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I DO NOT Own THIS SONG NOR INTEND TO TAKE CREDIT FOR IT* Track eight on “Embryonic Anomaly”. This band is from outer space, I swear. Lyrics: From the bowels of …
Video Rating: 4 / five
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Thirty Years On: Depeche Mode's Some Fantastic Reward Revisited
With a purer singing voice as such, soothing as an alternative of amping up, it not only gave Depeche a excellent internal vocal contrast but an expanded palette all round – as significantly a dude method to singing as Gahan's swagger, say, but not as immediately lounge …
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Teranga Gold Confirms 2014 Production Guidance and Announces Good …
The study to quantify and optimize the partnership between an enhance in crusher availability to the SAG and Ball mill system (SABC), as effectively as, other design and style enhancements inside the crushing and grinding program was completed during the third quarter …
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Cool Internal Grinding pictures
Some cool internal grinding images:
La Libertad de expresión a todo riesgo. SIEMPRE
Image by Alejandra H. Covarrubias
No tengas miedo de decir la verdad
Thirteen-Lined Ground Squirrel (Spermophilus tridecemlineatus)
Image by cliff1066™
Of all the squirrels listed in the "Ground Squirrel" group, the Thirteen Lined Ground Squirrel is most often mistakenly identified as a gopher or chipmunk.
The Thirteen-lined Ground Squirrel can be simply identified by its brown body, white under body and the thirteen alternating brown and white stripes down its back and sides. These markings can look like seven broad dark brown stripes with six tan bands or seven narrow yellow stripes with six broad dark brown bands.
The thirteen-lined ground squirrel is sometimes mistaken as a chipmunk till their stripes are looked at closer and counted. These adult squirrels grow to be nine to twelve inches lengthy and 35 inches tall and all have internal cheek pouches for carrying meals to their burrow.
The thirteen-lined ground squirrel can be found on prairies, golf courses, cemeteries, and open areas from Canada to the Southern US. They feed on insects, primarily grasshoppers, plants, and the seed of weeds, corn, wheat and occasionally the meat of little vertebrates. Preyed upon by hawks, snakes, foxes, coyotes, and badgers, the thirteen-lined ground squirrel will usually sit erect with its nose in the air seeking for danger whilst consuming.
After hibernation, female thirteen-lined ground squirrels give birth to a litter of 5-13 babies that are born blind, hairless and toothless. These babies open their eyes on day 13 and are totally-grown in three months. Soon after remaining with the mother for 4-six weeks, the babies fend for themselves typically digging their own burrows not far from residence.
The thirteen-lined ground squirrel is most active midday and on warm days. They greet every other by touching their noses and lips and leave scent marks by employing the glands about their mouths.
www.pestproducts.com/thirteen-lined-squirrel.htm
Internals
Image by uosɐɾ McArthur
Good Internal Cylindrical Grinding photographs
Some cool internal cylindrical grinding pictures:
Sherborne Old Castle – The Claire-Voire
Image by ell brown
The Estate of Sherborne Castle – grounds and gardens.
The location of the garden walk that goes previous Sherborne Old Castle.
This is Sherborne Old Castle. Built by Bishop Roger of Salisbury among 1122 and 1139.
Sir Walter Raleigh bought the castle in 1592, and tried to modernize it. But by 1594 he gave up and alternatively started to create his own home nearby.
The Digby’s got Sherborne Castle (each old and new) in 1617 when Sir John Digby acquired it.
For the duration of the Civil War, the Digby’s had been on the Royalist side, and the Old Castle was garrisoned and suffered two sieges. Following the second siege in 1645 Fairfax and his Parliamentarian army systematically demolished the Old Castle. Therefore Sherborne Castle right after that came to mean the new hous in the park.
This is the The Claire-Voire.
At the finish of the 18th century the Digby family members produced this view point of the Claire-Voire.
Grade I listed.
Sherborne Old Castle, Castleton
CASTLETON
ST 6416 SHERBORNE CASTLE
12/26 Sherborne Old Castle
11.7.51
GV I
Episcopal castle with curtain-wall and gatetowers. Constructed by Roger, bishop
of Salisbury 1107-1135. Restoration begun by Sir Walter Raleigh in 1592,
and soon abandoned. Castle partly demolished and rendered untenable, 1645.
Rubble-stone walls, with close-jointed ashlar facing and freestone dressings.
Curtain wall and gatetowers. Curtain-wall enclosed an region 470 ft by 330 ft
with diagonal walls across the angles, forming an elongated octagon. Walling
stands either side of the SW gatetower,in locations on the north, south and east
walls. SW gatehouse, C12, four storeys with a battered plinth and clasping
buttresses. NW angle stands to complete height, S side is more ruined. W face,
facing of the outer archway has gone and only the segmental rear-arch remains.
C16 restorations and alterations beneath Raleigh. (See RCHM). Present approach
to gate, C20. Abutments and central pier revealed by excavations. NW Tower,
foundations only. North gate and barbican, revealed by excavation, C12 and
C13. Flanking the C13 buildings are the remains of wing-performs with circular
turrets at the outer angles. NE gate, foundations and some walling. SE tower,
web site only. Preserve and attached courtyard of buildings at the centre of the
bailey. Maintain. C12, of at least three stages. Ground floor has a dividing wall
operating N and S., and supporting two barrel-vaults. These barrels run on
into groined vaults, supported by a cylindrical column with a scalloped capital.
South wall of the extension has externally a central buttress of segmental form.
SW angle of the preserve adjoins the S wall of the forebuilding, which stands to
the prime of the third stage. The forebuilding has clasping buttresses at the
west angles. Late C16 stone staircase and terrace against north wall of
forebuilding. 3 ranges of buildings, and an excavated S range stand round
a central courtyard, originally with cloister-walks. W Ranges running N from
Maintain, W wall has pilaster buttresses and a moulded string-course. E wall of
this variety largely destroyed. Rubble (tufa) barrel vault. N variety, two storeys,
4 bays, with clasping and pilaster buttresses externally. Ground-floors groined
rubble vault more than three E bays and barrel-vault over W bay. N wall has remains of
former windows and openings upper floor round-headed windows decorated with
chevron, and label with billet. Internal wall-arcading of intersecting arches,
of which traces stay. Floor may have housed the chapel. East variety, considerably
ruined. East hall has pilaster buttresses and an original window in each of
the three bays. Ground floor has a rubble barrel-vault of which the springing
remains. S variety, foundations located of N and S walls, possibly housed the
excellent Hall. The castle was held for the Crown in 1642 and 1645.
(RCHM Dorset I, p.64(four))(Sch. Monument: DORSET.two)
Listing NGR: ST6480316768
Protected by English Heritage.
Sherborne Old Castle
Image by ell brown
The Estate of Sherborne Castle – grounds and gardens.
The region of the garden walk that goes past Sherborne Old Castle.
This is Sherborne Old Castle. Constructed by Bishop Roger of Salisbury amongst 1122 and 1139.
Sir Walter Raleigh bought the castle in 1592, and tried to modernize it. But by 1594 he gave up and as an alternative started to develop his own residence nearby.
The Digby’s got Sherborne Castle (both old and new) in 1617 when Sir John Digby acquired it.
Throughout the Civil War, the Digby’s had been on the Royalist side, and the Old Castle was garrisoned and suffered two sieges. After the second siege in 1645 Fairfax and his Parliamentarian army systematically demolished the Old Castle. Hence Sherborne Castle soon after that came to imply the new hous in the park.
Walking previous the boundary wall in between the old castle grounds and the garden walk of the new 1.
Grade I listed.
Sherborne Old Castle, Castleton
CASTLETON
ST 6416 SHERBORNE CASTLE
12/26 Sherborne Old Castle
11.7.51
GV I
Episcopal castle with curtain-wall and gatetowers. Constructed by Roger, bishop
of Salisbury 1107-1135. Restoration begun by Sir Walter Raleigh in 1592,
and soon abandoned. Castle partly demolished and rendered untenable, 1645.
Rubble-stone walls, with close-jointed ashlar facing and freestone dressings.
Curtain wall and gatetowers. Curtain-wall enclosed an area 470 ft by 330 ft
with diagonal walls across the angles, forming an elongated octagon. Walling
stands either side of the SW gatetower,in places on the north, south and east
walls. SW gatehouse, C12, 4 storeys with a battered plinth and clasping
buttresses. NW angle stands to complete height, S side is far more ruined. W face,
facing of the outer archway has gone and only the segmental rear-arch remains.
C16 restorations and alterations below Raleigh. (See RCHM). Present method
to gate, C20. Abutments and central pier revealed by excavations. NW Tower,
foundations only. North gate and barbican, revealed by excavation, C12 and
C13. Flanking the C13 buildings are the remains of wing-performs with circular
turrets at the outer angles. NE gate, foundations and some walling. SE tower,
website only. Hold and attached courtyard of buildings at the centre of the
bailey. Keep. C12, of at least three stages. Ground floor has a dividing wall
running N and S., and supporting two barrel-vaults. These barrels run on
into groined vaults, supported by a cylindrical column with a scalloped capital.
South wall of the extension has externally a central buttress of segmental form.
SW angle of the maintain adjoins the S wall of the forebuilding, which stands to
the leading of the third stage. The forebuilding has clasping buttresses at the
west angles. Late C16 stone staircase and terrace against north wall of
forebuilding. 3 ranges of buildings, and an excavated S variety stand round
a central courtyard, initially with cloister-walks. W Ranges running N from
Maintain, W wall has pilaster buttresses and a moulded string-course. E wall of
this variety largely destroyed. Rubble (tufa) barrel vault. N variety, two storeys,
4 bays, with clasping and pilaster buttresses externally. Ground-floors groined
rubble vault over 3 E bays and barrel-vault over W bay. N wall has remains of
former windows and openings upper floor round-headed windows decorated with
chevron, and label with billet. Internal wall-arcading of intersecting arches,
of which traces remain. Floor might have housed the chapel. East variety, significantly
ruined. East hall has pilaster buttresses and an original window in every of
the three bays. Ground floor has a rubble barrel-vault of which the springing
remains. S variety, foundations found of N and S walls, probably housed the
wonderful Hall. The castle was held for the Crown in 1642 and 1645.
(RCHM Dorset I, p.64(four))(Sch. Monument: DORSET.two)
Listing NGR: ST6480316768
Protected by English Heritage.
Sherborne Old Castle
Image by ell brown
The Estate of Sherborne Castle – grounds and gardens.
The area of the garden walk that goes past Sherborne Old Castle.
This is Sherborne Old Castle. Constructed by Bishop Roger of Salisbury between 1122 and 1139.
Sir Walter Raleigh bought the castle in 1592, and tried to modernize it. But by 1594 he gave up and rather began to create his personal property nearby.
The Digby’s got Sherborne Castle (each old and new) in 1617 when Sir John Digby acquired it.
Throughout the Civil War, the Digby’s were on the Royalist side, and the Old Castle was garrisoned and suffered two sieges. Right after the second siege in 1645 Fairfax and his Parliamentarian army systematically demolished the Old Castle. Hence Sherborne Castle after that came to imply the new hous in the park.
Walking past the boundary wall in between the old castle grounds and the garden stroll of the new one particular.
Grade I listed.
Sherborne Old Castle, Castleton
CASTLETON
ST 6416 SHERBORNE CASTLE
12/26 Sherborne Old Castle
11.7.51
GV I
Episcopal castle with curtain-wall and gatetowers. Constructed by Roger, bishop
of Salisbury 1107-1135. Restoration begun by Sir Walter Raleigh in 1592,
and quickly abandoned. Castle partly demolished and rendered untenable, 1645.
Rubble-stone walls, with close-jointed ashlar facing and freestone dressings.
Curtain wall and gatetowers. Curtain-wall enclosed an region 470 ft by 330 ft
with diagonal walls across the angles, forming an elongated octagon. Walling
stands either side of the SW gatetower,in locations on the north, south and east
walls. SW gatehouse, C12, 4 storeys with a battered plinth and clasping
buttresses. NW angle stands to complete height, S side is far more ruined. W face,
facing of the outer archway has gone and only the segmental rear-arch remains.
C16 restorations and alterations below Raleigh. (See RCHM). Present strategy
to gate, C20. Abutments and central pier revealed by excavations. NW Tower,
foundations only. North gate and barbican, revealed by excavation, C12 and
C13. Flanking the C13 buildings are the remains of wing-operates with circular
turrets at the outer angles. NE gate, foundations and some walling. SE tower,
site only. Preserve and attached courtyard of buildings at the centre of the
bailey. Keep. C12, of at least 3 stages. Ground floor has a dividing wall
operating N and S., and supporting two barrel-vaults. These barrels run on
into groined vaults, supported by a cylindrical column with a scalloped capital.
South wall of the extension has externally a central buttress of segmental kind.
SW angle of the hold adjoins the S wall of the forebuilding, which stands to
the prime of the third stage. The forebuilding has clasping buttresses at the
west angles. Late C16 stone staircase and terrace against north wall of
forebuilding. three ranges of buildings, and an excavated S variety stand round
a central courtyard, originally with cloister-walks. W Ranges running N from
Keep, W wall has pilaster buttresses and a moulded string-course. E wall of
this range largely destroyed. Rubble (tufa) barrel vault. N variety, two storeys,
four bays, with clasping and pilaster buttresses externally. Ground-floors groined
rubble vault over 3 E bays and barrel-vault more than W bay. N wall has remains of
former windows and openings upper floor round-headed windows decorated with
chevron, and label with billet. Internal wall-arcading of intersecting arches,
of which traces stay. Floor might have housed the chapel. East variety, a lot
ruined. East hall has pilaster buttresses and an original window in every single of
the 3 bays. Ground floor has a rubble barrel-vault of which the springing
remains. S variety, foundations discovered of N and S walls, most likely housed the
great Hall. The castle was held for the Crown in 1642 and 1645.
(RCHM Dorset I, p.64(4))(Sch. Monument: DORSET.2)
Listing NGR: ST6480316768
Protected by English Heritage.
Nice Internal China Grinding photos
Some cool internal grinding images:
Polyrhanis arfakensis (Cicindelidae)
Image by gbohne
"slash & burn" within the ancient forest of the Arfak mountains provides a living for this Tiger beetle species!
Order: Coleoptera (beetles Käfer)
Suborder: Adephaga
Superfamily: Caraboidea
Family: Cicindelidae (Tiger beetles, Sandlaufkäfer)
Subfamily: Cicindelinae LATREILLE, 1802
Tribus: Cicindelini LATREILLE, 1802
Genus: Polyrhanis RIVALIER, 1963
Polyrhanis arfakensis MATALIN & WIESNER, 2008
[det. J. Wiesner 2010, based on photos]
Holotypus: www.papua-insects.nl/insect%20orders/Coleoptera/Cicindeli…
.jpg){kind=link}
Indonesia, W-Papua, 32 km SW Manokwari: Syoubrig (Mokwam), 1630m asl., 14.08.2010
________________________________________________________________________
100mm macro (canon 2.8 L), 1/125s, f/16, ISO200, 0EV, internal flash, monopod
IMG_4047
Alain Prost’s McLaren MP4/2b from dead ahead, ground level
Image by wbaiv
DSC_0275 copy
Nice Internal Cylindrical China Grinding photos
A few nice internal cylindrical grinding images I found:
Minaret of Jam, Ghor Province, western Afghanistan
Image by james_gordon_losangeles
The Minaret of Jam stands sixty-five meters tall in a deep rugged valley at the juncture of the Hari and Jam rivers, approximately one hundred kilometers east of Herat. It was built by Ghurid sultan Ghiyath al-Din Muhammad bin Sam (1163-1203). The foundation plaque above the base on the north side has been read differently by Pinder-Wilson and by Sourdel-Thomine as 1194/95 and 1174/75. The earlier date supports the prevailing argument that the minaret was erected alone to commemorate the Ghurid conquest of Ghazna in 1173. Remains of a settlement on the northern bank of Hari and surrounding hillsides, and pottery fragments collected in the area suggest that the site may be the lost Ghurid capital of Firuzkuh destroyed by Genghis Khan in 1222. Remains of a fort or castle are seen on a hilltop to the east of the minaret.
Made entirely of fired brick, the minaret is composed of a two-tier cylindrical body raised seven meters on an octagonal base. Two spiral staircases, accessed from a single doorway above the ground, provide access to two balconies atop the lower shaft and midway up the upper shaft, visiting six vaulted chambers located in between. Only the supports have remained of the brick balconies. The minaret is capped at sixty-five meters with a cupola (now damaged) raised on six open archways.
The two towers of the minaret shaft differ structurally. The broad lower shaft is made of thick walls enveloping two spiral staircases at center; it rises to a height of thirty-eight meters, with an exterior diameter diminishing from 9.7 meters at the base to 6 meters at top. The narrow upper shaft, by contrast, has a central void spanned by six cross-vaults resting on four internal buttresses. The stairs are here channeled into the narrow spaces between the walls and the buttresses.
The rich decoration of the minaret, executed with tiles and terracotta in high relief, has largely survived and was analyzed in detail by Sourdel-Thomine. The upper shaft features three epigraphic bands — one below the cupola and two below the second balcony — that contain the shahada, Quranic verses from Sura al-Saff and the name of Ghiyath al-Din, respectively. The two lower bands are separated by a thick decorative band featuring a symbolic vase motif found in the Ghazna palace of Mas’ud III and on coins issued at Firuzkuh.
The lower shaft is covered entirely with eight vertical tile panels that lead up to a thick epigraphic band below the first balcony. Each panel here features a braid of geometric shapes framed with a continuous kufic inscription (Sura Maryam, Quran 19) and filled in with interlacing geometric patterns. The braid motif on the east and west facing panels, which mark the original entrance and the direction of qibla, are distinguished with the use of eight-pointed stars. The dedicatory inscription above the panels includes the name and celebratory titles of Ghiyath al-Din, written in a floriated kufic script highlighted with turquoise glazed tiles. It is framed with tile bands of varying width, including series of circles and roundels fitted with floral inserts. A cursive inscription, placed halfway up on the eastern panel, gives the name of the architect, ‘Ali ibn Ibrahim of Nishapur. Fragments remaining of the fifth epigraphic band on the base of the minaret show that it also contained titles of the Ghurid sultan in a knotted kufic script.
Stabilization efforts for the Jam Minaret began in the 1960s following a survey by the Instituto Italiano per il Media ed Estremo Oriente (ISMEO) that warned of collapse due to soil erosion at the minaret base. A temporary dam was built of stone and wood in 1963-64, and followed by the construction of a gabion wall by UNESCO in 1978. Preservation efforts halted by the civil war were resumed in 1999 and in 2001 with the construction of additional walls and gabions along the Jam and Hari rivers. The minaret and the surrounding archaeological site were amended to the UNESCO list of World Heritage in Danger in 2002. Illegal excavations since 2001 have compromised the historical integrity of the archaeological site.
Minaret of Jam, Ghor Province, western Afghanistan
Image by james_gordon_losangeles
The Minaret of Jam stands sixty-five meters tall in a deep rugged valley at the juncture of the Hari and Jam rivers, approximately one hundred kilometers east of Herat. It was built by Ghurid sultan Ghiyath al-Din Muhammad bin Sam (1163-1203). The foundation plaque above the base on the north side has been read differently by Pinder-Wilson and by Sourdel-Thomine as 1194/95 and 1174/75. The earlier date supports the prevailing argument that the minaret was erected alone to commemorate the Ghurid conquest of Ghazna in 1173. Remains of a settlement on the northern bank of Hari and surrounding hillsides, and pottery fragments collected in the area suggest that the site may be the lost Ghurid capital of Firuzkuh destroyed by Genghis Khan in 1222. Remains of a fort or castle are seen on a hilltop to the east of the minaret.
Made entirely of fired brick, the minaret is composed of a two-tier cylindrical body raised seven meters on an octagonal base. Two spiral staircases, accessed from a single doorway above the ground, provide access to two balconies atop the lower shaft and midway up the upper shaft, visiting six vaulted chambers located in between. Only the supports have remained of the brick balconies. The minaret is capped at sixty-five meters with a cupola (now damaged) raised on six open archways.
The two towers of the minaret shaft differ structurally. The broad lower shaft is made of thick walls enveloping two spiral staircases at center; it rises to a height of thirty-eight meters, with an exterior diameter diminishing from 9.7 meters at the base to 6 meters at top. The narrow upper shaft, by contrast, has a central void spanned by six cross-vaults resting on four internal buttresses. The stairs are here channeled into the narrow spaces between the walls and the buttresses.
The rich decoration of the minaret, executed with tiles and terracotta in high relief, has largely survived and was analyzed in detail by Sourdel-Thomine. The upper shaft features three epigraphic bands — one below the cupola and two below the second balcony — that contain the shahada, Quranic verses from Sura al-Saff and the name of Ghiyath al-Din, respectively. The two lower bands are separated by a thick decorative band featuring a symbolic vase motif found in the Ghazna palace of Mas’ud III and on coins issued at Firuzkuh.
The lower shaft is covered entirely with eight vertical tile panels that lead up to a thick epigraphic band below the first balcony. Each panel here features a braid of geometric shapes framed with a continuous kufic inscription (Sura Maryam, Quran 19) and filled in with interlacing geometric patterns. The braid motif on the east and west facing panels, which mark the original entrance and the direction of qibla, are distinguished with the use of eight-pointed stars. The dedicatory inscription above the panels includes the name and celebratory titles of Ghiyath al-Din, written in a floriated kufic script highlighted with turquoise glazed tiles. It is framed with tile bands of varying width, including series of circles and roundels fitted with floral inserts. A cursive inscription, placed halfway up on the eastern panel, gives the name of the architect, ‘Ali ibn Ibrahim of Nishapur. Fragments remaining of the fifth epigraphic band on the base of the minaret show that it also contained titles of the Ghurid sultan in a knotted kufic script.
Stabilization efforts for the Jam Minaret began in the 1960s following a survey by the Instituto Italiano per il Media ed Estremo Oriente (ISMEO) that warned of collapse due to soil erosion at the minaret base. A temporary dam was built of stone and wood in 1963-64, and followed by the construction of a gabion wall by UNESCO in 1978. Preservation efforts halted by the civil war were resumed in 1999 and in 2001 with the construction of additional walls and gabions along the Jam and Hari rivers. The minaret and the surrounding archaeological site were amended to the UNESCO list of World Heritage in Danger in 2002. Illegal excavations since 2001 have compromised the historical integrity of the archaeological site.
european internal grinding machine manufacturers
More details: http://www.stonemining.net/contact/ Get the price of european internal grinding machine manufacturers: http://www.stonemining.net/contact/ Zeni…
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Lastest Internal Cylindrical China Grinding auctions
Internal Cylindrical China Grinding on eBay:
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Lastest Internal Cylindrical China Grinding auctions
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Cool Internal China Grinding images
Check out these internal grinding images:
Heal-All facebook cover fb banner
Image by canonfather
This little ground herb has grown in several places where we’ve lived. Webmd gives an idea of how it got its name: The herb is ground and used in treatment of: inflammatory bowel disease (Crohn’s disease and ulcerative colitis), diarrhea, colic, and stomach upset and irritation (gastroenteritis). It is also used for mouth and throat ulcers, sore throat, and internal bleeding. Some people use self-heal for HIV/AIDS, fever, headache, dizziness, liver disease, and spasm. It is also used to kill germs (as an antiseptic), loosen phlegm (as an expectorant), and tighten and dry skin (as an astringent).
Self-heal contains vitamins C and K, and thiamine. It also contains chemicals called tannins that might help reduce skin swelling (inflammation) and have a drying (astringent) effect on the tissues.
Curious? Me too. Though I have never tried it for any of those things. 🙂
R. Rorty▲P. Engεl . . controvεrsy
Image by jef safi
Outlining a Theory of General Creativity .. on a ‘Pataphysical way
Entropy ≥ Memory . Creativity ²
Entropy ≥ Mimesis . Catharsis ²
Study of the day:
"(…) la distinction de Carnap entre ce qui est interne et ce qui est externe suppose la distinction entre l’analytique et le synthétique. Après Quine, cette distinction étant mise à mal, on ne pouvait plus faire usage de celle proposée par Carnap. On n’avait tout simplement plus le moyen de déterminer précisément où situer la frontière entre l’interne et l’externe. (…) Je propose donc, tout simplement, très modestement, que l’on s’occupe désormais d’autres distinctions. Rien de plus."
"(…) the Carnap’s distinction between what is internal and what is external assumes the distinction between the analytics and the synthetics. After Quine, this distinction being put to bad, we could not do use of the one proposed by Quine. We simply have no way to determine precisely where the boundary is between the internal and the external. (…) I therefore propose, simply, very modestly, that we deal with other distinctions now. Nothing more."
( Richard Rorty – 2005 – A quoi bon la vérité ? controverse avec Pascal Engel )
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