Cylindrical

Good Cylindrical Grinding Solutions pictures

Good Cylindrical Grinding Solutions pictures

Klarm Machining

Check out these cylindrical grinding solutions images:

Image from page 53 of “Forest trees of the Pacific slope” (1908)

Image by World wide web Archive Book Photos
Identifier: foresttreesofpac00unit
Title: Forest trees of the Pacific slope
Year: 1908 (1900s)
Authors: United States. Forest Service Sudworth, George Bishop, 1862-1927
Subjects: Trees Forests and forestry
Publisher: Washington Govt. Print. Off

View Book Web page: Book Viewer
About This Book: Catalog Entry
View All Images: All Photos From Book

Click here to view book on the web to see this illustration in context in a browseable on the internet version of this book.

Text Appearing Ahead of Image:
ranches close to the ground, retain-ing this long low crown all through life. The trunk is smoothly cylindrical,with small taper till the big crown branches are reached. Height, from 125to 140 feet, with a practically clear trunk of from 40 to 60 feet diameter, from3 to 4 feet. Its majestic size is surpassed among its sort only by the sugarpine. Unusually huge trees are from 150 to 180 feet higher, whilst trees are saidto have been discovered over 200 feet higher. The largest diameter recorded is about8 feet. The bark of old trunks is marked by really broad, shield-like, russet-redplates, which could be from three to 4 inches thick, specifically near the base of thetree. The surface of this bark is peculiar in being created up of small, concavescales. Younger trees, up to 2 feet in diameter, are quite in contrast to older ones inhaving dark i-ed-browi^ or blackish, narrowly furrov^ed bark. Young shoots,which have a sturdy odor of orange when broken, are yellowish green and FOREST TREES OF THE PACIFIC SLOPE. 43

Text Appearing After Image:
â Piiuis poiKlcrosu: a, leaf b, seed. are va,-iâWe aZ ,n L f ,âTo iT t^ ^T ° ^⢠*»- -^ 44 FOREST TREES OF THE PACIFIC SLOPE. other essential difference between trees bearing cones so dissimilar in color.The cones are from 2J to about 53 inches lengthy and from 1* to about two incliesthick. The ends of the cone scales, soon after shedding their seed (mainly inSeptember), are russet-brown and shin.y. Right after this the ccmes commence falling,and b.v early winter they are all down. A characteristic of the cone in break-ing away from the branch is that some of the basal scales are left on the tree.The seeds (fig. 13, b) are marked with purple spots and blotches on a dullyellowish groimd the wings are light purple-bruwn. Seed leaves, five to 9.Wood, ver.v variable in color, from a pale lemon yellow to an orange brown orreddish yellow. Wood, usually rather light, fine-grained, and sometimes solight and so slightly resinous as to be sold as lumber for white pine of highcommercial worth. Longevity.â

Note About Images
Please note that these images are extracted from scanned page photos that may possibly have been digitally enhanced for readability – coloration and appearance of these illustrations may possibly not perfectly resemble the original perform.

UK – London: Underground sign

Image by wallyg
The London Underground is an all-electric metro railway method that covers much of the conurbation of Higher London and some neighbouring places. It is the world’s oldest underground technique, and is the largest in terms of route length. Service began on January 10, 1863 on the Metropolitan Railway most of that initial route is now part of the Hammersmith &amp City Line. Despite its name, about 55% of the network is above ground. Well-known regional names incorporate the Underground and, more colloquially, the Tube, in reference to the cylindrical shape of the system’s deep-bore tunnels. The Underground at present serves 274 stations and runs over 408 km (253 miles) of lines. There are also a number of former stations and tunnels that are now closed. In 2004–2005, total passenger journeys reached a record level of 976 million, an average of two.67 million per day.

The origins of the roundel, in earlier years recognized as the ‘bulls-eye’ or ‘target’, are more obscure. While the initial use of a roundel in a London transport context was the 19th-century symbol of the London Common Omnibus Firm — a wheel with a bar across the centre bearing the word Basic — its usage on the Underground stems from the choice in 1908 to find a more obvious way of highlighting station names on platforms. The red disc with blue name bar was rapidly adopted, with the word &quotUNDERGROUND&quot across the bar, as an early corporate identity. The logo was modified by Edward Johnston in 1919.

Every station displays the Underground roundel, typically containing the station’s name in the central bar, at entrances and repeatedly along the platform, so that the name can easily be observed by passengers on arriving trains.

The roundel has been utilized for buses and the tube for numerous years, and given that TfL took handle it has been applied to other transport sorts (taxi, tram, DLR, and so on.) in various colour pairs. The roundel has to some extent turn out to be a symbol for London itself.

Good Internal Cylindrical Grinding photographs

Good Internal Cylindrical Grinding photographs

Klarm Machining

Some cool internal cylindrical grinding pictures:

Sherborne Old Castle – The Claire-Voire

Image by ell brown
The Estate of Sherborne Castle – grounds and gardens.

The location of the garden walk that goes previous Sherborne Old Castle.

This is Sherborne Old Castle. Built by Bishop Roger of Salisbury among 1122 and 1139.

Sir Walter Raleigh bought the castle in 1592, and tried to modernize it. But by 1594 he gave up and alternatively started to create his own home nearby.

The Digby’s got Sherborne Castle (each old and new) in 1617 when Sir John Digby acquired it.

For the duration of the Civil War, the Digby’s had been on the Royalist side, and the Old Castle was garrisoned and suffered two sieges. Following the second siege in 1645 Fairfax and his Parliamentarian army systematically demolished the Old Castle. Therefore Sherborne Castle right after that came to mean the new hous in the park.

This is the The Claire-Voire.

At the finish of the 18th century the Digby family members produced this view point of the Claire-Voire.

Grade I listed.

Sherborne Old Castle, Castleton

CASTLETON
ST 6416 SHERBORNE CASTLE
12/26 Sherborne Old Castle
11.7.51
GV I
Episcopal castle with curtain-wall and gatetowers. Constructed by Roger, bishop
of Salisbury 1107-1135. Restoration begun by Sir Walter Raleigh in 1592,
and soon abandoned. Castle partly demolished and rendered untenable, 1645.
Rubble-stone walls, with close-jointed ashlar facing and freestone dressings.
Curtain wall and gatetowers. Curtain-wall enclosed an region 470 ft by 330 ft
with diagonal walls across the angles, forming an elongated octagon. Walling
stands either side of the SW gatetower,in locations on the north, south and east
walls. SW gatehouse, C12, four storeys with a battered plinth and clasping
buttresses. NW angle stands to complete height, S side is more ruined. W face,
facing of the outer archway has gone and only the segmental rear-arch remains.
C16 restorations and alterations beneath Raleigh. (See RCHM). Present approach
to gate, C20. Abutments and central pier revealed by excavations. NW Tower,
foundations only. North gate and barbican, revealed by excavation, C12 and
C13. Flanking the C13 buildings are the remains of wing-performs with circular
turrets at the outer angles. NE gate, foundations and some walling. SE tower,
web site only. Preserve and attached courtyard of buildings at the centre of the
bailey. Maintain. C12, of at least three stages. Ground floor has a dividing wall
operating N and S., and supporting two barrel-vaults. These barrels run on
into groined vaults, supported by a cylindrical column with a scalloped capital.
South wall of the extension has externally a central buttress of segmental form.
SW angle of the preserve adjoins the S wall of the forebuilding, which stands to
the prime of the third stage. The forebuilding has clasping buttresses at the
west angles. Late C16 stone staircase and terrace against north wall of
forebuilding. 3 ranges of buildings, and an excavated S range stand round
a central courtyard, originally with cloister-walks. W Ranges running N from
Maintain, W wall has pilaster buttresses and a moulded string-course. E wall of
this variety largely destroyed. Rubble (tufa) barrel vault. N variety, two storeys,
4 bays, with clasping and pilaster buttresses externally. Ground-floors groined
rubble vault more than three E bays and barrel-vault over W bay. N wall has remains of
former windows and openings upper floor round-headed windows decorated with
chevron, and label with billet. Internal wall-arcading of intersecting arches,
of which traces stay. Floor may have housed the chapel. East variety, considerably
ruined. East hall has pilaster buttresses and an original window in each of
the three bays. Ground floor has a rubble barrel-vault of which the springing
remains. S variety, foundations located of N and S walls, possibly housed the
excellent Hall. The castle was held for the Crown in 1642 and 1645.
(RCHM Dorset I, p.64(four))(Sch. Monument: DORSET.two)

Listing NGR: ST6480316768

Protected by English Heritage.

Sherborne Old Castle

Image by ell brown
The Estate of Sherborne Castle – grounds and gardens.

The region of the garden walk that goes past Sherborne Old Castle.

This is Sherborne Old Castle. Constructed by Bishop Roger of Salisbury amongst 1122 and 1139.

Sir Walter Raleigh bought the castle in 1592, and tried to modernize it. But by 1594 he gave up and as an alternative started to develop his own residence nearby.

The Digby’s got Sherborne Castle (both old and new) in 1617 when Sir John Digby acquired it.

Throughout the Civil War, the Digby’s had been on the Royalist side, and the Old Castle was garrisoned and suffered two sieges. After the second siege in 1645 Fairfax and his Parliamentarian army systematically demolished the Old Castle. Hence Sherborne Castle soon after that came to imply the new hous in the park.

Walking previous the boundary wall in between the old castle grounds and the garden walk of the new 1.

Grade I listed.

Sherborne Old Castle, Castleton

CASTLETON
ST 6416 SHERBORNE CASTLE
12/26 Sherborne Old Castle
11.7.51
GV I
Episcopal castle with curtain-wall and gatetowers. Constructed by Roger, bishop
of Salisbury 1107-1135. Restoration begun by Sir Walter Raleigh in 1592,
and soon abandoned. Castle partly demolished and rendered untenable, 1645.
Rubble-stone walls, with close-jointed ashlar facing and freestone dressings.
Curtain wall and gatetowers. Curtain-wall enclosed an area 470 ft by 330 ft
with diagonal walls across the angles, forming an elongated octagon. Walling
stands either side of the SW gatetower,in places on the north, south and east
walls. SW gatehouse, C12, 4 storeys with a battered plinth and clasping
buttresses. NW angle stands to complete height, S side is far more ruined. W face,
facing of the outer archway has gone and only the segmental rear-arch remains.
C16 restorations and alterations below Raleigh. (See RCHM). Present method
to gate, C20. Abutments and central pier revealed by excavations. NW Tower,
foundations only. North gate and barbican, revealed by excavation, C12 and
C13. Flanking the C13 buildings are the remains of wing-performs with circular
turrets at the outer angles. NE gate, foundations and some walling. SE tower,
website only. Hold and attached courtyard of buildings at the centre of the
bailey. Keep. C12, of at least three stages. Ground floor has a dividing wall
running N and S., and supporting two barrel-vaults. These barrels run on
into groined vaults, supported by a cylindrical column with a scalloped capital.
South wall of the extension has externally a central buttress of segmental form.
SW angle of the maintain adjoins the S wall of the forebuilding, which stands to
the leading of the third stage. The forebuilding has clasping buttresses at the
west angles. Late C16 stone staircase and terrace against north wall of
forebuilding. 3 ranges of buildings, and an excavated S variety stand round
a central courtyard, initially with cloister-walks. W Ranges running N from
Maintain, W wall has pilaster buttresses and a moulded string-course. E wall of
this variety largely destroyed. Rubble (tufa) barrel vault. N variety, two storeys,
4 bays, with clasping and pilaster buttresses externally. Ground-floors groined
rubble vault over 3 E bays and barrel-vault over W bay. N wall has remains of
former windows and openings upper floor round-headed windows decorated with
chevron, and label with billet. Internal wall-arcading of intersecting arches,
of which traces remain. Floor might have housed the chapel. East variety, significantly
ruined. East hall has pilaster buttresses and an original window in every of
the three bays. Ground floor has a rubble barrel-vault of which the springing
remains. S variety, foundations found of N and S walls, probably housed the
wonderful Hall. The castle was held for the Crown in 1642 and 1645.
(RCHM Dorset I, p.64(four))(Sch. Monument: DORSET.two)

Listing NGR: ST6480316768

Protected by English Heritage.

Sherborne Old Castle

Image by ell brown
The Estate of Sherborne Castle – grounds and gardens.

The area of the garden walk that goes past Sherborne Old Castle.

This is Sherborne Old Castle. Constructed by Bishop Roger of Salisbury between 1122 and 1139.

Sir Walter Raleigh bought the castle in 1592, and tried to modernize it. But by 1594 he gave up and rather began to create his personal property nearby.

The Digby’s got Sherborne Castle (each old and new) in 1617 when Sir John Digby acquired it.

Throughout the Civil War, the Digby’s were on the Royalist side, and the Old Castle was garrisoned and suffered two sieges. Right after the second siege in 1645 Fairfax and his Parliamentarian army systematically demolished the Old Castle. Hence Sherborne Castle after that came to imply the new hous in the park.

Walking past the boundary wall in between the old castle grounds and the garden stroll of the new one particular.

Grade I listed.

Sherborne Old Castle, Castleton

CASTLETON
ST 6416 SHERBORNE CASTLE
12/26 Sherborne Old Castle
11.7.51
GV I
Episcopal castle with curtain-wall and gatetowers. Constructed by Roger, bishop
of Salisbury 1107-1135. Restoration begun by Sir Walter Raleigh in 1592,
and quickly abandoned. Castle partly demolished and rendered untenable, 1645.
Rubble-stone walls, with close-jointed ashlar facing and freestone dressings.
Curtain wall and gatetowers. Curtain-wall enclosed an region 470 ft by 330 ft
with diagonal walls across the angles, forming an elongated octagon. Walling
stands either side of the SW gatetower,in locations on the north, south and east
walls. SW gatehouse, C12, 4 storeys with a battered plinth and clasping
buttresses. NW angle stands to complete height, S side is far more ruined. W face,
facing of the outer archway has gone and only the segmental rear-arch remains.
C16 restorations and alterations below Raleigh. (See RCHM). Present strategy
to gate, C20. Abutments and central pier revealed by excavations. NW Tower,
foundations only. North gate and barbican, revealed by excavation, C12 and
C13. Flanking the C13 buildings are the remains of wing-operates with circular
turrets at the outer angles. NE gate, foundations and some walling. SE tower,
site only. Preserve and attached courtyard of buildings at the centre of the
bailey. Keep. C12, of at least 3 stages. Ground floor has a dividing wall
operating N and S., and supporting two barrel-vaults. These barrels run on
into groined vaults, supported by a cylindrical column with a scalloped capital.
South wall of the extension has externally a central buttress of segmental kind.
SW angle of the hold adjoins the S wall of the forebuilding, which stands to
the prime of the third stage. The forebuilding has clasping buttresses at the
west angles. Late C16 stone staircase and terrace against north wall of
forebuilding. three ranges of buildings, and an excavated S variety stand round
a central courtyard, originally with cloister-walks. W Ranges running N from
Keep, W wall has pilaster buttresses and a moulded string-course. E wall of
this range largely destroyed. Rubble (tufa) barrel vault. N variety, two storeys,
four bays, with clasping and pilaster buttresses externally. Ground-floors groined
rubble vault over 3 E bays and barrel-vault more than W bay. N wall has remains of
former windows and openings upper floor round-headed windows decorated with
chevron, and label with billet. Internal wall-arcading of intersecting arches,
of which traces stay. Floor might have housed the chapel. East variety, a lot
ruined. East hall has pilaster buttresses and an original window in every single of
the 3 bays. Ground floor has a rubble barrel-vault of which the springing
remains. S variety, foundations discovered of N and S walls, most likely housed the
great Hall. The castle was held for the Crown in 1642 and 1645.
(RCHM Dorset I, p.64(4))(Sch. Monument: DORSET.2)

Listing NGR: ST6480316768

Protected by English Heritage.

Nice Internal Cylindrical China Grinding photos

Nice Internal Cylindrical China Grinding photos

Klarm Machining

A few nice internal cylindrical grinding images I found:

Minaret of Jam, Ghor Province, western Afghanistan

Image by james_gordon_losangeles
The Minaret of Jam stands sixty-five meters tall in a deep rugged valley at the juncture of the Hari and Jam rivers, approximately one hundred kilometers east of Herat. It was built by Ghurid sultan Ghiyath al-Din Muhammad bin Sam (1163-1203). The foundation plaque above the base on the north side has been read differently by Pinder-Wilson and by Sourdel-Thomine as 1194/95 and 1174/75. The earlier date supports the prevailing argument that the minaret was erected alone to commemorate the Ghurid conquest of Ghazna in 1173. Remains of a settlement on the northern bank of Hari and surrounding hillsides, and pottery fragments collected in the area suggest that the site may be the lost Ghurid capital of Firuzkuh destroyed by Genghis Khan in 1222. Remains of a fort or castle are seen on a hilltop to the east of the minaret.

Made entirely of fired brick, the minaret is composed of a two-tier cylindrical body raised seven meters on an octagonal base. Two spiral staircases, accessed from a single doorway above the ground, provide access to two balconies atop the lower shaft and midway up the upper shaft, visiting six vaulted chambers located in between. Only the supports have remained of the brick balconies. The minaret is capped at sixty-five meters with a cupola (now damaged) raised on six open archways.

The two towers of the minaret shaft differ structurally. The broad lower shaft is made of thick walls enveloping two spiral staircases at center; it rises to a height of thirty-eight meters, with an exterior diameter diminishing from 9.7 meters at the base to 6 meters at top. The narrow upper shaft, by contrast, has a central void spanned by six cross-vaults resting on four internal buttresses. The stairs are here channeled into the narrow spaces between the walls and the buttresses.

The rich decoration of the minaret, executed with tiles and terracotta in high relief, has largely survived and was analyzed in detail by Sourdel-Thomine. The upper shaft features three epigraphic bands — one below the cupola and two below the second balcony — that contain the shahada, Quranic verses from Sura al-Saff and the name of Ghiyath al-Din, respectively. The two lower bands are separated by a thick decorative band featuring a symbolic vase motif found in the Ghazna palace of Mas’ud III and on coins issued at Firuzkuh.

The lower shaft is covered entirely with eight vertical tile panels that lead up to a thick epigraphic band below the first balcony. Each panel here features a braid of geometric shapes framed with a continuous kufic inscription (Sura Maryam, Quran 19) and filled in with interlacing geometric patterns. The braid motif on the east and west facing panels, which mark the original entrance and the direction of qibla, are distinguished with the use of eight-pointed stars. The dedicatory inscription above the panels includes the name and celebratory titles of Ghiyath al-Din, written in a floriated kufic script highlighted with turquoise glazed tiles. It is framed with tile bands of varying width, including series of circles and roundels fitted with floral inserts. A cursive inscription, placed halfway up on the eastern panel, gives the name of the architect, ‘Ali ibn Ibrahim of Nishapur. Fragments remaining of the fifth epigraphic band on the base of the minaret show that it also contained titles of the Ghurid sultan in a knotted kufic script.

Stabilization efforts for the Jam Minaret began in the 1960s following a survey by the Instituto Italiano per il Media ed Estremo Oriente (ISMEO) that warned of collapse due to soil erosion at the minaret base. A temporary dam was built of stone and wood in 1963-64, and followed by the construction of a gabion wall by UNESCO in 1978. Preservation efforts halted by the civil war were resumed in 1999 and in 2001 with the construction of additional walls and gabions along the Jam and Hari rivers. The minaret and the surrounding archaeological site were amended to the UNESCO list of World Heritage in Danger in 2002. Illegal excavations since 2001 have compromised the historical integrity of the archaeological site.

Minaret of Jam, Ghor Province, western Afghanistan

Image by james_gordon_losangeles
The Minaret of Jam stands sixty-five meters tall in a deep rugged valley at the juncture of the Hari and Jam rivers, approximately one hundred kilometers east of Herat. It was built by Ghurid sultan Ghiyath al-Din Muhammad bin Sam (1163-1203). The foundation plaque above the base on the north side has been read differently by Pinder-Wilson and by Sourdel-Thomine as 1194/95 and 1174/75. The earlier date supports the prevailing argument that the minaret was erected alone to commemorate the Ghurid conquest of Ghazna in 1173. Remains of a settlement on the northern bank of Hari and surrounding hillsides, and pottery fragments collected in the area suggest that the site may be the lost Ghurid capital of Firuzkuh destroyed by Genghis Khan in 1222. Remains of a fort or castle are seen on a hilltop to the east of the minaret.

Made entirely of fired brick, the minaret is composed of a two-tier cylindrical body raised seven meters on an octagonal base. Two spiral staircases, accessed from a single doorway above the ground, provide access to two balconies atop the lower shaft and midway up the upper shaft, visiting six vaulted chambers located in between. Only the supports have remained of the brick balconies. The minaret is capped at sixty-five meters with a cupola (now damaged) raised on six open archways.

The two towers of the minaret shaft differ structurally. The broad lower shaft is made of thick walls enveloping two spiral staircases at center; it rises to a height of thirty-eight meters, with an exterior diameter diminishing from 9.7 meters at the base to 6 meters at top. The narrow upper shaft, by contrast, has a central void spanned by six cross-vaults resting on four internal buttresses. The stairs are here channeled into the narrow spaces between the walls and the buttresses.

The rich decoration of the minaret, executed with tiles and terracotta in high relief, has largely survived and was analyzed in detail by Sourdel-Thomine. The upper shaft features three epigraphic bands — one below the cupola and two below the second balcony — that contain the shahada, Quranic verses from Sura al-Saff and the name of Ghiyath al-Din, respectively. The two lower bands are separated by a thick decorative band featuring a symbolic vase motif found in the Ghazna palace of Mas’ud III and on coins issued at Firuzkuh.

The lower shaft is covered entirely with eight vertical tile panels that lead up to a thick epigraphic band below the first balcony. Each panel here features a braid of geometric shapes framed with a continuous kufic inscription (Sura Maryam, Quran 19) and filled in with interlacing geometric patterns. The braid motif on the east and west facing panels, which mark the original entrance and the direction of qibla, are distinguished with the use of eight-pointed stars. The dedicatory inscription above the panels includes the name and celebratory titles of Ghiyath al-Din, written in a floriated kufic script highlighted with turquoise glazed tiles. It is framed with tile bands of varying width, including series of circles and roundels fitted with floral inserts. A cursive inscription, placed halfway up on the eastern panel, gives the name of the architect, ‘Ali ibn Ibrahim of Nishapur. Fragments remaining of the fifth epigraphic band on the base of the minaret show that it also contained titles of the Ghurid sultan in a knotted kufic script.

Stabilization efforts for the Jam Minaret began in the 1960s following a survey by the Instituto Italiano per il Media ed Estremo Oriente (ISMEO) that warned of collapse due to soil erosion at the minaret base. A temporary dam was built of stone and wood in 1963-64, and followed by the construction of a gabion wall by UNESCO in 1978. Preservation efforts halted by the civil war were resumed in 1999 and in 2001 with the construction of additional walls and gabions along the Jam and Hari rivers. The minaret and the surrounding archaeological site were amended to the UNESCO list of World Heritage in Danger in 2002. Illegal excavations since 2001 have compromised the historical integrity of the archaeological site.

Cylindrical space station

Cylindrical space station

Klarm Machining

Check out these cylindrical grinding images:

Cylindrical space station

Image by verysubmm
Really it’s my 360 degree Niagara Falls panorama converted to polar coordinates with the GIMP, but it reminds me of a painting commissioned to depict the inside of a city-sized cylindrical space station, sort of like Babylon 5, but with sunlight coming in one end.

No, a rainbow wouldn’t really look like that; it’d still be circular.

Inspired by those Little Prince type planetoids people are making, but easier since the source panorama doesn’t need to include the ground (i.e. directly down).

交易廣場巴士總站 Exchange Square Bus Terminal / 香港中環人流全景 Hong Kong Central Human Logistics Panorama / SML.20130717.6D.21492-SML.20130717.6D.21506-Pano.i15.360×95.Cylindrical.BW

Image by See-ming Lee 李思明 SML
Buses in Hong Kong serve an important function—it transports people traveling long distances between remote areas and downtown. Although the metro (MTR) is fast, it is also very crowdy. The last thing you want after a day of work is stand inside a compressed train being pushed around.

Pictured is a bus terminal located in Central, the financial district in Hong Kong. It is situated at the ground level of Exchange Square, the building which also houses the Hong Kong Stock Exchange. A time lapse video of this area can be seen earlier in the stream [1].

This 360-degree panorama was stitched together using 15 captures on the 6D + 17-40 f/4L mounted on the Manfrotto 303SPH. Many people walked by as I was photographing this, but you do not really see them as this was shot with a relatively long exposure. I do this intentionally to hide the identity of the pedestrians.

# Notes
1. 香港中環 Hong Kong Central / 人流 Human Logistics 延時攝影 Time Lapse Photography / SML.20130717.6D.20604-SML.20130717.6D.21 490-TL
+ www.flickr.com/photos/seeminglee/9328613536/
+ vimeo.com/70688674

# SML Data
+ Date: 2013-07-17T19:21:35+0800
+ Dimensions: 18332 x 5467
+ Exposure: 0.8 sec at f/8.0
+ Focal Length: 17 mm
+ ISO: 400
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ Accessories: Manfrotto 303 SPH pano head, Canon TC-80N3, Manfrotto tripod
+ Panorama FOV: 360 degree horizontal, 95 degree vertical
+ Panoramic Projection: Cylindrical
+ GPS: 22°17’3" N 114°9’28" E
+ Location: 香港中環交易廣場巴士總站 Exchange Square Bus Terminal, Central, Hong Kong
+ Workflow: Autopano Giga 3, Lightroom 5
+ Serial: SML.20130717.6D.21492-SML.20130717.6D.21506-Pano.i15.360×95.Cylindrical.BW
+ Series: 人流 Human Logisitics, 全景攝影 Panoramic Photography

# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited

交易廣場巴士總站 Exchange Square Bus Terminal / 香港中環人流全景 Hong Kong Central Human Logistics Panorama / SML.20130717.6D.21492-SML.20130717.6D.21506-Pano.i15.360×95.Cylindrical.BW
/ #人流 #HumanLogistics #全景 #Pano #Panorama #SMLPano #黑白 #BW #SMLBW #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #中環 #Central #Urban #city #people

Ground Stone

Image by Travis S.
These are obviously ground stone tools. As for what the two biconical stones are on the left, I have no idea. Maybe they had boat lines wrapped around them.

The piece at the top looks like it might be part of a pipe.

New Options for Accuracy, Versatility in Cylindrical Grinding

Klarm Machining

New Options for Accuracy, Versatility in Cylindrical Grinding
The Wheeling, Ill., operations sells and services cylindrical grinders, universal grinders, and specialized metal machine tools manufactured at Japan's Shigiya China Machinery Works Ltd. The Shigiya machine tools and grinding machines range from …
Read more on American Machinist

Manual's Nero wants to be Kentucky's top RB
In fact, Nero has a theory on why he's not ranked higher by recruiting services. (He's a three-star recruit by Scout.com, … I'm grinding 10 times harder than I did last year, so I feel like this season should be a good one." If he has enough "Ooh-wee …
Read more on The Courier-Journal