Check out these grinding machining pictures:
2008 Grand National Roadster Show
Image by ATOMIC Hot Hyperlinks
Kent Grinding Machine
Image by NVT Technologies Pte Ltd
Cool Surface Grinding images
A handful of good surface grinding images I located:
9_an ambitious importer and ship-owner
Image by Jim Surkamp
Funds Wizard R. D. Shepherd and His Fabled Developing – McMurran Hall, Shepherdstown, WV by Jim Surkamp
civilwarscholars.com/?p=13106 7907 words.
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Patriarch R. D. Shepherd’s Homecoming 1859
1_About how a young boy from Shepherdstown
About how a young boy from Shepherdstown constructed a massive fortune by means of work, smarts and an act of his own heroism for an additional then, turns around and provides a lot of it back as McMurran Hall, an Almshouse in New Orleans and other gifts.
two_R. D. Shepherd had a strict, flinty way
R. D. Shepherd had a strict, flinty way, but on paper and in the world at large did his huge generosities stand tall, pervade the landscape and enrich the hearts of humanity.
3_Seventy-five-year-old Rezin
Seventy-5-year-old Rezin Davis Shepherd, described by the New Orleans Picayune as having “the largest and most productive estate which has ever been held by 1 person in this city and State” – started the construction Thursday, October 6th, 1859 of a present to his residence town, this time right on lot no. 1 in Shepherdstown, the very lot exactly where he was born in August 1, 1784.
four_Who knew that in ten fleeting day
Who knew that in ten fleeting days – October 16th – history would be blown off its hinges by the John Brown raiders’ attack fifteen miles away at Harpers Ferry, the match that lit the simmering fever of division amongst
five_North and South over slavery
North and South over slavery and claimed rights to secede from the Union. The tempest raged back and forth more than the county and the town for 1300 hundred days of pitiless strife and war before settling back into being a barren, alien landscape.
6_RD’s constructing
RD’s (“RD” henceforth for “Rezin Davis Shepherd”) creating – beautiful as were all his buildings remains a Greek Revival style, with a two-story-portico and Corinthian flourishes. But in the 1860s, it would bear witness to all that was rent asunder and itself narrowly steer clear of destruction, unlike a significantly less lucky altruistic juggernaut project of Shepherd’s in New Orleans – the palatial Almshouse. But this, RD’s Town Hall, initial named, would sooner or later reside a “long, happy life” 1st as the County Court, then into its present-day majesty as the signature constructing of Shepherd University.
Growing Up – RD Learns the Trade:
7_When he was just nine years old
8_placed him in the shop and counting home
When he was just nine years old, RD’s father, Abraham, placed him in the retailer and counting property in Baltimore of William Taylor,
9_an ambitious importer and ship-owner
an ambitious importer and ship-owner. RD’s extraordinary gifts surfaced when he – just eighteen – was sent to New Orleans to assure a excellent return on a massive shipment of British goods his firm had bought for New Orleans’ consumers. Then his initial massive “killing” was with an additional fresh-faced, challenging-driving Taylor colleague, James McDonough. Wrote the Picayune: In October, 1803, it was nicely recognized throughout the country that Louisiana had been bought by the United States. Mr. Taylor was the only merchant who seemed to comprehend the profit from one consequence of the this fantastic political occasion.
ten_in becoming a state
11_all sugar imports thereafter
12_cornered 1800 of these hogsheads
The firm realized that in becoming a state, a duty of 2.five cents would be added to the price tag of all sugar imports thereafter. So Shepherd and McDonough – when all the sugar created in the state was in between 2100-2200 hogsheads – cornered 1800 of those hogsheads, providing young RD “a handsome capital for a young man to start off in mercantile life.” He soon developed a new firm shared with Taylor, then in time by means of age and retirement became RD’s alone.
13_Coming into his own
Coming into his own, he married Lucy Taylor Gorham of Barnstable, Massachusetts in 1808, who was “a niece and adopted daughter” of Taylor. On August 22nd, 1809, their only child, Ellen Shepherd, was born in Louisiana. (Lucy would die in 1814).
14_the penchant of RD
It was at this juncture the penchant of RD for standard, publicity-averse benefactions took root, in the moment of his willed defiance against a direct military order to work, as an alternative, to save 1 specific wounded man, left for dead in war, a man who himself would live on to grow to be the epitome of the proverbial Very good Man, albeit
15_His name was Judah Touro
extraordinarily wealthy. His name was Judah Touro, a top-hatted, but humble Jewish businessman who believed in respect for all religions and everyday applications of the code of good operates. He was beloved all through his circles and region as “the Israelite with no guile.”
Wrote Author Colyar:
16_Wrote Author Colyar
17_carrying ammunition on the battle field
Although carrying ammunition on the battle field Jan. 1, 1815 Mr. Touro was struck by a 12-pound shot which tore
18_12-pound shot
19_a huge mass of flesh from the thigh
a large mass of flesh from the thigh and prostrated him amongst the dead and dying. Mr. Rezin Shepherd, was carrying a special order from Commodore Patterson across the river to the principal army. On reaching the bank he met a pal, who told him his buddy Touro was dead. Inquiring where he was, Shepherd was informed that he had been taken to
20_Jackson’s headquarters
an old building in the rear of Jackson’s headquarters. Forgetting his orders, Mr. Shepherd went immediately to the spot and discovered he was not dead, but, as the surgeon mentioned, in a dying situation. Disregarding what the surgeon mentioned, Shepherd got a cart, place him in it, administered stimulants, and took Touro to his own residence. He then procured nurses, and by the closest interest, Mr. Touro’s life was saved. Mr. Shepherd returned late in the day,
21_Commodore Patterson in a negative humor
possessing performed his mission, to locate Commodore Patterson in a bad humor, and, speaking severely to him, the latter said: “Commodore, you can hang or shoot me, and it will be all appropriate, but my ideal friend required my help, and nothing on earth could have induced me to neglect him.”
RD’s firms continued to grow exponentially and his brother, James Hervey Shepherd, was summoned from Shepherdstown to help.
22_Shepherd, was summoned from Shepherdstown to help.
1817-1837 – RD travels to Europe, settles in Boston doting on his daughter’s education.
23_1822 – RD maintained his firms
24_at 5 Pearl Street and nearby 28 Indian Wharf property.
1822 – RD maintained his organizations and shipping concerns at 5 Pearl Street and nearby 28 Indian Wharf house.
25_her portrait painted by Thomas Sully
26_Gilbert Stuart is commissioned to paint his own portrait
He has her portrait painted by Thomas Sully in 1831, a couple of years after Gilbert Stuart is commissioned to paint his own portrait. (Stuart died in 1828).
1829, April 20 – Ellen Shepherd marries Gorham Brooks of Medford, Massachusetts.
1834 – RD commissions Samuel Fuller to develop the 480-ton merchant ship in Medford, named right after his daughter, the “Ellen Brooks.”
27_James Hervey Shepherd dies
1837 – James Hervey Shepherd dies. RD returns to run businesses in New Orleans.
1837, July 23 – Ellen (Shepherd) Brooks and her husband, typically in Boston or Medford, temporarily reside in Baltimore.
28_nephew, Henry Shepherd Jr.
1837-1865 – RD’s nephew, Henry Shepherd Jr., who was brought up in his uncle’s counting room, gradually assumes the role as RD’s agent in New Orleans.
29_painting of the ship the “Ellen Brooks” is completed
1839 – RD’s commissioned painting of the ship the “Ellen Brooks” is completed, attributed to Samuel Walters (British, 1811-1882), known as “Ellen Brooks, Off Holyhead, Homeward Bound.”
1841 – RD buys 468 acres of land and starts creating Wild Goose Farm, but not but living there complete-time he also pays for most of the remodeling of the original Trinity Episcopal Church in Shepherdstown.
1842, June – RD signs a petition to Congress along with many other planters and sugar producers in the state of Louisiana that asks for an increase in the duties on imported sugar.
1849 – RD places responsibilities on his eighteen-year-old nephew, Henry Shepherd Jr., who would become his agent in New Orleans by way of the Civil War, enabling RD to return a lot more permanently to his Wild Goose Farm.
30_Wild Goose Farm
31_the 1850 Census shows
32_1850 and 1860 Census slave schedules
1850 – In Shepherdstown & Wild Goose Farm the 1850 Census shows 66-year-old RD with a period worth of ,000, living only with workmen: 26-year-old German-born master stonemason Conrad Smith and an overseer. Although one account states Touro stipulated that RD cost-free his enslaved persons, RD is shown to obtaining owned quite a few persons, enumerated in each the 1850 and 1860 Census slave schedules.
1854, January 6th – Touro’s Will tends to make Rezin Davis Shepherd residuary legatee of the estate and executor 5,000 is willed to specific recipients. A sum iof ,000 is set aside for a palatial almshouse, with the added stipulation to RD that more sums, if required, should be employed to full this priority project.
Judah Touro created out his will January six, 1854 a handful of days prior to his death that said:
33_my dear, old, and devoted buddy, Rezin Davis Shepherd
34_I hereby appoint and institute him
As regards my other designated executor, say my dear, old, and devoted buddy, Rezin Davis Shepherd, to whom, below Divine Providence, I am drastically indebted for the preservation of my life when I was wounded on the 1st of January, 1815, I hereby appoint and institute him, the stated Rezin Davis Shepherd, right after payment of my distinct legacies, and the debts of my succession, the universal legatee of the rest and residue of my estates, movable and immovable.
35_funded remodeling of the Trinity
RD continued his projects each in New Orleans and Shepherdstown. He had already funded remodeling of the Trinity
36_planned a clock and bell to its original church
Episcopal Church. He planned a clock and bell to its original church then after some legal squabbling – the clock – to everyone’s assent – was reassigned to be inserted in to the new government constructing.
The Shepherd Family members is Scattered By War:
37_The war hit the household tough
The war hit the household challenging. Most of the young men enlisted in Virginia units. RD had to recalibrate his company approaches. Wrote the Richmond Daily Dispatch: June eight, 1861:
The New Orleans Delta states that R. D. Shepherd, Esq., who is now at an sophisticated time of life, living on his stunning farm near Shepherdstown, Virginia, has directed his agent in New Orleans to pay more than to the treasurer of the Confederate States a massive sum of funds, which includes, it is stated, his complete annual earnings from rents in that city — the largest income enjoyed by any house holder — to be applied to the defence of the rights and the assistance of the independence of the South.
38_spring of 1862 when Federal General Banks
In the spring of 1862 when Federal General Banks with his army entered into Jefferson County, RD took refuge in Boston with his daughter.
39_As the war progressed
As the war progressed, its maw of destruction came closer to Shepherdstown’s practically complete developing. 130,000 troops moved in the location in September, 1862 for the bloody Maryland Campaign, just across the Potomac river. Wounded from the nearby battles poured into Shepherdstown, placing the unfinished Town Hall into service as an outside hospital.
Wrote Mary Bedinger Mitchell:
40_The unfinished Town Hall had stood in naked ugliness
The unfinished Town Hall had stood in naked ugliness for a lot of a lengthy day. Somebody threw a couple of rough boards across the beams, placed piles of straw more than them, laid down single planks to stroll upon, and lo, it was a hospital at once.
There have been six churches and they had been all full, the barn-like spot identified as the Drill Area, all the private houses right after their capacity, the shops and empty buildings, the school-houses – every inch of space and yet the cry was for far more area.
We went about our operate with pale faces and trembling hands, however attempting to appear composed for the sake of our individuals, who had been much excited. We could hear the incessant explosions of artillery, the shrieking whistles of the shells, and the sharper, deadlier much more thrilling roll of musketry although every single now and then the echo of some charging cheer would come, borne by the wind, and as the human voice would pierce that demoniacal clangor we would catch out breath and listen, and attempt not to sob, and turn back to the forlorn hospitals, to the suffering at our feet and ahead of our eyes whilst imagination fainted at the thought of those other scenes hidden from us beyond the Potomac.
Had Federal Basic George McClellan crossed the Potomac and pursued Common Lee’s scattered and mauled army, as historians have much criticized him given that for not doing, Shepherdstown would have likely suffered higher damage, but, as it was, shells landed in the yards of the Lees and Morgans and one or two even hit Shepherd’s new Town Hall, but have been of little consequence.
Property Losses in New Orleans:
41_RD’s fine residence at 18 Bourbon Street
42_18 Bourbon Street in New Orleans
A lot more invasive, improvised use was being produced of RD’s fine residence at 18 Bourbon Street in New Orleans, causing his nephew to formally appeal to the Federal powers-that-be in early 1864. He wrote:
43_From Brig. General James Bowen
January 29, 1864
From Brig. Basic James Bowen
Provost Marshal General
Division of the Gulf.
Sir:
The undersigned acting as the duly authorized agent and lawyer in truth of Rezin Davis Shepherd, formerly the State of Virginia, but for far more than eight months previous residing with his daughter Mrs. Gorham Brooks in the city of Boston and State of Massachusetts, respectfully represents: That the stated Shepherd is a loyal citizen of the United States and the correct and lawful owner of the Brick Dwelling No. 18 Bourbon Street in between Canal and Custom Property Streets in the City of New Orleans and also of all the furniture and contents thereof: that in the month of June, 1862 Col. Stafford without having show of authority, placed in possession of said house and contents, a man by the name of Horton or Houghton, who has ever since occupied and now occupied and uses the identical as a Boarding Residence, and who never ever has paid any rent or compensation there and continually refused to do so.
Below the situations, the undersigned respectfully appeals to you, Common, for relief, and asks that the matter be referred to Capt. Edward Web page and Thomas Tileston, or other of them for investigation and that the aforesaid premises and contents be restored to the possession of the owner without having delay Henry Shepherd Jr.
Like The Town Hall, the large, magnificent Almshouse in New Orleans remained unfinished, to be hit by a worse fate. Shepherd was charged by Touro’s will to very first place ,00 toward its construction, then be ready to put much more money into its building- including even some of Shepherd’s own funds – as recipient of Touro’s residue.
44_occupied by detachments of the 2nd Maine Cavalry
45_The fire began
46_Baked beans fired the creating
On September 1, 1865, at a time the Almshouse in New Orleans – nevertheless with an unfinished, floorless prime floor – was occupied by detachments of the 2nd Maine Cavalry and Business K, First Louisiana Cavalry. A baking oven was in heavy use at 1 finish of the constructing so that heat would be carried by means of a fissure in a ventilation method close by. The fire started in the rafters above the third floor. It was night-time with a high wind and no flooring but laid for the third floor in that wing. Coals dripping from the fire then ignited tar on the lower walls. “Baked beans fired the building” mentioned one from the 2nd Maine Cavalry. The building was uninsured. Just a couple of months later R. D. Shepherd died of typhoid fever, November 10, 1865, no longer the executor of the estate, leaving no philanthropist to help make up the loss.
Wrote the editors of the Instances-Picayune in a lengthy obituary:
In his native village he erected a splendid building, made for a town hall, also a large academy, with stunning grounds and a stroll. He also deposited with the Mayor annually a big sum to purchase fuel and provisions for the poor. He also erected the largest and most expensive church in Jefferson County. A lot of other acts of public and private benevolence have been performed by him in his quiet, furtive manner.
With war ended and when he was still healthful, RD had urged that his Town Hall turn out to be the County Court because the Charlestown courthouse was a battle-scarred ruin, specifically from a shelling it took in the fall of 1863.
A Visitor Contemplates Charlestown’s Ruined Courthouse in mid-1865:
47_the court-house, exactly where that mockery of justice was performed, was a ruin
48_Four huge white brick pillars, nevertheless standing, supported a riddled roof
A quick walk up into the centre of the town took us to the scene of John Brown’s trial. It was a consolation to see that the jail had been laid in ashes, and that the court-residence, exactly where that mockery of justice was performed, was a ruin abandoned to rats and toads. Four huge white brick pillars, still standing, supported a riddled roof, by way of which God’s blue sky and gracious sunshine smiled. The primary portion of the building had been actually torn to pieces. In the floor-much less hall of justice rank weeds have been increasing.
49_Names of Union soldiers were scrawled along the walls
Names of Union soldiers have been scrawled along the walls. No torch had been applied to the wood-operate, but the perform of destruction had been performed by the hands of hilarious soldier-boys ripping up floors and pulling down laths and joists to the tune of “John Brown,” the swelling melody of the song, and the accompaniment of crashing partitions, reminding the citizens, who believed to have destroyed the old hero, that his soul was marching on. It was also a consolation to know that the court-residence and jail would most likely never ever be rebuilt, the county-seat possessing been removed from Charlestown to Shepherdstown — “forever,” say the resolute loyal citizens of Jefferson County, who rose to vote it back again.
50_either buried in Elmwood Cemetery or the Shepherd Burial Ground
The Shepherd boys who enlisted in Virginia organizations every single – over time – came property and have been either buried in Elmwood Cemetery or the Shepherd Burial Ground – or lived.
51_Clarence Edward Shepherd
Clarence Edward Shepherd became a teacher in Maryland.
Although RD’s nephew and agent, Henry Shepherd Jr. was in New Orleans during the war, minding the household interests, 3 of his brothers have been at war. The eldest Rezin Davis, his older brother who had a young loved ones
52_eldest Rezin Davis, his older brother who had a young household
because 1858, died of disease November 2, 1862 at his “river cottage” after imprisonment in the Old Capitol Prison for becoming an associate of Confederate spy, Redmond Burke. He left his widow, Elizabeth Boteler Stockton Shepherd, two youngsters (Fannie and Alexandria) and a third (David) on the way. Almost certainly very first buried on his farm, Rezin Shepherd (a nephew of the patriarch) was reburied following peace came in the new Elmwood Cemetery. His website was joined by all his loved ones as time unspooled.
53_twenty-5 year-old Abraham
Henry Jr.’s next brother, twenty-5 year-old Abraham, enlisted May 22nd, 1861, would move over to Co. F. of the 17th Virginia Cavalry, get wounded at the third battle of Winchester in September 19, 1864, and become a prisoner of war. But he survived the war and died a lot of years later in 1907.
54_Henry Jr.’s younger brother, James Touro (Truro) Shepherd
Henry Jr.’s younger brother, James Touro (Truro) Shepherd, enlisted as a Private Could 1st, 1861 in the 2nd Virginia Infantry. Like many, the rigors of marching under Gen. Stonewall Jackson proved an impetus to transfer out into a Cavalry regiment, and he joined Co. B of Gen. Stuart’s Horse Artillery under John Pelham, with a promotion to very first lieutenant. His service record ends abruptly in the spring of 1862. The Shepherdstown Register in September, 1865 reported him getting died in “Richmond City” in March, 1862. His marker dates his death as August 13, 1862, which may be the date of his re-internment into the family burial ground.
Two sons of James H. and his wife, Florence Hamtramck Shepherd were buried a couple of feet apart in the family members burial ground on Shepherdstown’s New Street adjacent to the Episcopal rectory. Robert F. Shepherd, who joined Co. H, 2nd Va. Infantry, died Could four, 1862 of pneumonia.
55_Robert F. Shepherd, who joined Co. H, 2nd Va. Infantry
56_Alexander H. Shepherd
Alexander H. Shepherd, who enlisted when he was about twenty-eight April 4, 1861 in Co. H of the 2nd Virginia Infantry he died of typhoid fever at Camp Harman near Fairfax Courthouse September 25-26, 1861.
57_Rezin Davis Shepherd was buried there also
Rezin Davis Shepherd was buried there as well, in his personal time.
He left all his fortune to his daughter, who, since 1855, had been a widow.
Wrote the Shepherdstown Register: A Big Estate – the late Rezin D. Shepherd left an estate valued at about ,500,000 all of which goes to his daughter, Mrs. Brooks of Boston. He was born in 1784 (on the lot where the court home would be built). In 1809 he went to New Orleans and engaged in the commission organization till 1849 and was the executor of the estate of the late Judah Touro. Mr. Shepherd was formerly a merchant in this city, residing on Higher Street. He accumulated a really large home in New Orleans and was reputed to be a single of the wealthiest males of that city. Upon the breaking out of the rebellion, he returned to Boston and resided for a brief time with his daughter and sole heir, Mrs. Gorham Brooks, widow of a son of the late Peter C. Brooks. His estate on Higher Street was formerly, we think the property of Samuel Dexter.
The Massachusetts Historical Society nowadays displays a cannon donated by the household and acquired by RD – a smaller sized version of the a single that so severely wounded RD’s pal, Judah Touro.
The visiting journalist Trowbridge was verified wrong – the county seat DID go back to the Charlestown Courthouse. Wrote the editors of the Charlestown-primarily based newspaper, The Spirit of Jefferson, in 1894:
58_The Regular College constructing, formerly the town hall
The Standard College developing, formerly the town hall, on Principal Street, is a handsome structure, the gift of one of the Shepherd household, Rezin D. from which the town requires its name. You will keep in mind that it was utilized as a court home because the war and the courts of Jefferson county have been held there, 1 Judge Hall sitting on the bench. A political rape was perpetuated on Charlestown, the party in energy, fitly termed radicals, believed they had a sure point of it, constructed a jail and added a wing to either side of the town hall, but “the greatest laid schemes of mice and men gang af’t aglee.” The fellows that did all this mischief had been turned down by the folks and items took their standard shape and Charlestown was once again the county seat.
Shepherd University began when the county seat of Jefferson County, West Virginia, was moved from Shepherdstown to Charles Town in July 1871. On February 27, 1872, the Legislature of West Virginia passed the following act: “That a branch of the State Normal School be and the same is hereby established at the developing identified as Shepherd College, in Shepherdstown, in the county of Jefferson.”
59_RD’s descendant, Shepherd Brooks
RD’s descendant, Shepherd Brooks, created it final when he deeded the house and constructing more than to the School and a 3-person board of trustees to sustain it.
As they say, settings reverse, the tide of life had gone out – and – came back in again.
304
Image by pni
My Dahon Mu P8
Verify out these cnc grinding machine pictures:
My Dahon Mu P8
Image by Blade Dancer
– Colors: CLOUD
– Speeds: eight
– Frame Sizes: 1
– Gear Inches: 33" – 96"
– Distance: Seatpost to Handlebar: Min: 615 mm (24") Max: 650 mm (25.four")
– Distance: Saddle to Pedal: Min: 695 mm (27.1") Max: 960 mm (37")
– Folding Size: 30 x 79 x 66 cm (11.7" x 30.8" x 25.7")
– Folding Time: 15 sec
– Weight: 11.2 kg (24.7 lb)
– Suggested Rider Height: 142 – 193 cm (4’8" – 6’4")
– Max Rider Weight: 105 kg (230 lb)
– Frame: PA Series, 7005 butted aluminum alloy, custom-drawn Sonus tubing, Lattice forged hinge, patented Fusion and V-Clamp technologies
– Fork: Dahon SlipStream, Puro U7 aluminum, patented Fusion technology, double butted tubing
– Handlepost: Radius V, adjustable, patented Fusion, Telescope, and V-Clamp technologies, forged aluminum
– Handlebar: Kinetix Comp, flat, double butted 6061
– Stem: Dahon Fusion+, zero stack, cartridge bearings
– Grip/Bars Tape: BioLogic Arx, lock-on function, reflective finish plugs
– Saddle: BioLogic Aria
– Seatpost: BioLogic PostPump+, 34 x 580 mm, forged aluminum clamp
– Seat Clamp: Dahon Turtleneck clamp
– Front Brake: Kinetix SpeedStop V brakes, stainless link, anchor and pivot bolts
– Rear Brake: Kinetix SpeedStop V brakes, stainless link, anchor and pivot bolts
– Brake Levers: Avid FR5
– Brake Cable & Housing: Dahon LiveWire 7., anti-compression housing, Slick cables, DuPont L3 lubricant, alloy ferrules
– Front Hub: Kinetix Neutron, cartridge bearings, Ultralight 58 gram design
– Rear Hub: Kinetix Comp, ground races, Labyrinth water seal, eight spd. cassette, aluminum, QR
– Spokes: 18/8 stainless steel, brass nipples
– Rims: Kinetix Comp, doublewall, CNC machined sidewalls, wear line indicator
– Tires: Schwalbe Marathon Racer, 85 psi, Qualifier Compound casing, RaceGuard puncture protection, Reflex
– Shifter(s): SRAM Twist, Speedy-Rise, eight speed
– Rear Derailluer: Dahon Neos two.
– Crankset: Kinetix Supra, forged 6061 cranks, 6061 chain ring, alloy CNC chainguard
– Cassette/Freewheel: Shimano HyperGlide 8 speed, 11-32T
– Bottom Bracket: Cartridge, sealed bearings
– Chain: KMC Z82
– Pedals: Suntour folding, alloy body
– Cable & Housing: Dahon LiveWire 7., sealed anti-compression housing w/ Dupont L3 lubricant
– Kickstand: Bracket Aluminum, Dacromet bolt
– Clip System: Magnetix program
– Luggage Bracket: Frame integrated, Luggage Socket
– Accessory: Trouser strap
– Front & Rear Reflectors: Yes
Stepper motor mount – Y-Axis
Image by ehud42
Employing long 3/16 inch bolts and a lot of nuts, I mounted the stepper motor to drive the threaded rod. The 2 wire ties around the hose are adequate friction at the moment. I might grind a ‘key’ into the stepper shaft to lessen slippage – but so far there has been none.
CNC Jeweling with Cratex rubber abrasive stick
Some cool cnc turning machine photos:
CNC Jeweling with Cratex rubber abrasive stick
Image by zombieite
AKA Machine turning, engine turning, damascening. This approach could be happening a lot more quickly, but I’d have to create some custom GCode. The GCode I was employing here was generated automatically by VCarve utilizing a drilling toolpath. I made it go slowly to fake a small longer dwell time.
Nice Machined Components Manufacturers images
A few good machined components makers photos I located:
Steven F. Udvar-Hazy Center: primary hall panorama (SR-71, Space Shuttle, F-4 Corsair, et al)
Image by Chris Devers
Quoting Smithsonian National Air and Space Museum | Lockheed SR-71 Blackbird:
No reconnaissance aircraft in history has operated globally in much more hostile airspace or with such total impunity than the SR-71, the world’s fastest jet-propelled aircraft. The Blackbird’s efficiency and operational achievements placed it at the pinnacle of aviation technologies developments for the duration of the Cold War.
This Blackbird accrued about 2,800 hours of flight time for the duration of 24 years of active service with the U.S. Air Force. On its last flight, March six, 1990, Lt. Col. Ed Yielding and Lt. Col. Joseph Vida set a speed record by flying from Los Angeles to Washington, D.C., in 1 hour, four minutes, and 20 seconds, averaging 3,418 kilometers (2,124 miles) per hour. At the flight’s conclusion, they landed at Washington-Dulles International Airport and turned the airplane more than to the Smithsonian.
Transferred from the United States Air Force.
Manufacturer:
Lockheed Aircraft Corporation
Designer:
Clarence L. "Kelly" Johnson
Date:
1964
Country of Origin:
United States of America
Dimensions:
All round: 18ft five 15/16in. x 55ft 7in. x 107ft 5in., 169998.5lb. (5.638m x 16.942m x 32.741m, 77110.8kg)
Other: 18ft five 15/16in. x 107ft 5in. x 55ft 7in. (5.638m x 32.741m x 16.942m)
Components:
Titanium
Physical Description:
Twin-engine, two-seat, supersonic strategic reconnaissance aircraft airframe constructed largley of titanium and its alloys vertical tail fins are constructed of a composite (laminated plastic-sort material) to decrease radar cross-section Pratt and Whitney J58 (JT11D-20B) turbojet engines feature massive inlet shock cones.
• • • • •
Quoting Smithsonian National Air and Space Museum | Vought F4U-1D Corsair:
By V-J Day, September two, 1945, Corsair pilots had amassed an 11:1 kill ratio against enemy aircraft. The aircraft’s distinctive inverted gull-wing style allowed ground clearance for the large, 3-bladed Hamilton Regular Hydromatic propeller, which spanned far more than 4 meters (13 feet). The Pratt and Whitney R-2800 radial engine and Hydromatic propeller was the biggest and 1 of the most powerful engine-propeller combinations ever flown on a fighter aircraft.
Charles Lindbergh flew bombing missions in a Corsair with Marine Air Group 31 against Japanese strongholds in the Pacific in 1944. This airplane is painted in the colors and markings of the Corsair Sun Setter, a Marine close-assistance fighter assigned to the USS Essex in July 1944.
Transferred from the United States Navy.
Manufacturer:
Vought Aircraft Business
Date:
1940
Country of Origin:
United States of America
Dimensions:
All round: 460 x 1020cm, 4037kg, 1250cm (15ft 1 1/8in. x 33ft five 9/16in., 8900lb., 41ft 1/8in.)
Supplies:
All metal with fabric-covered wings behind the main spar.
Physical Description:
R-2800 radial air-cooled engine with 1,850 horsepower, turned a 3-blade Hamilton Regular Hydromatic propeller with solid aluminum blades spanning 13 feet 1 inch wing bent gull-shaped on each sides of the fuselage.
• • • • •
See more images of this, and the Wikipedia article.
Information, quoting from Smithsonian National Air and Space Museum | Space Shuttle Enterprise:
Manufacturer:
Rockwell International Corporation
Nation of Origin:
United States of America
Dimensions:
All round: 57 ft. tall x 122 ft. lengthy x 78 ft. wing span, 150,000 lb.
(1737.36 x 3718.57 x 2377.44cm, 68039.6kg)
Components:
Aluminum airframe and body with some fiberglass characteristics payload bay doors are graphite epoxy composite thermal tiles are simulated (polyurethane foam) except for test samples of actual tiles and thermal blankets.
The first Space Shuttle orbiter, "Enterprise," is a full-scale test automobile utilised for flights in the atmosphere and tests on the ground it is not equipped for spaceflight. Even though the airframe and flight handle elements are like these of the Shuttles flown in space, this vehicle has no propulsion technique and only simulated thermal tiles due to the fact these features had been not necessary for atmospheric and ground tests. "Enterprise" was rolled out at Rockwell International’s assembly facility in Palmdale, California, in 1976. In 1977, it entered service for a nine-month-extended approach-and-landing test flight system. Thereafter it was utilised for vibration tests and fit checks at NASA centers, and it also appeared in the 1983 Paris Air Show and the 1984 World’s Fair in New Orleans. In 1985, NASA transferred "Enterprise" to the Smithsonian Institution’s National Air and Space Museum.
Transferred from National Aeronautics and Space Administration
Bidimensional SPEED
Image by 16:9clue
Amongst the most crucial industrial makers in Mexico is the automotive sector, whose standards of high quality are internationally recognized. The automobile sector in Mexico differs from that in other Latin American countries and developing nations in that it does not function as a mere assembly manufacturer. In 2007 one particular out every seven automobiles sold was produced in Mexico. The sector produces technologically complicated elements and engages in some research and development activities.
The "Big 3" (Basic Motors, Ford and Chrysler) have been operating in Mexico given that the 1930s, although Volkswagen and Nissan built their plants in the 1960s. Later, Toyota, Honda, BMW, and Mercedes-Benz established a presence. Given the high specifications of North American components in the business, numerous European and Asian parts suppliers have also moved to Mexico: in Puebla alone, 70 industrial portion-makers cluster around Volkswagen. The reasonably modest domestic car business is represented by DINA Camiones S.A. de C.V., which has built buses and trucks for virtually half a century, and the new Mastretta organization that builds the higher functionality Mastretta MXT sports auto.
The Ford Mustang Mach 1 was a functionality model of the Ford Mustang that Ford developed beginning in 1969. The name "mach 1" as used by Ford was initially introduced in 1959 on a idea "Levacar" originally shown in the Ford Rotunda. This idea "vehicle" utilized a cushion of air as propulsion on a circular dais.
Oaxaca, Mexico.
Post-production: edited by Picnik
(neighborhood contrasts, temperature, saturation, sharpness)
Cool Cnc Turning And Milling pictures
A handful of nice cnc turning and milling photos I located:
CNC Milling and CNC Turning
Image by WorldSkills UK
Mitutoyo
Black Widow – Christopher Allison Photography –
Image by christopherallisonphotography
Christopher Allison Photography
619-368-2202
ALL Photos ARE COPYRIGHT PROTECTED & Offered FOR Purchase OR LICENCING
The Original Black Widow restored by Richard Riddell
Built in 1952
“THE BLACK WIDOW” Builders: Wally Olson (1952), Bill Scott (1954) and Richard Riddell (2005) The garage discover of the century! How long have you been hot rodding cars–considering that the 1950’s? Numerous of us got started in the 50’s and 60’s. (For you true old birds out there that keep in mind hot rodding “T” roadsters with Roto-Faze ignitions, Ruxtell 2-speed rear axles, Riley 2-port heads and Laurel lowering kits, well what can we say you are a generation prior to us and we take our hats off to you ‘original’ hot rodders.) BUT for all of us “The Black Widow” is a significant piece of 1950’s hot rodding annals and a benchmark for the business! In an write-up in Hot Rod Deluxe, July 2008 entitled, “Tangled Web” the complete-story of Richard Riddell’s quest to restore the original Black Widow had its public debut. Hot Rod Deluxe reported the car’s winning the 2008 Grand National Roadster Show which was a dream come correct, taking “Best Early Altered T Roadster”. (See also Rod and Custom, June 2008.) It was also a contender for the Bruce Meyer award at the ‘Grand Nats.’ Why do guys like Richard Riddell (and the rest of us) spend years (3400 hours in Richard’s case) restoring a vehicle we discovered in a barn? Answer: ‘For the enjoy of the sport!’ All of us don’t forget some other cars with related names, for instance the ‘Black Widow’ Monogram model auto (“1/24 scale model/Ford ‘T’ Pickup Rod/removable top” by Mattel high quality hobby kits). Also, we don’t forget Common Motors/Chevrolet coming out in 1957 with their first racing version Chevy named “The Black Widow.” But predating each of these historic automobiles is the “The Black Widow” built by Wally Olson to aid maintain his children out of trouble in 1952 and initial débuted in Hot Rod magazine, September 1954 in an article entitled, “Lil’ Beau T”, which study, “Wally Olson, Fresno, California, automotive machinist, is the fortunate owner and builder. Duane Taylor was named in for the body operate.” It added as to why he constructed the car, “What with so considerably current upheaval in the teen-age ranks, Wally figured that a sure-fire way to get rid of these cost-free-time, nothing at all-to-do troubles would be to interest them (his 9 and 12 year old sons) in a rod. So far the concept has worked like a charm.” In time the family members moved on to other projects and Bill Scott bought the automobile and redid it with fenders, headlights and all the stuff to make it ‘street legal’—as we utilized to contact it! The initial documentation of the car becoming referred to as “Black Widow” is identified in the magazine Rodding and Re-styling, August 1957 problem. That article reported Bill Scott’s modifications to Wally Olson’s vehicle, “The front end was revised to incorporate a tubular axle and tube shocks. The new owners also equipped the auto with a new energy plant. The original mill is a ’41 Merc bored out .one hundred inch over stock, ported and relieved…includes 8.five-to-1 Offenhauser heads, a Weber full-race cam, and an Evans three-caberator manifold.” [Note: The numerous engines that had been housed in this auto later varied see final Merc build particulars beneath.] Do not you adore the sound of that “ported and relieved” and “full-race cam”—when’s the last time you employed these terms? By the time the 1959 Hot Rod Annual was published the automobile-title stuck for all time “The Black Widow.” Riddell’s two-Year Renovation! According to long time race automobile builder Richard Riddell’s log he states, “Sometime in 1955 Wally sold his roadster to Bill Scott. Bill once more referred to as on Duane Taylor to turn the vehicle into a bonified street rod. With the further of windshield, head lights, tail lings, and fenders it was lastly capable to jump into his small Hot Rod and go crusin’. The pin stripping was accomplished by none other than Dean Jefferies with the familiar cobweb and spider on the turtle deck.” He reports that the car’s 1st win was “…a five foot trophy at the Sacramento AutoRama in 1957 for ‘Best Roadster’. Yes, Bill’s vehicle was having the time of its life becoming one of the best seeking early California street roadsters of all time.” Richard states, “Bill Scott died about 1987…for several years the auto languished…getting worse and worse…as is so usually the case for old Hot Rods.” The garage find in 2005 notes, “At a glance the roadster didn’t look that bad.” But the Naugahyde and carpet were shot, fenders, original wheels and hub caps to name a handful of issues for the however to commence restoration. Riddell notes, “Under a somewhat decent body and paint job lurked a mess that went beyond your worst nightmare.” He adds, “I started wondering how I could salvage this little beauty in the rough. Not that many men and women have restored an old Hot Rod but, those who have know what I’m talking about. It’s significantly harder than creating a rod from scratch. But the roadster was begging to be restored and I’m glad that I was chosen to do it.”and#9472Richard died shortly following finishing the project but happily he was in a position to see “The Black Widow” win the ‘Grand Nats’ and have a feature center-spread report in Hot Rod Deluxe. Here are a few of the Riddell-engineered refinements to this original car. and#61692 Recessed pockets had to be built in the frame rails to accept the front motor mounts which double as water pumps. and#61692 New front radius rods were built out of heavy wall chrome-moly tubing. The original ones had been so poorly created that they were unsafe. and#61692 The right master cylinder banjo fitting was not accessible so, he fabricated a new one from scratch. and#61692 The tooling mandral had to be CNC machined to facilitate metal spinning new brass tail pipe end bells. Hey would you agree? Hot rodding is an art type and some Hot Rod Artists have mastered the craft and Richard Riddell is one particular of them!!! Reconstruction points of interest: and#61656 Original steel body and doors welded shut and#61656 ‘42 Merc 274 c.i flathead (current engine) and#61656 ’39 Lincoln-Zephyr tranny and#61656 ’34 Ford rear with Halibrand swift-alter center and enclosed drive shaft and#61656 ’39 Ford hydraulic brakes all about and wide “5” 16-iunch wheels and caps and#61656 ’37 Ford tube axle and#61656 Engine by RPM Machine and#61656 Chrome by Ace Plating and#61656 Frame completed by Capps Powder Coat and#61656 Body/paint by Showtime Customs and#61656 Upholstery by Brents Why is the auto getting sold? To quote his wife Pat, “Unfortunately, Richard passed away on March 18, 2008 and will not get to enjoy seeing the new owner drive away with a piece of automotive history.” Richard’s loyal wife Pat grew up about racing since she was 9 years old. Her maiden name was Rodriguez. If you grew up at Lion’s Dragstrip, as she did, you might remember her father’s rail? He and his brother ran an old prime alky rail below the name “Rodriguez Brothers”. Pat said, ‘As I was increasing up I often wondered how I would ever meet an individual to marry, considering that all that our family ever did was go to the drags. Then one day Richard came along and met me at the Winternationals.’ Properly the rest is history. For Pat following Richard’s death there are just too several memories attached to all the memorabilia, race cars and hot rods in their storage—she would like to sell “The Black Widow” to some deserving hot rodder. Terms of sale: five,000.00. Please contact Don Burdge at DreamRodLocator or call him at 619.804.8033. You ought to call me just before Leno does! We have hundreds of added photographs and numerous 50’s and current magazine articles obtainable to seriously interested purchasers.
Good Cnc Cutting Services pictures
Check out these cnc cutting services pictures:
edge slab box assembled
Image by Caliper Studio
Center stringer comfort stair connects two workplace floors in Starret Lehigh constructing. Stringer and slab edge assemblies are blackened. Twenty four stainless steel treads are welded to the stringer form a continuous ribbon. 1 1/four" diameter handrail posts are continuous bent "C" shapes that wrap around treds and are welded to stringer. Stair will be delivered to website in 1 piece [24′ lengthy 3′ wide 3′ tall @ 2000lbs].
Design and style by Diller Scofidio + Renfro
Detailing, Fabrication and Installation by Caliper Studio. Caliper Studio engaged Eckersley O’Callaghan & partners for engineering services.
Image from web page 7 of “The Gardeners’ chronicle and agricultural gazette” (1844)
A handful of good id od grinding images I found:
Image from page 7 of “The Gardeners’ chronicle and agricultural gazette” (1844)
Image by World wide web Archive Book Photos
Identifier: gardenerschronic1868lond
Title: The Gardeners’ chronicle and agricultural gazette
Year: 1844 (1840s)
Authors:
Subjects: Gardening Agriculture
Publisher: [London : Published for the proprietors
Contributing Library: UMass Amherst Libraries
Digitizing Sponsor: Boston Library Consortium Member Libraries
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About This Book: Catalog Entry
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Text Appearing Prior to Image:
early spnng to October, 1am justified in saying it is a most charming addition to the flowergarden, far more specially for little beds and front lines, for which itI effectively adapted. Like all Violas it requries very good rich soil and plenty of □ >, and prefers a moist SUPEEB GLADIOLI, ia 200 Varieties,Selections of Early Varieties for pots or ground, 63., 10s., and15s. per dozen.Selections of RAMOSUS HYBRIDS, 3s., Gs.. and 9s. per dozen. All the above need to be planted without delay.Selections of GANDAVENSIS HYBKIDS, 3«., 6s., i)»., 12*., andl&s. per dozen. 100 Roots, in ten vartetiea, for 18s. Od. one hundred Roots, 1 100 Roots,one hundred Roots,Decision LILIES, in 70 finest and 2i8. per dozea.HEBBACE6uS and ALPINE PLANTS.-A fine Collection of thet and greatest in cultivation a DESCRIPTIVE CATALOGUE„^tpi ■ ■ ..18s., Basic Nursery Stock. A KCHIBALD HENDER- J. SON begs to inform his triendsand patrons that his DESCRIFflVEand PRICED CATALOGUE ofGENERAL NURSERY SrOCK ispublished, containing sensible
Text Appearing Right after Image:
Decision COLLECTIONS ofVINES in pots ever provided to the A. H.s BULB CATALOGUE contains a Pick List of Kitchen Garden and Flower Seeds for autumn sowing also a Selection Assortment of Gladioli for spnng nlanting. CATALOGUES may be had gratis and post totally free on application. Sion Nursery, Thornton Heath, Surrey, and at the East Surrey Seed Warehouse, College Grounds, North Finish. Ci-oydon. TREES FOREST VC EEDLING O ASH, two-yr., 2s. BEECH, 3-yr., 3s. G(I. HOLLIEai-yr., 5s.OAK. 3-yr , 7s. 6d. Swift, 1-yr., Is. Cd. SILVER FIR. 6-yr.,3s 6d • SPRUCE, six-yr., three#.6d. CRAB. three-yr.. 6s. and SYCAMORE,three-yr., 3s. 6d. per lOOO. Cheaper by the 100.000. Apply to J. RiDDELL, Pai-k Attwood, Bewdley, Worcesterabire. H Larch, Quick, &c. AND G. EARNSWOKTH, Nursertien, Matlock, • Derbyshire, have to offer a quantity of LARCH, 3 to 4 feet,and well rooted Strong Rapid, SPRUCE FIR, 9 to 15 inches, Larch, &c. LARCH, 2i to 4 feet. Ids. three to four^ feet, 17*. six^.31 to six feet, 20s. SCOTCH FIR, 1 togardenerschronic1868lond
Note About Pictures
Please note that these pictures are extracted from scanned web page images that may have been digitally enhanced for readability – coloration and look of these illustrations may not completely resemble the original perform.
Image from web page 166 of “The marine mammals of the north-western coast of North America, described and illustrated together with an account of the American whale-fishery” (1874)
Image by Internet Archive Book Images
Identifier: marinemammalsofn00scam
Title: The marine mammals of the north-western coast of North America, described and illustrated collectively with an account of the American whale-fishery
Year: 1874 (1870s)
Authors: Scammon, Charles Melville, 1825-1911
Subjects: Marine mammals Cetacea Sealing Whaling Whales Dolphins
Publisher: San Francisco, J.H. Carmany New York, Putnam
Contributing Library: Smithsonian Libraries
Digitizing Sponsor: Smithsonian Libraries
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About This Book: Catalog Entry
View All Photos: All Images From Book
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Text Appearing Ahead of Image:
Text Appearing Right after Image:
rO O 7^Id en CD^ SI CO > g^ O r3 ^ s ■— 1 —- O ^ ^ CO * 1 pi Sm pq S B ■OD OjCO rd V=S 3 <u =1CD Ph~- -i five three ■3 § & •^ 5 „° o o^ pq fe 5 03 £ –2° I THE DOLPHINS. 101 SECTION VII.—THE Correct WHALE PORPOISE. Ledcorhamphus borealis, Peale. (Plate xix, fig. 3.) The Appropriate Whale Porpoise of the western coast of North America, -in habitand kind, is nearly the identical as the Proper Whale Porpoise of the southern hemi-sphere (Leucorhamphus Peronii), but it is not so beautifully marked, in vivid con-trast, with pure white and jet black, as the latter the former getting black aboveand lighter beneath, with but little of its decrease extremities banded with white. TheLeucorJiamphus borealis is not normally met with in huge numbers, and is seldom foundin shallow bays or lagoons. We have observed them as far south as San Diego Bay,on the California coast, and as far north as Behring Sea showing plainly, that thetwo species of the same genus have a feeding-ground which emb
Note About Pictures
Please note that these photos are extracted from scanned web page pictures that may have been digitally enhanced for readability – coloration and appearance of these illustrations may not completely resemble the original work.
Nice Precision Turned Components Suppliers pictures
A few nice precision turned components suppliers images I found:
Montblanc Watch
Image by antefixus21
Montblanc Flagship Boutique 151 Bloor Street West Toronto ON.
Montblanc Wrist Watch wall display case.
Chronograph – Nicholas Rieussec time piece.
Swiss made.
Montblanc Nicolas Rieussec Chronograph Automatic Watch Review
WRIST TIME REVIEWS
20 COMMENTSJANUARY 3, 2011 BY ARIEL ADAMS
This watch review is going to be a bit different than how I usually do them. Why? Because shortly before the review I was actually able to visit the manufacture making the movements of this watch. That experience offered me some special insight that allowed me to understand this timepiece more.
I know there is a lot of talk on the "manufacture" movement. In fact, a recent panel discussion I had with fellow watch expert journalists allowed me to realize that there is no strict definition of "watch manufacture" or "manufacture movement." This definitional ambiguity hurts my ability to explain things properly, but let it be said that Montblanc makes the movement in each of the Nicolas Rieussec watches themselves. Of course there is some help from suppliers, but this is about as "in-house" a job as most people want it to be. My understanding is that the components of the movements are made at the Valfleurier facility in Buttes Switzerland. The pieces are then sent to Montblanc Le Locle for assembly and testing.
What fascinated me most about the Montblanc manufacture in Le Locle Switzerland was just how modern it was. I mean it is true that many watch manufactures feel like you are in some combo of a hospital and science lab, but the machinery available to the watch makers at the Le Locle facility was impressive. I have a larger feature length article on this topic that will come out soon – but in short, when it comes to the Nicolas Rieussec line of timepieces, Montblanc relies on a clever environment that combines the human approach of watch makers with the precision assistance of machines.
A few example of this synergy between man (or woman) and machine? Here are two. One of the images here is of a machine that robotically applies lubricant to designated spots in a watch. Such lubricant must be precisely applied with an exact amount. The more consistently applied the better. While a human assembles the movement, a robot is used to apply the lubricant better and with more precision in terms of amount than any human can do consistently. Another example is a machine that allows a watch maker to adjust the screws on a balance wheel and test the accuracy of the rate in real time. Basically the machine combines a magnifier, computer controlled screw driver, and a watch movement rate tester in one. While it is operated by a person, the machine makes it easy to adjust a traditional weighted balance wheel to its most precise weight distribution in the escapement assembly.
One of my favorite images here that illustrates the culture of the manufacture is the image of the watch tools with the computer mouse. If you look closely you’ll also notice the presence of a Montblanc pen. Each work station gives watchmakers a computer terminal as well as watch making tools. While I have seen this before, it certainly isn’t common.
With their movements all made in Switzerland by Montblanc, the Nicolas Rieussec collection currently consists of a few watches. My main focus here is on the Automatic Chronograph that also has a GMT and date complication (that I tested). The movement is known as the R200. The two manually wound variants (with slightly different functions) are the R100, R110, and R120 (a limited edition that used a silicium escapement). I am not going to go overboard with technical details, but the movements represent an interesting medium between the ultra-high end, and mass manufactured pieces.
The R200 has a lot of impressive features on paper. Notable to the watch nerd is that it has a column wheel based chronograph that uses a vertical clutch. These features offer more durability and precision when using the chronograph. There are very few European chronographs that feature both of these features. I should also note that some of Seiko’s higher-end chronograph movements also feature column wheels and vertical clutches, as do pieces by brands such as Patek Philippe and (the former) Daniel Roth. Why all the focus on the chronograph? Well that is the new signature complication of Montblanc. The brand latched on to the complication for good reason (as well as to Mr. Nicolas Rieussec). "Chronograph" literally means "time writer." What is Montblanc known for? Yes, making pens. Sound too good to be true to have a watch in your collection that is a "time writer?" So the emphasis on this complication make perfect sense. Nicolas Rieussec is guy credited with "inventing the chronograph." Montblanc adopted him.
A while ago Rieussec created a device that looks like an early seismograph. It was a clock with a stop and start function that pulled a disc of paper along a smaller writing tip. This device was the first known "chronograph." It was meant to measure time in horse races and actually "wrote." The look of the chronograph on the watch is taken from this early device. Montblanc keeps replicas of them around the manufacture for inspiration. Each Nicolas Rieussec watch uses two discs that move along stationary hands to show the chronograph time (up to 30 minutes). These are also monopusher chronographs that use a single pusher to cycle through "start, stop, and reset" functions for the chronograph. The pusher is large, easy to find, and placed at the 5 o’clock position on the watch. Don’t miss the exposed synthetic palette rubies exposed on the top of the chronograph dials.
This chronograph style is the signature look of the Nicolas Rieussec collection. The time is displayed on an off-centered dial at the top of the face. While small, Montblanc really helped that dial standout and be legible. It uses that fancy looking font that you’ll find on most Montblanc Star watches. I really do love that font.
On the manually-wound versions of the Nicolas Rieussec, the time dial has a third hand used for the date. On the automatic, the third had is GMT hand. Working just like you would assume, the main time hour hand can be independently adjusted to alter the time when moving through time zones when traveling. To the left of the dial is a day/night indicator linked to the GMT hand. This useful complication help you know if it is day or night on your second timezone given that it is displayed on the 12, versus 24 hour scale. Who’d a though this would turn out to be such a useful travel watch? Both time zones share the minute hand. I was generally impressed by the GMT functionality of the watch and feels that the R200 movement’s use of the third hand is better than having it be a date indicator.
While the left of the dial has the day/night indicator, the right has a date wheel. For symmetry Montblanc uses a window of a similar shape, but I don’t much care for "open" date windows. It also does not look spectacular with the upper and lower date being partially under the dial – though that does actually help with keeping your focus on the actual date. While the windows that flank the time dial look nice, I have a feeling Montblanc might work to revise or polish the design in future generations of the watch.
Coming in a few tones, the dial of the Montblanc Nicolas Rieussec is an interesting creature. It took me a while to warm up to it, but I am enjoying the design. While totally different than other collection Montblanc offers, the Nicolas Rieussec does share the brand’s DNA nicely. Of course the crown has that lovely white Montblanc star, and the case is very much inspired by the Star collection. To create visual depth, the power part of the dial is partially "eclipsed" by a plate of Geneva stripe polished metal – plus, the dial looks to be made up of a few layers. The chronograph dials are covered with a sort of wish-bone like bridge that uses blued steel screws (blued steel is also used for some of the hands). This is a nice element, but I had one suggestion for Montblanc. While this might increase the cost a bit, I think it would be really welcome. The bridge is made from stamped steel. What if it could be made from milled and hand-polished steel? It would provide a wonderful visual cue and reminder that this is a hand-assembled watch. Perhaps in the future.
Let’s visit the R200 movement again. It is an automatic version of the R100 with a few addition complications (as mentioned above). You can see the rotor placed over the movement, with the small Montblanc star shaped hole that is designed to pass right over the column wheel opening window. The movement has two mainspring barrels for a power reserve of 72 hours. The movement operates at 28,800bmp and can be adjusted to be very accurate. I saw a movement at the manufacture that was adjusted to operate within less than one second of deviation a day. I love that the movement combines modern technology and traditionalism. Like I said, it uses a free-weighted balance spring and column wheel, enjoys helps from highly sophisticated machinery in its assembly and manufacture.
The Nicolas Rieussec watch case is 43mm wide and 14.8mm tall. It isn’t a small watch, but it does wear like a medium one. Its height is visually reduced by the highly curved lugs. Front and rear crystal are sapphire (with the front crystal having double AR coating), while it is water resistant to 30 meters.
Montblanc has assured me that their dedication to the Nicolas Rieussec collection is intense. The collection will receive more attention in the future, which is aided by the fact that the watch is a marketing success. One of the reasons for this is the pricing. While the watches aren’t cheap they are more reasonable that you’d expect. The pieces come in gold, platinum, and steel. The gold models are in the ,000 range. Not cheap, but Montblanc isn’t asking for ,000. Actually, their platinum version is about ,000 – which in the luxury market isn’t that much for a platinum watch. In steel the watch retails for about ,200. It comes in a steel bracelet or an alligator strap (black or brown). I am told that soon Montblanc will develop a brand new metal bracelet for the Nicolas Rieussec collection.
Overall these are enjoyable watches. The Montblanc identity is a major positive, and I enjoy the visual design and functionality of the R200 movement. While unique in its looks, this is an easy watch to wear daily. Montblanc isn’t making a mere collector’s piece here. Designed to prevent boredom but maintain utility the Nicolas Rieussec watch collection is intended for all types of watch lovers to worn daily.
Montblanc Watch
Image by antefixus21
Montblanc Flagship Boutique 151 Bloor Street West Toronto ON.
Montblanc Wrist Watch wall display case.
Chronograph – Nicholas Rieussec time piece. This was their most expensive time piece in stock that day.
Swiss made.
Montblanc Nicolas Rieussec Chronograph Automatic Watch Review
WRIST TIME REVIEWS
20 COMMENTSJANUARY 3, 2011 BY ARIEL ADAMS
This watch review is going to be a bit different than how I usually do them. Why? Because shortly before the review I was actually able to visit the manufacture making the movements of this watch. That experience offered me some special insight that allowed me to understand this timepiece more.
I know there is a lot of talk on the "manufacture" movement. In fact, a recent panel discussion I had with fellow watch expert journalists allowed me to realize that there is no strict definition of "watch manufacture" or "manufacture movement." This definitional ambiguity hurts my ability to explain things properly, but let it be said that Montblanc makes the movement in each of the Nicolas Rieussec watches themselves. Of course there is some help from suppliers, but this is about as "in-house" a job as most people want it to be. My understanding is that the components of the movements are made at the Valfleurier facility in Buttes Switzerland. The pieces are then sent to Montblanc Le Locle for assembly and testing.
What fascinated me most about the Montblanc manufacture in Le Locle Switzerland was just how modern it was. I mean it is true that many watch manufactures feel like you are in some combo of a hospital and science lab, but the machinery available to the watch makers at the Le Locle facility was impressive. I have a larger feature length article on this topic that will come out soon – but in short, when it comes to the Nicolas Rieussec line of timepieces, Montblanc relies on a clever environment that combines the human approach of watch makers with the precision assistance of machines.
A few example of this synergy between man (or woman) and machine? Here are two. One of the images here is of a machine that robotically applies lubricant to designated spots in a watch. Such lubricant must be precisely applied with an exact amount. The more consistently applied the better. While a human assembles the movement, a robot is used to apply the lubricant better and with more precision in terms of amount than any human can do consistently. Another example is a machine that allows a watch maker to adjust the screws on a balance wheel and test the accuracy of the rate in real time. Basically the machine combines a magnifier, computer controlled screw driver, and a watch movement rate tester in one. While it is operated by a person, the machine makes it easy to adjust a traditional weighted balance wheel to its most precise weight distribution in the escapement assembly.
One of my favorite images here that illustrates the culture of the manufacture is the image of the watch tools with the computer mouse. If you look closely you’ll also notice the presence of a Montblanc pen. Each work station gives watchmakers a computer terminal as well as watch making tools. While I have seen this before, it certainly isn’t common.
With their movements all made in Switzerland by Montblanc, the Nicolas Rieussec collection currently consists of a few watches. My main focus here is on the Automatic Chronograph that also has a GMT and date complication (that I tested). The movement is known as the R200. The two manually wound variants (with slightly different functions) are the R100, R110, and R120 (a limited edition that used a silicium escapement). I am not going to go overboard with technical details, but the movements represent an interesting medium between the ultra-high end, and mass manufactured pieces.
The R200 has a lot of impressive features on paper. Notable to the watch nerd is that it has a column wheel based chronograph that uses a vertical clutch. These features offer more durability and precision when using the chronograph. There are very few European chronographs that feature both of these features. I should also note that some of Seiko’s higher-end chronograph movements also feature column wheels and vertical clutches, as do pieces by brands such as Patek Philippe and (the former) Daniel Roth. Why all the focus on the chronograph? Well that is the new signature complication of Montblanc. The brand latched on to the complication for good reason (as well as to Mr. Nicolas Rieussec). "Chronograph" literally means "time writer." What is Montblanc known for? Yes, making pens. Sound too good to be true to have a watch in your collection that is a "time writer?" So the emphasis on this complication make perfect sense. Nicolas Rieussec is guy credited with "inventing the chronograph." Montblanc adopted him.
A while ago Rieussec created a device that looks like an early seismograph. It was a clock with a stop and start function that pulled a disc of paper along a smaller writing tip. This device was the first known "chronograph." It was meant to measure time in horse races and actually "wrote." The look of the chronograph on the watch is taken from this early device. Montblanc keeps replicas of them around the manufacture for inspiration. Each Nicolas Rieussec watch uses two discs that move along stationary hands to show the chronograph time (up to 30 minutes). These are also monopusher chronographs that use a single pusher to cycle through "start, stop, and reset" functions for the chronograph. The pusher is large, easy to find, and placed at the 5 o’clock position on the watch. Don’t miss the exposed synthetic palette rubies exposed on the top of the chronograph dials.
This chronograph style is the signature look of the Nicolas Rieussec collection. The time is displayed on an off-centered dial at the top of the face. While small, Montblanc really helped that dial standout and be legible. It uses that fancy looking font that you’ll find on most Montblanc Star watches. I really do love that font.
On the manually-wound versions of the Nicolas Rieussec, the time dial has a third hand used for the date. On the automatic, the third had is GMT hand. Working just like you would assume, the main time hour hand can be independently adjusted to alter the time when moving through time zones when traveling. To the left of the dial is a day/night indicator linked to the GMT hand. This useful complication help you know if it is day or night on your second timezone given that it is displayed on the 12, versus 24 hour scale. Who’d a though this would turn out to be such a useful travel watch? Both time zones share the minute hand. I was generally impressed by the GMT functionality of the watch and feels that the R200 movement’s use of the third hand is better than having it be a date indicator.
While the left of the dial has the day/night indicator, the right has a date wheel. For symmetry Montblanc uses a window of a similar shape, but I don’t much care for "open" date windows. It also does not look spectacular with the upper and lower date being partially under the dial – though that does actually help with keeping your focus on the actual date. While the windows that flank the time dial look nice, I have a feeling Montblanc might work to revise or polish the design in future generations of the watch.
Coming in a few tones, the dial of the Montblanc Nicolas Rieussec is an interesting creature. It took me a while to warm up to it, but I am enjoying the design. While totally different than other collection Montblanc offers, the Nicolas Rieussec does share the brand’s DNA nicely. Of course the crown has that lovely white Montblanc star, and the case is very much inspired by the Star collection. To create visual depth, the power part of the dial is partially "eclipsed" by a plate of Geneva stripe polished metal – plus, the dial looks to be made up of a few layers. The chronograph dials are covered with a sort of wish-bone like bridge that uses blued steel screws (blued steel is also used for some of the hands). This is a nice element, but I had one suggestion for Montblanc. While this might increase the cost a bit, I think it would be really welcome. The bridge is made from stamped steel. What if it could be made from milled and hand-polished steel? It would provide a wonderful visual cue and reminder that this is a hand-assembled watch. Perhaps in the future.
Let’s visit the R200 movement again. It is an automatic version of the R100 with a few addition complications (as mentioned above). You can see the rotor placed over the movement, with the small Montblanc star shaped hole that is designed to pass right over the column wheel opening window. The movement has two mainspring barrels for a power reserve of 72 hours. The movement operates at 28,800bmp and can be adjusted to be very accurate. I saw a movement at the manufacture that was adjusted to operate within less than one second of deviation a day. I love that the movement combines modern technology and traditionalism. Like I said, it uses a free-weighted balance spring and column wheel, enjoys helps from highly sophisticated machinery in its assembly and manufacture.
The Nicolas Rieussec watch case is 43mm wide and 14.8mm tall. It isn’t a small watch, but it does wear like a medium one. Its height is visually reduced by the highly curved lugs. Front and rear crystal are sapphire (with the front crystal having double AR coating), while it is water resistant to 30 meters.
Montblanc has assured me that their dedication to the Nicolas Rieussec collection is intense. The collection will receive more attention in the future, which is aided by the fact that the watch is a marketing success. One of the reasons for this is the pricing. While the watches aren’t cheap they are more reasonable that you’d expect. The pieces come in gold, platinum, and steel. The gold models are in the ,000 range. Not cheap, but Montblanc isn’t asking for ,000. Actually, their platinum version is about ,000 – which in the luxury market isn’t that much for a platinum watch. In steel the watch retails for about ,200. It comes in a steel bracelet or an alligator strap (black or brown). I am told that soon Montblanc will develop a brand new metal bracelet for the Nicolas Rieussec collection.
Overall these are enjoyable watches. The Montblanc identity is a major positive, and I enjoy the visual design and functionality of the R200 movement. While unique in its looks, this is an easy watch to wear daily. Montblanc isn’t making a mere collector’s piece here. Designed to prevent boredom but maintain utility the Nicolas Rieussec watch collection is intended for all types of watch lovers to worn daily.
Montblanc Watch
Image by antefixus21
Montblanc Flagship Boutique 151 Bloor Street West Toronto ON Canada
Montblanc Wrist Watch wall display case.
Chronograph – Nicholas Rieussec time piece.
Swiss made.
Montblanc Nicolas Rieussec Chronograph Automatic Watch Review
WRIST TIME REVIEWS
20 COMMENTSJANUARY 3, 2011 BY ARIEL ADAMS
This watch review is going to be a bit different than how I usually do them. Why? Because shortly before the review I was actually able to visit the manufacture making the movements of this watch. That experience offered me some special insight that allowed me to understand this timepiece more.
I know there is a lot of talk on the "manufacture" movement. In fact, a recent panel discussion I had with fellow watch expert journalists allowed me to realize that there is no strict definition of "watch manufacture" or "manufacture movement." This definitional ambiguity hurts my ability to explain things properly, but let it be said that Montblanc makes the movement in each of the Nicolas Rieussec watches themselves. Of course there is some help from suppliers, but this is about as "in-house" a job as most people want it to be. My understanding is that the components of the movements are made at the Valfleurier facility in Buttes Switzerland. The pieces are then sent to Montblanc Le Locle for assembly and testing.
What fascinated me most about the Montblanc manufacture in Le Locle Switzerland was just how modern it was. I mean it is true that many watch manufactures feel like you are in some combo of a hospital and science lab, but the machinery available to the watch makers at the Le Locle facility was impressive. I have a larger feature length article on this topic that will come out soon – but in short, when it comes to the Nicolas Rieussec line of timepieces, Montblanc relies on a clever environment that combines the human approach of watch makers with the precision assistance of machines.
A few example of this synergy between man (or woman) and machine? Here are two. One of the images here is of a machine that robotically applies lubricant to designated spots in a watch. Such lubricant must be precisely applied with an exact amount. The more consistently applied the better. While a human assembles the movement, a robot is used to apply the lubricant better and with more precision in terms of amount than any human can do consistently. Another example is a machine that allows a watch maker to adjust the screws on a balance wheel and test the accuracy of the rate in real time. Basically the machine combines a magnifier, computer controlled screw driver, and a watch movement rate tester in one. While it is operated by a person, the machine makes it easy to adjust a traditional weighted balance wheel to its most precise weight distribution in the escapement assembly.
One of my favorite images here that illustrates the culture of the manufacture is the image of the watch tools with the computer mouse. If you look closely you’ll also notice the presence of a Montblanc pen. Each work station gives watchmakers a computer terminal as well as watch making tools. While I have seen this before, it certainly isn’t common.
With their movements all made in Switzerland by Montblanc, the Nicolas Rieussec collection currently consists of a few watches. My main focus here is on the Automatic Chronograph that also has a GMT and date complication (that I tested). The movement is known as the R200. The two manually wound variants (with slightly different functions) are the R100, R110, and R120 (a limited edition that used a silicium escapement). I am not going to go overboard with technical details, but the movements represent an interesting medium between the ultra-high end, and mass manufactured pieces.
The R200 has a lot of impressive features on paper. Notable to the watch nerd is that it has a column wheel based chronograph that uses a vertical clutch. These features offer more durability and precision when using the chronograph. There are very few European chronographs that feature both of these features. I should also note that some of Seiko’s higher-end chronograph movements also feature column wheels and vertical clutches, as do pieces by brands such as Patek Philippe and (the former) Daniel Roth. Why all the focus on the chronograph? Well that is the new signature complication of Montblanc. The brand latched on to the complication for good reason (as well as to Mr. Nicolas Rieussec). "Chronograph" literally means "time writer." What is Montblanc known for? Yes, making pens. Sound too good to be true to have a watch in your collection that is a "time writer?" So the emphasis on this complication make perfect sense. Nicolas Rieussec is guy credited with "inventing the chronograph." Montblanc adopted him.
A while ago Rieussec created a device that looks like an early seismograph. It was a clock with a stop and start function that pulled a disc of paper along a smaller writing tip. This device was the first known "chronograph." It was meant to measure time in horse races and actually "wrote." The look of the chronograph on the watch is taken from this early device. Montblanc keeps replicas of them around the manufacture for inspiration. Each Nicolas Rieussec watch uses two discs that move along stationary hands to show the chronograph time (up to 30 minutes). These are also monopusher chronographs that use a single pusher to cycle through "start, stop, and reset" functions for the chronograph. The pusher is large, easy to find, and placed at the 5 o’clock position on the watch. Don’t miss the exposed synthetic palette rubies exposed on the top of the chronograph dials.
This chronograph style is the signature look of the Nicolas Rieussec collection. The time is displayed on an off-centered dial at the top of the face. While small, Montblanc really helped that dial standout and be legible. It uses that fancy looking font that you’ll find on most Montblanc Star watches. I really do love that font.
On the manually-wound versions of the Nicolas Rieussec, the time dial has a third hand used for the date. On the automatic, the third had is GMT hand. Working just like you would assume, the main time hour hand can be independently adjusted to alter the time when moving through time zones when traveling. To the left of the dial is a day/night indicator linked to the GMT hand. This useful complication help you know if it is day or night on your second timezone given that it is displayed on the 12, versus 24 hour scale. Who’d a though this would turn out to be such a useful travel watch? Both time zones share the minute hand. I was generally impressed by the GMT functionality of the watch and feels that the R200 movement’s use of the third hand is better than having it be a date indicator.
While the left of the dial has the day/night indicator, the right has a date wheel. For symmetry Montblanc uses a window of a similar shape, but I don’t much care for "open" date windows. It also does not look spectacular with the upper and lower date being partially under the dial – though that does actually help with keeping your focus on the actual date. While the windows that flank the time dial look nice, I have a feeling Montblanc might work to revise or polish the design in future generations of the watch.
Coming in a few tones, the dial of the Montblanc Nicolas Rieussec is an interesting creature. It took me a while to warm up to it, but I am enjoying the design. While totally different than other collection Montblanc offers, the Nicolas Rieussec does share the brand’s DNA nicely. Of course the crown has that lovely white Montblanc star, and the case is very much inspired by the Star collection. To create visual depth, the power part of the dial is partially "eclipsed" by a plate of Geneva stripe polished metal – plus, the dial looks to be made up of a few layers. The chronograph dials are covered with a sort of wish-bone like bridge that uses blued steel screws (blued steel is also used for some of the hands). This is a nice element, but I had one suggestion for Montblanc. While this might increase the cost a bit, I think it would be really welcome. The bridge is made from stamped steel. What if it could be made from milled and hand-polished steel? It would provide a wonderful visual cue and reminder that this is a hand-assembled watch. Perhaps in the future.
Let’s visit the R200 movement again. It is an automatic version of the R100 with a few addition complications (as mentioned above). You can see the rotor placed over the movement, with the small Montblanc star shaped hole that is designed to pass right over the column wheel opening window. The movement has two mainspring barrels for a power reserve of 72 hours. The movement operates at 28,800bmp and can be adjusted to be very accurate. I saw a movement at the manufacture that was adjusted to operate within less than one second of deviation a day. I love that the movement combines modern technology and traditionalism. Like I said, it uses a free-weighted balance spring and column wheel, enjoys helps from highly sophisticated machinery in its assembly and manufacture.
The Nicolas Rieussec watch case is 43mm wide and 14.8mm tall. It isn’t a small watch, but it does wear like a medium one. Its height is visually reduced by the highly curved lugs. Front and rear crystal are sapphire (with the front crystal having double AR coating), while it is water resistant to 30 meters.
Montblanc has assured me that their dedication to the Nicolas Rieussec collection is intense. The collection will receive more attention in the future, which is aided by the fact that the watch is a marketing success. One of the reasons for this is the pricing. While the watches aren’t cheap they are more reasonable that you’d expect. The pieces come in gold, platinum, and steel. The gold models are in the ,000 range. Not cheap, but Montblanc isn’t asking for ,000. Actually, their platinum version is about ,000 – which in the luxury market isn’t that much for a platinum watch. In steel the watch retails for about ,200. It comes in a steel bracelet or an alligator strap (black or brown). I am told that soon Montblanc will develop a brand new metal bracelet for the Nicolas Rieussec collection.
Overall these are enjoyable watches. The Montblanc identity is a major positive, and I enjoy the visual design and functionality of the R200 movement. While unique in its looks, this is an easy watch to wear daily. Montblanc isn’t making a mere collector’s piece here. Designed to prevent boredom but maintain utility the Nicolas Rieussec watch collection is intended for all types of watch lovers to worn daily.
Cool Cnc Grinding images
A handful of nice cnc grinding pictures I discovered:
Image from web page 144 of “Underground water sources of Iowa” (1912)
Image by World wide web Archive Book Images
Identifier: undergroundwater00nort
Title: Underground water resources of Iowa
Year: 1912 (1910s)
Authors: Norton, William Harmon, b. 1856 Hendrixson, Walter Scott, 1859- [from old catalog] joint author Simpson, Howard E. (Howard Edwin), 1874-1938, joint author Meinzer, Oscar Edward, 1876- [from old catalog] joint author Iowa. Geological survey. [from old catalog]
Subjects: Water-supply
Publisher: Washington, Govt. print. off.
Contributing Library: The Library of Congress
Digitizing Sponsor: The Library of Congress
View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Photos From Book
Click right here to view book online to see this illustration in context in a browseable on the web version of this book.
Text Appearing Just before Image:
-S ft § > m g two Hfe.,^,two:5 ARTESIAN PHENOMENA. 133 o CT> >>5 = a s >> Tv o as pqt: O O.Ui W I © CD a p^fl d a> -22 ■S^ ) mtC D 1 oa 3 CD ■s^s is _. ^ S M^.S .s 00 SftM o CD r- 3 B^ — o fl 3 two two ao ^ SJim o2oO !-. O fl ^:^H:l M c33o S C3 g >>q O ■^ S o CD ■*^ > flt> ) »0 CI (N (MO OOi O-^ ? CO CO CO Oi 11CO(NCOt>- O lO i-( W t^ CO CO GO (N GO to »0 OO O.I—(00 CO O OS O Oi OO O C500 GO 00000500 CO ooo CO CD CO ^lOOfN O lO iO CO O O GOO O GO lO CO O CO (O >0 CO t^ *-i 1—I o cocooo ot^ooj coosi—1 Oi CO cocn I lO CO CO * o (M tM 1—1 lOr^CNC
Text Appearing After Image:
(D ^ S^ +J rC nj P MP t> fe ■ c3p d d fl 134 UNDERGEOUND WATER Resources OF IOWA. a & 9 ft ® O & ^three ■? a >, two 3 *: o C3 is ^ is © i* £ a Oi ^ o T) o n1 ft CO t>, ^ ^ fe C ,=five cS-O is§ s> a !> w C9 03 a^ ^ S a »® S a S g ® ^five S i-l 1-1 02 o -^ O 03 >>.-So.-H M.-S MO a .. o S So3o S 3ft fl ^1 15| o^ ^ CQ « s S Sag o o a, a CHAPTER V.CHEMICAL COMPOSITION OF UNDEKGROUND WATERS. By W. S. Hendrixson. INTKODUCTION. NATURE OF ANALYSES. The analytical function of this investigation has been confined todetermination of these mineral or inorganic constituents that are com-monly found in practically all ground waters and that have an importantbearing on the suitability of the waters for municipal and industrialuses. The following: are the substances determined: Silica (SiOa).Iroii(Fe).Aluminum (Al).Calcium (Ca).Magnesium (Mg).Sodium (Na). Potassium (K).Carbonate radicle (CO3).Bicarbonate radicle (HCO3).Sulphate radicle (SO4).Ni
Note About Pictures
Please note that these images are extracted from scanned web page photos that could have been digitally enhanced for readability – coloration and look of these illustrations might not perfectly resemble the original function.
Stadler030
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Dieses Bild kann unter Angabe der Quelle verwendet werden
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Dieses Bild kann unter Angabe der Quelle verwendet werden
www.wirtschaft.steiermark.at
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