As with plumbers and mechanics, his youngsters never got new raincoats, he repaired the old ones with his personal seam sealing machines.

Ahead of, in the course of and after the War, he created uniforms for the armed forces, the police, nurses and schools… Till he sold the factory in 1960.

He had the first heat seam welding machines for plastic raincoats. Instead of needles, they had hot wheels.

He imported a couple of of them from Germany.

At the starting of the war, Harold handed control of the factory to his company companion, who had a household not in a position to go to war, and he went off to Tobruk.

We still have many off cuts from material from dressing gowns he created, along with Duffle coats and so on. He produced me a dressing gown which I had for years.

Nice Id Od Grinding images

Nice Id Od Grinding images

Some cool id od grinding photos:

Image from page 383 of “S.A. mining and engineering journal” (1891)

Image by Net Archive Book Images
Identifier: p2saminingengine24joha
Title: S.A. mining and engineering journal
Year: 1891 (1890s)
Authors:
Subjects: Mineral industries Mining business and finance Mines and mineral resources
Publisher: Johannesburg
Contributing Library: Gerstein – University of Toronto
Digitizing Sponsor: University of Toronto

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View All Pictures: All Images From Book

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Text Appearing Before Image:
run intoa chamber beneath or close to the pan, which chamberis partly filled with a chemical absorbent prepara-ti(jn, and combining with the preparation therebyforms A Perfectly PURE, ODOURLESSSOLID, c.r by other means treated and allowed toflow away pure. The foe.al matter in the pan isautomatically coyered with a chemically preparedash, rendering it completely odouiless, and can behoisted to the surface and carted awav in opencarts in the course of the daytime. Tlie system itself is far superior to any otherdry earth technique, and has been largely ADOPTEDBY THE SOUTH AFRICAN RAILWAYS andby the NEW SOUTH WALES GOVERNMENTFOR ALL BUILDINGS where no sewerage schemeis in use. also by A lot of Leading PUBLICGENTLEMEN OF SOUTH AFRICA. In sim-plicity, cleanliness, and comfort it is far aheadof present practice. Mr. DITCHFIELD will be pleased to enter inf,iSpecial Arrangements with Mines, Municipal andother Public Bodies, and, on application, will fur-nish estimates, and, if required, styles for theinstallati

Text Appearing After Image:
SECTION showing Hopper andGearing in position whilst in Slli:ri7Zi,rS2,tt.o«S: Box 54O8, Telephone No. 5649, JOHANNESBURG, J.,li:mntsi)mo, Might 8, 1915. THE K(JUTH AFRICAN MIXIX(} JOUKXAL. Mine Security, Sanitation, and Welfare Bulletin. THE PREVENTION OF ACCIDENTS FROM FALLS OF ROCK. IN rRRr&ampLi ?R SHOOTS chimneys vn pockfts I f 1 I o tr, a regards ace dents from so f I 1 fill r)RirTiN( h foil pir g phs ITINC MTlIOI T TnrPI RI( eable to lack I 1 ledpe of t m f fie ground and 1 If f 1 o n 1 er does nor cannot elo t table m n nff I 1 S 1 h n the lod of foot a1 be c If ■ 1 ard and the1 When the The setI ng si ould 1 rf&gt o sto) es nho 1 I not be 1 11 1 rant n 1 loo o 1 1 1 1 1 II 1 lo lacl a d Side Ihe , 111 1 dorl a 1 stop g some fo of br t 1 t, 1 ch oi e stoj cs are loft 1 1 d tl ho 1 r of the o I n- orl od 1 1 Id 1 e p orl 1 f loo ocl MIMNC IN LRGF ORl BODHhS In 1 mv ore bodies. vhere the ore is of medium hardnos.s or soft- lous metho&ltIs of mining are utilized, de

Note About Pictures
Please note that these photos are extracted from scanned web page images that might have been digitally enhanced for readability – coloration and appearance of these illustrations might not perfectly resemble the original work.

Nice Swiss Turning photographs

Nice Swiss Turning photographs

Some cool swiss turning pictures:

Gime 5

Image by Adventures with my dogs
It really is been raining for days and I lastly got to take the dogs for a stroll, the problem is they had so a lot stored up energy it turned into uncontrolable running jumping and playfighting.
I have to admit I enjoyed it as significantly as they did 🙂

Paradise Tanager

Image by pixagraphic
This tiny guy turned out to be such a freakin’ fast bird that decided only to move anytime I was not continually taking pictures. Fortunately I was accompanied by a pal of mine who slowly approached the bird so that it would fly away. That worked out quite properly but it nevertheless took us about two hours and much more than thousand pictures only to get two decent shots.

As the lighting had been far from remarkable I had to shoot at ISO12.800. Photoshop did a fairly very good job denoising it anyways. Denoising also was the only processing applied.
Canon EOS 5D Mark II
Canon EF 300mm f/4 L IS

1/5000sec | f/4 | ISO12.800

Trout (at Rhine Falls)

Image by Collin Important
This quiet view was taken from the identical spot as the earlier one – just turning about. Loads of trout are swimming in the green crystal clear water of the river waiting for just as numerous tourists to feed them.

A Stroll on The Edge of a Knife

A Stroll on The Edge of a Knife

A couple of good swiss turning photos I identified:

A Stroll on The Edge of a Knife

Image by Chris Wary
A narrow ridgeline trail in the Swiss Alps above Gimmelwald that turned treacherous in a hurry when rain and fog moved in.

dickdavid’s stuff 2011

Image by dickdavid
From 2007:
www.flickr.com/photos/dickdavid/1489677206/

From 2009:
www.flickr.com/images/dickdavid/5588164959/

A Touch of Winter

Image by gaheilon
This Winter in Switzerland is quite warm. I’ve taken this image from a train – and I am glad it turned out extremely clear – on one of the rare days when it had snowed to turn the also the landscape at this decrease altitude white. The clouds in the background were most likely the ones bringing this snow, which would not last extended.

1997-0093 – SNCF – BB15049 @Tunnel d’Arzviller

1997-0093 – SNCF – BB15049 @Tunnel d’Arzviller

A couple of nice machining organization pictures I discovered:

1997-0093 – SNCF – BB15049 @Tunnel d’Arzviller

Image by rino54
Date : 12/04/1997
Lieu : Tunnel d’Arzviller (France)
Propriétaire : –
Opérateur : SNCF
Modèle : –
Matériel : BB15000
Assistance : Kodachrome K64
Description : La BB15049 assure la traction du train Eurocity 91 &quotVauban&quot (Bruxelles à Milan). Il est composé de voitures belges dont un wagon-restaurant situé juste derrière la locomotive. La BB15049 est une des rares machines de la série a ne pas avoir été baptisée.

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Date: 04/12/1997
Place: Arzviller tunnel (France)
Owner: –
Model : –
Company: SNCF
Rolling stock: BB15000
Help: Kodachrome K64
Description: The BB15049 locomotive is pulling the international train 91 &quotVauban&quot (Brussels, Belgium to Milano, Italy). The coaches are from the Belgian Railways (SNCB) with a dining-automobile just behind the locomotive.

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Closeup of an Employee Operating with a Solderer on One particular of the Merchandise Made by the 3m Co.(Minnesota Mining and Manufacturing)…

Image by The U.S. National Archives
Original Caption: Closeup of an Employee Working with a Solderer on One of the Products Made by the 3m Co.(Minnesota Mining and Manufacturing). 3m Has 1,377 Employees Which Tends to make It the Largest Business in Town. The Complex Makes Molded Electronic Components, and Black and White and Colour Duplicating Machines. The Organization Was Attracted to the Town by the Offered Function Force Which Takes Pride in Its Work. New Ulm Was Founded in 1854 by German Immigrants.

U.S. National Archives’ Local Identifier: 412-DA-15926

Photographer: Schulke, Flip, 1930-2008

Subjects:
New Ulm (Brown county, Minnesota, United States) inhabited place
Environmental Protection Agency
Project DOCUMERICA

Persistent URL: arcweb.archives.gov/arc/action/ExternalIdSearch?id=558376

Repository: Nonetheless Image Records Section, Special Media Archives Solutions Division (NWCS-S), National Archives at College Park, 8601 Adelphi Road, College Park, MD, 20740-6001.

For data about ordering reproductions of photographs held by the Nevertheless Picture Unit, check out: www.archives.gov/research/order/nonetheless-images.html

Reproductions may be ordered via an independent vendor. NARA maintains a list of vendors at www.archives.gov/study/order/vendors-photographs-maps-dc.html

Access Restrictions: Unrestricted
Use Restrictions: Unrestricted

Band of Brothers: The La Fiere Bridge more than the Merderet River

Band of Brothers: The La Fiere Bridge more than the Merderet River

Check out these high precision grinding images:

Band of Brothers: The La Fiere Bridge over the Merderet River

Image by Dog Company
This isn’t an Easy Company 506th site, but this set is dedicated to all of the paratroopers, and I think you’ll be interested in this.

In this picture, I’m standing on the La Fiere Bridge over the Merderet River, about 1-2 km west of Ste Mere Eglise. On D-Day, this field was flooded. The Germans had jammed the lock on a dam to flood a lot of fields that were potential airborne landing site.

One thing I learned about the consequence is visible in this picture. If you were a paratrooper and you landed in that field, you were in about three feet of water. If you landed in the river, you were in over your head. I read the account of one trooper who landed in the river and had to use his Mae West life preserver to surface. Then as he gasped for air, he had to cut himself out of his harness with his knife, then was able to drag himself to safety. Another account I read was about a trooper who landed in this field, and wind gusts blew him, face down (so he was drowning) across the field until he was able to turn over and get out of his chute.

The Germans were massed to the left of the river, and a small contingent of men from the 82nd Airborne and the 505th of the 101st formed a defense on the right side. They were there for one job: prevent the Germans from counterattacking with armor across the Merderet and hitting the paratroops from their left flank (Ste Mere Eglise would have been totally exposed if they didn’t hold this bridge. At first, they had rifles, carbines and a light mortar, and then they got more equipment. Here are some downloads I clipped from the internet to illustrate

La Fiere Bridge: D-Day June 6, 1944
Around 1:00 a.m. on June 6, 1944, Marcus Heim jumped out of a C-47 transport plane over Normandy, France. Heim was part of A Company, 505, their specific objective was to seize and hold the La Fiere Bridge over the Merderet River until reinforcements from the amphibious portion of the Allied invasion arrived.
"In all of the airborne operations of the ETO, the Merderet Bridgehead was the one attended by the greatest difficulty and hardships of the individual assemblies … these conditions so frequently brought forth the finest characteristics of the American soldier." – S L A Marshall

Enclosed are Marcus Heim’s recollections of June 6. That day, their small four-man team set up a roadblock next to the La Fiere Bridge and was responsible for repelling several powerful German counter attacks.

I landed about twenty-five feet from a road and before I could get my rifle assembled, I heard a motorcycle approaching. I remained still as I did not have time to assemble my rifle, and watched two German soldiers pass by. After they passed and I had my rifle together I found other paratroopers and our equipment bundle and set off for the bridge over the Merderet River. We were to hold the bridge until the soldiers who landed on the beach arrived later that day, but it was three days before they reached our position.
As you stand at the La Fiere Bridge looking in the direction of Ste Mere- Eglise, the Manor House is on the right and was the living quarters. There were several buildings, one a large barn, which was close to the Merderet River. The Germans had occupied the Manor House and were driven out by "A" Company, 505, after heavy fighting. As you pass the Manor House toward Ste Mere-Eglise, the road goes up hill and curves to the left. Across from the Manor House there was a pathway which was about four feet wide and now is a causeway was narrow and had brush and trees on each side, some hung over the causeway. The fields were completely flooded right up to the causeway. The town on Cauquigny was about 800 to 900 yards from the bridge, and it was in German hands. The causeway curved to the right about 60 or 65 yards from the bridge.

Map of The La Fiere Bridge Head. Heim’s position is near the bottomof the map (U.S. Army).
When we arrived at the bridge, men were placed down the pathway to the right and to the left of the Manor House and out buildings. The four bazooka men included: Lenold Peterson, and myself, John Bolderson and Gordon Pryne. Peterson and I took up positions on the Manor House side facing Cauquigny, below the driveway. There was a concrete telephone pole just in front of us and we dug in behind it. We knew that when the Germans started the attack with their tanks, we would have to get out of our foxhole and reveal our position to get a better view of the tanks. Bolderson and Pryne were on the right side of the road just below the pathway. I do not remember how many paratroopers were around us, all I saw was a machine gun set up in the Manor House yard. On the right side down the pathway a few riflemen took up positions.

There was a 57-millimeter cannon up the road in back of us along with another machine gun. We carried antitank mines and bazooka rockets from the landing area. These mines were placed across the causeway about 50 or 60 feet on the other side of the bridge. There was a broken down German truck by the Manor House, which we pushed and dragged across the bridge and placed it across the causeway. All that afternoon the Germans kept shelling our position, and the rumor was that the Germans were going to counter attack. Around 5:00 in the afternoon the Germans started the attack. Two tanks with infantry on each side and in the rear following them was a third tank with more infantry following it. As the lead tank started around the curve in the road the tank commander stood up in the turret to take a look and from our left the machine gun let loose a burst and killed the commander. At the same time the bazookas, 57 millimeter and everything else we had were firing at the Germans and they in turn were shooting at us with cannons, mortars, machine guns and rifle fire. Lenold Peterson and I (the loader), in the forward position got out of the foxhole and stood behind the telephone pole so we could get a better shot at the tanks. We had to hold our fire until the last minute because some of the tree branches along the causeway were blocking our view. The first tank was hit and started to turn sideways and at the same time was swinging the turret around and firing at us. We had just moved forward around the cement telephone pole when a German shell hit it and we hat to jump out of the way to avoid being hit as it was falling. I was hoping that Bolderson and Pryne were also firing at the tanks for with all that was happening in front of us there was not time to look around to see what others were doing. We kept firing at the first tank until it was put out of action and on fire. The second tank came up and pushed the first tank out of the way. We moved forward toward the second tank and fired at it as fast as I could load the rockets in the bazooka. We kept firing at the second tank and we hit it in the turret where it is connected to the body, also in the track and with another hit it also went up in flames. Peterson and I were almost out of rockets, and the third tank was still moving. Peterson asked me to go back across the road and see if Bolderson had any extra rockets. I ran across the road and with all the crossfire I still find it hard to believe I made it to the other side in one piece. When I got to the other side I found one dead soldier and Bolderson and Pryne were gone. Their bazooka was lying on the ground and it was damaged by what I thought were bullet holes. Not finding Bolderson or Pryne I presumed that either one or both were injured. I found the rockets they left and then had to return across the road to where I left Peterson. The Germans were still firing at us and I was lucky again, I return without being hit. Peterson and I put the new found rockets to use on the third tank. After that one was put out of action the Germans pulled back to Cauquigy and continued shelling us for the rest of the night. They also tried two other counter attacks on our position, which also failed.

During the battles, one does not have time to look around to see how others are doing. We were told that when we took up our position by the bridge that we have to hold it at all cost until the men from the beach arrived, for if the Germans broke through they would have a good chance of going all the way to the beach. Our job was to be in the forward position by the La Fiere Bridge with our bazooka to stop any German tanks from advancing over the bridge and onto Ste Mere-Eglise and the beaches. This we accomplished all the while the Germans were continuously firing everything they had at us. After I went across the road and found more rockets for the bazooka and returned, the third tank was put out of action and the Germans retreated. When the Germans pulled back, we looked around did not see anyone, we than moved back to our foxhole. Looking back up the road toward Ste Mere-Eglise, we saw that the 57-millimeter cannon and the machine gun were destroyed. Looking down the pathway across from the Manor House we could not see any of our men. We were thinking that we were all alone and that maybe we should move from here, then someone came and told us to hold our position and he would find more men to place around us for the Germans may try again to breach our lines. We found out later, of the few that were holding the bridge at this time, most were either killed or wounded. Why we were not injured or killed only the good Lord knows.

Marcus Heim recieves the DSC from General Omar Bradley.
For holding their position and repelling the Germans on June 6, 1944, Heim, Peterson, Bolderson and Pryne were each awarded the Distinguished Service Cross.

The following letter is from John "Red Dog" Dolan, Company Commander of A Company 505 PIR, to General James Gavin. Wriiten in 1959, at the urging of Robert Murphy, the letter provides a very detailed account of A Company’s legendary actions at La Fiere Bridge. General Gavin’s transmittal letter to famed author Cornelius Ryan is also enclosed.
JOHN J. DOLAN
ATTORNEY AT LAW
BOX 1272, 141 MILK STREET
BOSTON 4, MASS.

March 15, 1959

Lt. General James N. Gavin
c/o Arthur D. Little, Inc.
30 Memorial Drive
Cambridge, Mass.

Dear General Gavin:

Thank you for your letter of March 10, 1959. It had always been my intention of answering the questionnaire of Cornelius Ryan; but realizing that it would take considerable time to give a detailed and accurate account, I kept putting it aside and then completely forgot about it until Bob Murphy spoke to me about it a few days before receipt of your letter.

I shall try to cover as much detail without making this letter too voluminous, leaving it to your judgment and discretion to delete any portion that you deem unfavorable to the outfit. You may recall that I was in command of Company "A", 505 Parachute Infantry, with the rank of First Lieutenant. The specific mission of the Company "A" was to seize and defend the bridge crossing the Merderet River on the road that ran East to West from Ste. Mere Eglise, with the purpose of preventing the movement of German troops down to the beach-head.

I don’t recall exactly what time the first Battalion jumped but it was between 1:00 and 2:00 a.m. on D-Day. We hit our drop zone right on the nose, because within twenty minutes to one-half hour, I knew our exact location. I was able to identify a "T" intersection, dirt roads 8 to 10 feet wide, near our drop zone. The upper arm of which ran generally east to west, the vertical arm running north to south, to meet the road running from Ste. Mere Eglise to our objective, the bridge at the Merderet River.

We had the usual problems of re-organization in the dark; however, about an hour before dawn, Company "A" moved out from the drop zone with about ninety (90) per cent of the men accounted for. (This was not due to luck alone, but to the cooperation of Officers, Non-Coms, and last but not least, training. Men who have to fight in the night should be trained in nighttime fighting, not just taken on a night march and digging foxholes.) We moved along this dirt road which I previously referred to as being the North-South arm of the "T" intersection, and just around here, I ran into Major McGinity. He moved out with us.

The order of march was first, Co. Headquarters, third and second platoons in that order. When we reached the road running East-West from Ste. Mere Eglise, a German motorcycle passed us going toward Ste. Mere Eglise. At this time, it was still dark, but daylight was starting to break. We crossed the road and started west toward the bridge,with a hedge row to our right between us and the road. Just about this time, contact was lost with the first platoon, so the third platoon took the lead.

About seven to eight hundred yards from the bridge, we came upon a dirt road running southeasterly from the road to the bridge. Hedgerows were on either side of this road; and beyond it in the direction of the bridge, was an open, flat field, about 100 yards deep and about 75 yards wide. It was here that I figured the Germans would defend if they intended a defense of the bridge.

I directed Lt. Donald Coxon to send his scouts out. This he did, and he also went out with them. He had plenty of personal courage but he didn’t have the heart to order them out without going with them.

A few moments later, a German machine gun opened up, killing Lt. Coxon and one of his scouts, Fergueson. Their fire was returned; and, with Major McGinity and myself leading, a few men holding and returning frontal fire, the platoon flanked to the left. At the same time, I directed Lt. Presnell to re-cross the road and attack along the northern side down to the bridge. This was done, and the second platoon didn’t meet with any fire until they arrived at the bridge.

The third platoon continued its flanking move and cut back in toward the road to the bridge. Because of the fire, we calculated that there was just one machine gun crew that was in our way. It later turned out that there must have been at least a squad dug in at this point, with at least two of them armed with machine pistols. Prisoners captured later, in addition to the German dead, amounted to about the size of one of our platoons. There were no German officers captured. I don’t know whether or not any of their enlisted men escaped.

To continue, we cut back toward the road, travelling in a Northerly direction. Major McGinity was leading and I was about three’ or four paces behind, and slightly to the right. There was a high, thick hedgerow to our left, and it was in here that I figured the machine gun was located.

When we had traveled about two-thirds of the way up the hedgerow, they opened up on us with rifle, and at least two machine pistols. I returned the fire with my Thompson Sub-Machine Gun at a point where I could see leaves in the hedgerow fluttering. Major McGinity was killed instantly. As luck would have it, there was a German foxhole to my left which I jumped into and from where I continued to fire I could only guess where to shoot, but I had to as part of the Third platoon was exposed to their fire. Lt. McLaughlin, the assistant platoon leader was wounded and died later that day. His radio operator was also killed the platoon by now was under fire from two directions, from the point where I was pinned down, and also from the direction of the bridge.

I can’t estimate how long we were pinned down in this fashion, but it was at least an hour. I made several attempts to move, but drew their fire. On my last attempt, I drew no fire. They obviously had pulled out. During all of this time, I could hear rifle and machine gunfire down by the bridge on the north side. This ceased about this time I returned to the rest of the third platoon, instructed the Non-Coms to re-organize and to maintain their present position. I then crossed the road and located the first platoon commanded by Lt. Oakley on the north side. They were moving toward the bridge, so I instructed them to continue and dig in on the right side. I went down to the bridge and found that we had received an assist from some of the 508 Prcht. Infantry about this time, I ran into Col. Eckman, and sent for my third platoon to dig in on the left or south side of the bridge. The first was already digging in on the north side.

I thought that all of the Germans had retreated; but unknown to us, there were about ten or twelve Germans holed up on the second floor of a stucco-type farmhouse. At the time they started firing. Col. Eckman and I were casually looking the situation over. It lasted about twenty minutes with about ten or twelve Germans surrendering. About a squad of men from the 508 made the actual capture.

We dug in, the disposition of my Company as follows: First platoon on the north side of the road, the third on the south and the second in reserve, about 4OO yards back, so that it could also protect the rear.

Major Kellam arrived at the bridge with Capt. Roysden, his S-3. He had most of his C.P. unit with him. I don’t know whether or not a Battalion C.P. had ever been set up as planned, at least, I don’t recall having had any communication with it. Down at the bridge now was most of Company "A", about one platoon or Company "B", a platoon of the Division Engineers (mission to blow the bridge if necessary), about half of Battalion Headquarters Company with mortars awl machine gun sections and several stray men from other regiments. The Company dug in well and quickly. I had just completed my inspection of the forward positions when we knew that an attack was coming. You will recall that in front of our position, west of the Merderet River, was a marsh at least 1000 yards wide at its narrowest point. The road running west from the bridge could better be described as a causeway.

As I recall, the mission of the 508 was to occupy a position beyond this causeway. In addition to the men who assisted us in capturing the bridge at least a company of the 508 passed through our position and moved over the causeway to their objective. They were gone at least an hour when we saw several of them retreating back across the marsh. I remember that we helped several of them out of the river, which was quite shallow.

The machine gun fire from the Germans was very heavy by now. We didn’t return their fire as there were no visible targets and our ammunition supply was limited. They attacked with three tanks, which I was unable to identify for sure; but they appeared to be similar to the German Mark IV type, or maybe a little lighter. The tanks were firing on us with machine guns and cannon.

Just about a half-hour before this attack, a 57MM A. T. gun was assigned to Company "A". I located this gun about 150 yards from the bridge on the road where it curves to the right as you approach the bridge. Incidentally, this was my C.P. and later the Battalion C.P. This gave the gun excellent cover and a good field of fire.

On the bridge I had three bazooka teams. Two of them were from Company "A" and the third was either from "B" or "C" Company. The two Company "A" bazookas were dug in to the left and right of the bridge. Because of the fact that the road itself was the causeway type, they were as of necessity dug in below the level of the road, so that in order to fire, they had to get out of their foxholes. The third bazooka was over more to the south where better cover was available.

To continue, I had just completed my inspection of our defenses and was 40 to 50 yards from the bridge. Major Kellam and Captain Royaden were nearby. The first two tanks were within 15 Qr 20 yards of each other, the third was back about 50 yards. When the lead tank was about 40 or 50 yards away from the bridge, the two Company "A" bazooka teams got up just like clock work to the edge of the road. They were under the heaviest small arms fire from the other side of the causeway, and from the cannon and machine gun fire from the tanks. To this day, I’ll never be able to explain why all four of them were not killed. They fired and reloaded with the precision of well-oiled machinery. Watching them made it hard to believe that this was nothing but a routine drill. I don’t think that either crew wasted a shot. The first tank received several direct hits. The treads were knocked off, and within a matter of minutes it was on fire. Then they went to work on the second tank, and within about 30 seconds, it was on fire. They fired every rocket that they had and then jumped into their foxholes. The 57mm during this time was firing and eventually knocked out the last tank. The gun crew did an excellent job.

My two bazooka crews called for more ammunition. Major Kellam ran up toward the bridge with a bag of rockets followed by Captain Roysden. When they were within 15 or 20 yards of the bridge, the Germans opened up with mortar fire on the bridge. Major Kellam was killed and Captain Roysden was rendered unconscious from the concussion. He died later that day. Both of the bazookas were destroyed by the mortar fire. Lt. Weir (Reg. Hq. Co.) and I carried Captain Roysden back. I then took over command of the battalion, being the senior officer present.

Company "B" was put into reserve in the perimeter of Company "A", so that we had almost a 560 degree perimeter defense. The rest of the day we were under heavy mortar and machine gun fire. The mortar fire was very effective as against the two forward platoons because of tree bursts. It took very little imagination on the part of the Krauts to figure out just where we would be dug in. As I recall, there was less than a seventy-five yard frontage on either side of the bridge from where we could effectively defend, so they could throw their mortar fin in our general direction with good results. During the night, the fire let up, but they started early the next morning and kept it up. My third platoon took the worst beating, as they were in a heavier wooded area, (tree bursts).

The second tank attack came on the afternoon of the second day. I was over on the north side of the bridge with the first platoon. For about an hour before the attack, they increased their mortar fire to the extent that the third platoon was just about knocked out, but not quite. I was not aware of this at the time. In addition to already heavy casualties, Sgt. Monahan, the platoon Sgt. was fatally wounded.

I learned second hand that some other troops had retreated through the third platoon’s position, and then through my C.P. Rumors were around that we were going to give up the bridge. As a result of this, the 57MM A.T. crew took off. I didn’t have an Executive Officer at the time. Earlier that day, he (Tom Furey) was put in command of "C" Company. My First Sergeant was a jump casualty, so my Company Headquarters at the time was non-existent except for runners and radio operators. I can’t recall why, but our radios were not working. The only way that we could communicate was through runners.

The first platoon was under heavy fire also. The platoon leader, Lt. Oakley, who had been doing an excellent job, was fatally wounded, and Sgt. Ricci was leaving the junior squad leader, Sgt. Owens, in command. You will recall that we have had some communication about Sgt. Owens in the past as to his personal courage and the way he commanded the platoon at this most critical time. I recommended Sgt. Owens and my tour bazooka men for the D.S.C. The bazooka men were awarded the D.S.C., but Sgt. Owens was not. This is a story in itself.

The second attack was with two tanks and infantry. I was unable to estimate the size. The tanks stayed out of effective bazooka range. (We had one bazooka left.) Not hearing any fire from the 57MM, I went over to it and found it unmanned. I tried to fire it, but the crew had taken the firing mechanism. I organized five or six men behind the hedge on the southerly side of the road with Gammon grenades, and just about this time, two of the gun crew returned with the firing mechanism. They knocked out the two tanks. They were two youngsters not more than 17 or 18 years old, who returned on their own initiative. I recommended them for Silver Stars.

The rest of our stay at the bridge was uneventful, except for the continued mortar fire, and at the end, artillery fire which damaged the 57MM. Lt. Col. Mark Alexander took over command of the battalion later that day and continued to command it for most of the operation. Without exception, he was the finest battalion commander I ever served under. My second son, Mark Alexander Dolan, was named after him.

In conclusion, we held the bridge until relieved. In Co. "A" alone, in those days (three in all), we had seventeen known dead and about three times that number wounded. The rest of the battalion also had heavy casualties.

I have tried to give you an accurate picture of what happened however, after fifteen years, the foregoing may contain some minor inaccuracies I will be glad to give Mr. Ryan any additional information he may require. You may assure him that I will be happy to cooperate with him in every detail.

Very truly yours,

JJD:eg

P.S. Since writing this Letter, I have read the account by David Howarth in the Saturday Evening Post, and I agree with you that it contains many inaccuracies. You will probably note that some of the events related tie in with what I have told you in this letter.

The most glaring inaccuracy is about the bridge being lost. For the record, this bridge was held by Company "A" from the time of its capture on "D" Day, until we were relieved.

The battle around La Fière Bridge
When the main Airborne force landed around midnight Robert Murphey’s job as a pathfinder was done. He had marked the way for the others and now he stayed behind on the dropzone and helped gathering the supply-bundles that had landed with the paratroopers. At first light, which must have been around eight or eight-thirty Murphey’s platoonleader 1st Lt. Lightchester (commander of the 1st Pathfinder Bn.) told him to go look for Lt. John J (Red Dog) Dolan. Lt. Dolan was the commander of A Co. at that time. This company’s goal was to take and hold the La Fière Bridge.

The La Fiere bridge is located just west of Ste. Mere d’Eglise, the primary target of the 82nd Airborne Division. The bridge runs across the small river the Merderet. Holding the bridge ment holding the western entrance of ste. Mere d’Eglise.

This city was so important because it was the crossing of the road from Carentan to Cherbourg and the road running from the west side of the peninsula to the beach that was code-named Utah Beach. If the Germans wanted to launch a full scale counterattack on the men coming in on the beaches from the sea, then they certainly had to bypass ste. Mere d’Eglise at La Fière Bridge. A large German counterattack in the first hours of the invasion could endanger the whole operation.

When Murphey arrived at the bridge, a defense-line had already been established. The paratroopers had pulled a German truck onto the bridge, to prevent any vehicles from passing. Anti-tank mines were laid in front of the truck to add to the roadblock.

The Germans had flooded the grasslands, prior to the invasion and the road alone was the sticking out above the water, because it was on a dike. Parachutes and supply-bundles could be see floating in the water and it was obvious that paratroopers had drowned in these fields on landing. The paratroopers had no choice then to dig in on the sides of the road, and even their they could dig very deep without getting water in their foxholes.

The artillery support that the defenders had was only one 57mm canon that had been flown in by glider. Murphey was not the only soldier joining the men from A Co. at that time. A group of soldiers from the 508th had been trapped in Coccagny during the night and had now gotten away and pulled back across the bridge.

Just as the men from the 508th had crossed the bridge, German 88th’ s were zeroing in on the bridge. These shells were particularly feared by the Americans because you couldn’t hear them coming in. Mortar shells and rockets also started to land within the American defense-line.

Three German tanks advanced towards the bridge as soon as the shelling had stopped. It were French Renault tanks which the Germans had captured during their drive into France in 1940. Although not very modern they still posed a serious threat for the weakly armed Airborne soldiers. The infantry followed the tanks in their advance, using the tanks as cover.

Two American bazooka-teams jumped up as soon as the tanks got within range. Each team had two men, one aimer and one loader. John D Boldison and Gordon Poya made the first team and Leonard Peterson, a Swedish airborne soldier that barely spoke English and Marcus Huyme made the second team. The aimers had to stand-up in their foxholes when they fired their bazooka’s. This ment that they had to expose themselves to all enemy fire. The didn’t pay attention to the German fire and placed several hits on the first two tanks, disabling both. The third tank also received some damage, but it managed to pull back.

A German officer climbed out of the first tank, in an attempt to run off to safety. There was not much feeling of compassion with the Germans among the Airborne soldiers and several men opened fire on the officer as soon as he had lifted himself from on the turret. The officer was killed at the spot.

The Infantry also remained at a distance once they had lost the support of their tanks. The battle was still far from being over. More critical hours were still ahead of A Co. of the 505th Parachute Infantry Regiment. Relief came in the night of June 8th. The 325th Glider Infantry Regiment of the same 82nd Airborne division took the positions at the bridge over from A Co. By that time more canons had been brought in for the paratroopers. For Robert Murphey the relief ment the end of his activities in Normandy. He had been hit by shrapnel in his back as a result from the continuous German shelling. He was taken back to England where he spend several weeks in a hospital.

© normandy44

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