Starlin Castro, Didi Gregorius Trades Turned Spare Components into Yankees&#39 Future

Starlin Castro, Didi Gregorius Trades Turned Spare Components into Yankees&#39 Future

The Moon was but a Chin of Gold

Image by Nick Kenrick.
View Big

by Emily Dickinson

The Moon was but a Chin of Gold
A Night or two ago —
And now she turns Her excellent Face
Upon the World below —

Her Forehead is of Amplest Blonde —
Her Cheek — a Beryl hewn —
Her Eye unto the Summer Dew
The likest I have recognized —

Her Lips of Amber never ever component —
But what have to be the smile
Upon Her Pal she could confer
Have been such Her Silver Will —

And what a privilege to be
But the remotest Star —
For Certainty She take Her Way
Beside Your Palace Door —

Her Bonnet is the Firmament —
The Universe — Her Shoe —
The Stars — the Trinkets at Her Belt —
Her Dimities — of Blue —

textures by Skeletalmess

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Steven F. Udvar-Hazy Center: Boeing B-29 Superfortress “Enola Gay” (view into nose cockpit)

Steven F. Udvar-Hazy Center: Boeing B-29 Superfortress “Enola Gay” (view into nose cockpit)

Some cool precision machining business pictures:

Steven F. Udvar-Hazy Center: Boeing B-29 Superfortress “Enola Gay” (view into nose cockpit)

Image by Chris Devers
See far more pictures of this, and the Wikipedia report.

Information, quoting from Smithsonian National Air and Space Museum | Boeing B-29 Superfortress &quotEnola Gay&quot:

Boeing’s B-29 Superfortress was the most sophisticated propeller-driven bomber of Globe War II and the initial bomber to property its crew in pressurized compartments. Even though developed to fight in the European theater, the B-29 located its niche on the other side of the globe. In the Pacific, B-29s delivered a variety of aerial weapons: standard bombs, incendiary bombs, mines, and two nuclear weapons.

On August six, 1945, this Martin-built B-29-45-MO dropped the first atomic weapon utilized in combat on Hiroshima, Japan. 3 days later, Bockscar (on display at the U.S. Air Force Museum near Dayton, Ohio) dropped a second atomic bomb on Nagasaki, Japan. Enola Gay flew as the advance climate reconnaissance aircraft that day. A third B-29, The Fantastic Artiste, flew as an observation aircraft on both missions.

Transferred from the United States Air Force.

Manufacturer:
Boeing Aircraft Co.
Martin Co., Omaha, Nebr.

Date:
1945

Nation of Origin:
United States of America

Dimensions:
Overall: 900 x 3020cm, 32580kg, 4300cm (29ft 6 5/16in. x 99ft 1in., 71825.9lb., 141ft 15/16in.)

Components:
Polished overall aluminum finish

Physical Description:
4-engine heavy bomber with semi-monoqoque fuselage and higher-aspect ratio wings. Polished aluminum finish general, normal late-Globe War II Army Air Forces insignia on wings and aft fuselage and serial quantity on vertical fin 509th Composite Group markings painted in black &quotEnola Gay&quot in black, block letters on lower left nose.

Long Description:
Boeing’s B-29 Superfortress was the most sophisticated, propeller-driven, bomber to fly in the course of Globe War II, and the first bomber to home its crew in pressurized compartments. Boeing installed really sophisticated armament, propulsion, and avionics systems into the Superfortress. For the duration of the war in the Pacific Theater, the B-29 delivered the 1st nuclear weapons employed in combat. On August six, 1945, Colonel Paul W. Tibbets, Jr., in command of the Superfortress Enola Gay, dropped a extremely enriched uranium, explosion-sort, &quotgun-fired,&quot atomic bomb on Hiroshima, Japan. Three days later, Significant Charles W. Sweeney piloted the B-29 Bockscar and dropped a hugely enriched plutonium, implosion-variety atomic bomb on Nagasaki, Japan. Enola Gay flew as the advance weather reconnaissance aircraft that day. On August 14, 1945, the Japanese accepted Allied terms for unconditional surrender.

In the late 1930s, U. S. Army Air Corps leaders recognized the want for really extended-range bombers that exceeded the overall performance of the B-17 Flying Fortress. Several years of preliminary research paralleled a continuous fight against these who saw restricted utility in developing such an high-priced and unproven aircraft but the Air Corps issued a requirement for the new bomber in February 1940. It described an airplane that could carry a maximum bomb load of 909 kg (two,000 lb) at a speed of 644 kph (400 mph) a distance of at least eight,050 km (5,000 miles). Boeing, Consolidated, Douglas, and Lockheed responded with design and style proposals. The Army was impressed with the Boeing design and issued a contract for two flyable prototypes in September 1940. In April 1941, the Army issued another contract for 250 aircraft plus spare parts equivalent to an additional 25 bombers, eight months just before Pearl Harbor and nearly a year-and-a-half ahead of the 1st Superfortress would fly.

Amongst the design’s innovations was a lengthy, narrow, higher-aspect ratio wing equipped with large Fowler-sort flaps. This wing style permitted the B-29 to fly very quickly at higher altitudes but maintained comfortable handling traits throughout takeoff and landing. Far more revolutionary was the size and sophistication of the pressurized sections of the fuselage: the flight deck forward of the wing, the gunner’s compartment aft of the wing, and the tail gunner’s station. For the crew, flying at intense altitudes became a lot more comfortable as pressure and temperature could be regulated. To shield the Superfortress, Boeing created a remote-controlled, defensive weapons technique. Engineers placed 5 gun turrets on the fuselage: a turret above and behind the cockpit that housed two .50 caliber machine guns (4 guns in later versions), and an additional turret aft close to the vertical tail equipped with two machine guns plus two much more turrets beneath the fuselage, each equipped with two .50 caliber guns. One particular of these turrets fired from behind the nose gear and the other hung additional back near the tail. Yet another two .50 caliber machine guns and a 20-mm cannon (in early versions of the B-29) have been fitted in the tail beneath the rudder. Gunners operated these turrets by remote handle–a correct innovation. They aimed the guns making use of computerized sights, and every single gunner could take manage of two or more turrets to concentrate firepower on a single target.

Boeing also equipped the B-29 with advanced radar equipment and avionics. Depending on the variety of mission, a B-29 carried the AN/APQ-13 or AN/APQ-7 Eagle radar program to aid bombing and navigation. These systems have been precise adequate to permit bombing via cloud layers that totally obscured the target. The B-29B was equipped with the AN/APG-15B airborne radar gun sighting system mounted in the tail, insuring accurate defense against enemy fighters attacking at night. B-29s also routinely carried as several as twenty different varieties of radios and navigation devices.

The 1st XB-29 took off at Boeing Field in Seattle on September 21, 1942. By the end of the year the second aircraft was prepared for flight. Fourteen service-test YB-29s followed as production began to accelerate. Constructing this sophisticated bomber essential huge logistics. Boeing built new B-29 plants at Renton, Washington, and Wichita, Kansas, whilst Bell built a new plant at Marietta, Georgia, and Martin constructed 1 in Omaha, Nebraska. Both Curtiss-Wright and the Dodge automobile firm vastly expanded their manufacturing capacity to develop the bomber’s powerful and complicated Curtiss-Wright R-3350 turbo supercharged engines. The system required thousands of sub-contractors but with extraordinary work, it all came collectively, in spite of main teething troubles. By April 1944, the initial operational B-29s of the newly formed 20th Air Force started to touch down on dusty airfields in India. By May possibly, 130 B-29s were operational. In June, 1944, less than two years soon after the initial flight of the XB-29, the U. S. Army Air Forces (AAF) flew its 1st B-29 combat mission against targets in Bangkok, Thailand. This mission (longest of the war to date) known as for 100 B-29s but only 80 reached the target area. The AAF lost no aircraft to enemy action but bombing final results had been mediocre. The very first bombing mission against the Japanese main islands considering that Lt. Col. &quotJimmy&quot Doolittle’s raid against Tokyo in April 1942, occurred on June 15, again with poor outcomes. This was also the initial mission launched from airbases in China.

With the fall of Saipan, Tinian, and Guam in the Mariana Islands chain in August 1944, the AAF acquired airbases that lay a number of hundred miles closer to mainland Japan. Late in 1944, the AAF moved the XXI Bomber Command, flying B-29s, to the Marianas and the unit started bombing Japan in December. Even so, they employed higher-altitude, precision, bombing tactics that yielded poor results. The high altitude winds had been so powerful that bombing computer systems could not compensate and the weather was so poor that rarely was visual target acquisition feasible at high altitudes. In March 1945, Significant General Curtis E. LeMay ordered the group to abandon these tactics and strike instead at night, from low altitude, using incendiary bombs. These firebombing raids, carried out by hundreds of B-29s, devastated much of Japan’s industrial and economic infrastructure. But Japan fought on. Late in 1944, AAF leaders chosen the Martin assembly line to create a squadron of B-29s codenamed SILVERPLATE. Martin modified these Superfortresses by removing all gun turrets except for the tail position, removing armor plate, installing Curtiss electric propellers, and modifying the bomb bay to accommodate either the &quotFat Man&quot or &quotLittle Boy&quot versions of the atomic bomb. The AAF assigned 15 Silverplate ships to the 509th Composite Group commanded by Colonel Paul Tibbets. As the Group Commander, Tibbets had no specific aircraft assigned to him as did the mission pilots. He was entitled to fly any aircraft at any time. He named the B-29 that he flew on 6 August Enola Gay after his mother. In the early morning hours, just prior to the August 6th mission, Tibbets had a young Army Air Forces maintenance man, Private Nelson Miller, paint the name just under the pilot’s window.

Enola Gay is a model B-29-45-MO, serial quantity 44-86292. The AAF accepted this aircraft on June 14, 1945, from the Martin plant at Omaha (Situated at what is these days Offut AFB close to Bellevue), Nebraska. Right after the war, Army Air Forces crews flew the airplane for the duration of the Operation Crossroads atomic test system in the Pacific, even though it dropped no nuclear devices during these tests, and then delivered it to Davis-Monthan Army Airfield, Arizona, for storage. Later, the U. S. Air Force flew the bomber to Park Ridge, Illinois, then transferred it to the Smithsonian Institution on July 4, 1949. Though in Smithsonian custody, the aircraft remained stored at Pyote Air Force Base, Texas, in between January 1952 and December 1953. The airplane’s final flight ended on December 2 when the Enola Gay touched down at Andrews Air Force Base, Maryland. The bomber remained at Andrews in outdoor storage till August 1960. By then, concerned about the bomber deteriorating outdoors, the Smithsonian sent collections employees to disassemble the Superfortress and move it indoors to the Paul E. Garber Facility in Suitland, Maryland.

The staff at Garber began working to preserve and restore Enola Gay in December 1984. This was the largest restoration project ever undertaken at the National Air and Space Museum and the specialists anticipated the operate would require from seven to nine years to total. The project truly lasted nearly two decades and, when completed, had taken about 300,000 perform-hours to full. The B-29 is now displayed at the National Air and Space Museum, Steven F. Udvar-Hazy Center.

Steven F. Udvar-Hazy Center: B-29 Superfortress “Enola Gay” panorama

Image by Chris Devers
Quoting Smithsonian National Air and Space Museum | Lockheed P-38J-ten-LO Lightning :

In the P-38 Lockheed engineer Clarence &quotKelly&quot Johnson and his group of designers created one of the most effective twin-engine fighters ever flown by any nation. From 1942 to 1945, U. S. Army Air Forces pilots flew P-38s more than Europe, the Mediterranean, and the Pacific, and from the frozen Aleutian Islands to the sun-baked deserts of North Africa. Lightning pilots in the Pacific theater downed far more Japanese aircraft than pilots flying any other Allied warplane.

Maj. Richard I. Bong, America’s major fighter ace, flew this P-38J-10-LO on April 16, 1945, at Wright Field, Ohio, to evaluate an experimental technique of interconnecting the movement of the throttle and propeller handle levers. However, his proper engine exploded in flight before he could conduct the experiment.

Transferred from the United States Air Force.

Manufacturer:
Lockheed Aircraft Business

Date:
1943

Country of Origin:
United States of America

Dimensions:
Overall: 390 x 1170cm, 6345kg, 1580cm (12ft 9 9/16in. x 38ft 4 five/8in., 13988.2lb., 51ft ten 1/16in.)

Materials:
All-metal

Physical Description:
Twin-tail boom and twin-engine fighter tricycle landing gear.

• • • • •

Quoting Smithsonian National Air and Space Museum | Boeing B-29 Superfortress &quotEnola Gay&quot:

Boeing’s B-29 Superfortress was the most sophisticated propeller-driven bomber of World War II and the initial bomber to residence its crew in pressurized compartments. Even though created to fight in the European theater, the B-29 identified its niche on the other side of the globe. In the Pacific, B-29s delivered a selection of aerial weapons: conventional bombs, incendiary bombs, mines, and two nuclear weapons.

On August 6, 1945, this Martin-constructed B-29-45-MO dropped the first atomic weapon used in combat on Hiroshima, Japan. 3 days later, Bockscar (on display at the U.S. Air Force Museum close to Dayton, Ohio) dropped a second atomic bomb on Nagasaki, Japan. Enola Gay flew as the advance climate reconnaissance aircraft that day. A third B-29, The Wonderful Artiste, flew as an observation aircraft on each missions.

Transferred from the United States Air Force.

Manufacturer:
Boeing Aircraft Co.
Martin Co., Omaha, Nebr.

Date:
1945

Country of Origin:
United States of America

Dimensions:
Overall: 900 x 3020cm, 32580kg, 4300cm (29ft 6 5/16in. x 99ft 1in., 71825.9lb., 141ft 15/16in.)

Supplies:
Polished all round aluminum finish

Physical Description:
4-engine heavy bomber with semi-monoqoque fuselage and higher-aspect ratio wings. Polished aluminum finish general, normal late-Globe War II Army Air Forces insignia on wings and aft fuselage and serial quantity on vertical fin 509th Composite Group markings painted in black &quotEnola Gay&quot in black, block letters on reduce left nose.

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TCCI Director of Sales Charlie Roberts Sees International Technique Essential for
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Servicing a single of the floodlights that turn night into day at the large construction operations for a new steel plant which will make essential additions to the vast quantity of steel needed for the war effort, Columbia Steel Co., Geneva, Utah (LOC)

Servicing a single of the floodlights that turn night into day at the large construction operations for a new steel plant which will make essential additions to the vast quantity of steel needed for the war effort, Columbia Steel Co., Geneva, Utah (LOC)

Check out these milling turning photos:

Servicing one particular of the floodlights that turn night into day at the big building operations for a new steel plant which will make crucial additions to the vast quantity of steel needed for the war work, Columbia Steel Co., Geneva, Utah (LOC)

Image by The Library of Congress
Feininger, Andreas,, 1906-1999,, photographer.

Servicing one particular of the floodlights that turn evening into day at the big construction operations for a new steel plant which will make crucial additions to the vast amount of steel necessary for the war effort, Columbia Steel Co., Geneva, Utah

1942 Nov.

1 transparency : colour.

Notes:
Title from FSA or OWI agency caption.
Transfer from U.S. Office of War Information, 1944.

Subjects:
Columbia Steel Company
Steel industry
Lighting
World War, 1939-1945
United States–Utah–Geneva

Format: Transparencies–Color

Rights Information: No identified restrictions on publication.

Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print

Part Of: Farm Security Administration – Office of War Data Collection 12002-60 (DLC) 93845501

General information about the FSA/OWI Colour Photographs is obtainable at hdl.loc.gov/loc.pnp/pp.fsac

Higher resolution image is obtainable (Persistent URL): hdl.loc.gov/loc.pnp/fsac.1a34848

Contact Quantity: LC-USW36-816

Mill revisited 71 years later

Image by dok1

Wirh daughter Kathy driving my Honda we turned into Mill Street at White Cottage, a tiny Muskingum County, Ohio town on the Jonathon River. Carrying a print of the 1939 pohoto that I took from a train, I confirmed that it was the exact same mill.

I consider a winter shot from the old tracks may possibly show the mill from the the river side.

Thanks to mabloodhound and Hank Randall!

An excellent website with specifics of this mill and other:
www.millpictures.com/mills/specifics.cfm?millid=1281

(clicking on the old photo brings up earlier and fascinating comments on it)

Mabry Mill

Image by Frank Kehren
Mabry Mill, Meadows of Dan, Blue Ridge Parkway, Milepost 176, Virginia

Mabry Mill was built by Edwin Boston Mabry (E.B. Mabry). E.B. Mabry returned to Floyd County in 1903 and began the building of the mill. It was very first a blacksmith and wheelwright shop, then became a sawmill. By 1905 it was in operation as a gristmill. By 1910 the front portion of the mill was completed and included a lathe for turning out wheel hubs, a tongue and groove lathe, a planer and a jig-saw. Between 1905 and 1914 E.B. Mabry purchased adjacent tracts of land, mainly for the purpose of acquiring a lot more water power.

en.wikipedia.org/wiki/Mabry_Mill

Meet the initial lady of graphene, turning dangerous gases into the wonder stuff

Meet the initial lady of graphene, turning dangerous gases into the wonder stuff

memories of the Eighties

Image by brizzle born and bred
I started with the 1960s and the 1970s and continue with the 80s.

God it all comes rushing back! I thought it was all just a bad dream!. (A sure sign of the ageing process)

It was a time when Don McClean’s version of Roy Orbison’s ‘Crying’ sat atop the singles chart, its glum chorus summing up a country struggling to emerge from the late-70s doldrums.

GDP had dropped by -1.8 per cent while unemployment, at 5.8 per cent or 1.56million, was still some 0.3 per cent or 360,000 short of today’s more painful figure.

While Britons got by on an average wage of £6,000 (the equivalent of about £19,000 today), petrol cost 28p a litre (90p), a pint of beer was 35p (£1.10), a loaf of bread 33p (£1.10) and a pint of milk 17p (54p).

At the month’s end, the pre-decimal sixpence was withdrawn from circulation. Later that summer, Alexandra Palace in London was part-destroyed by fire.

The British Olympics team returned from Moscow with a medal haul – including five golds – that left them ninth in the table, below Hungary, Romania and Bulgaria. The USSR finished top with 80 golds.

Earlier in the year, the first episode of Yes, Minister had been broadcast by the BBC and SAS officers ended a hostage crisis by storming the Iranian Embassy in London, killing five terrorists and free all the captives.

Political events were to prove emblematic of the coming decade. In June it was announed that nuclear weapons were to be stored at RAF Greenham Common, prompting years of protests from the CND.

The 1980s set the mould for Britain today!.

It was the decade of Thatcher, yuppies and big phones.

In October, amid murmurs that she would be forced to make a U-turn in her economic policies, Margaret Thatcher, the prime minister, told the Conservative Party conference: "You turn if you want to. The lady’s not for turning."

In November, Ronald Reagan, the Republican former actor and Governor of California was elected US president, defeating by a landslide Jimmy Carter, who had presided over a sharp economic decline.

Back in Britain, after the resignation of Jim Callaghan, Labour elected the left-winger Michael Foot as leader, opening a generation of in-fighting that would see them fail to retake power for another 17 years.

In sport, while England failed to progress past the group stages of the European football championships in Italy, there were also then-unknown reasons for long-term optimism: future stars Steven Gerrard, John Terry and Ashley Cole were all born during the year.

Meanwhile, the assassination in December of John Lennon outside his New York apartment building capped a year of terrible losses to British arts. Among others who died were the film-maker Sir Alfred Hitchcock, the photographer Sir Cecil Beaton, the actors Peter Sellers and Hattie Jacques, and the musician Ian Curtis.

But for many of you reading this, it was all about BMX bikes, big hair, bright socks and New Romantics.

I remember the 80s as a consumerist paradise with massive phones, filofaxes and flash suits. There were also downsides outside of London, with riots and unemployment but to be honest the UK was rightfully feasting on Jambon at the table of European Commercialism and Progress.

Thank God I was an adult (in age anyway) in the 80s!

Being born in 1949 and then growing up during the 50s, 60s and 70s I found the 80’s a huge disappointment!

In the 60s we had free love, drugs, wild new music, in the 70s Glam and Punk rock, more free love, fun clothes.

But just as you were getting old enough to enjoy yourself without parental supervision! The 80s gave us Thatcherism, Aids, poncey poodle fashions and the most celebrated music star – Boy George telling us ‘War, War is stupid…’

It was the decade of spend, spend, spend, for some of 80s Britain.

The Cold War

A poll conducted in 1980 found 40 per cent of adults said they believed a nuclear war was likely in the next 10 years.

Yes deep insecurities were being sown in people’s minds as tensions between East and West heightened.

In the early 80s there was an intense awareness of the Cold War. Every move of the Kremlin was watched by the media at the time, should some crisis in Central America or the Middle East ignite World War Three.

Ronald Reagan was the president, talking of the evil empire, and spending huge sums on the military. Cruise missiles were being delivered to Greenham Common and Molesworth to much protest at the time.

As an adult now, you can appreciate the doctrine of "outspending, outperforming" the communist bloc which in the end hastened its demise. But at the time, watching the Soviet soldiers marching through Red Square in front of Brezhnev, you did wonder what might happen.

The nuclear threat was addressed in pop music with Nena’s 99 Red Balloons and Frankie Goes to Hollywood’s Two Tribes, on television with The Day After and Threads and in films such as Defence of the Realm and WarGames.

Britain busy being born

The Eighties were more subtle and significant: there would be no Katie Price without Samantha Fox, no Lady Gaga without Madonna, no Simon Cowell without Stock, Aitken and Waterman and no David Cameron without Margaret Thatcher.

The Eighties marked the death of one Britain and they hinted at another Britain busy being born.

The Eighties can appear endearingly unfamiliar. What did we do with our hands when we didn’t have smart phones? How did we waste time before Twitter?

Britain in turmoil

There was massive unemployment, whole of Britain in turmoil under thatcher, lads like me off to a phony war for political gain, and criminals like Archer and Maxwell running riot with Justice…I lost some respect I had for the police in the 1980s, following their handling of the 1984-85 miners’ strike.

It struck me that they were quite happy to stand back and watch football hooligans run riot on match days, for example (a genuine disturbance of the peace issue), but were overly keen to viciously truncheon miners and charge them with horses as and when required (a legal dispute between employees and employers).

The police should only be used to enforce the law and not be used to implement a political agenda (in this case, Thatcher’s destruction of our coal mining industry).

I remember huddling around a small battery-operated black and white TV by candlelight through yet another electricity strike, watching news reports of rats collecting around piles of uncollected rubbish in the streets.

Everyone lived at the mercy of the trade unions, employers could not remove lazy workers, and British manufactured goods, famous for their poor quality, were a worldwide joke.

The rise of capitalism, the inner city riots, rise of city yuppies and estate agents, we eventually saw the dark side of capitalism, where money, greed and power became more important than anything else. The eventual collapse of the banking system was the inevitable result of an economy reliant on money which did not actually exist.

From the miners’ strike, the Falklands War and the spectre of AIDS, to Yes Minister, championship snooker and Boy George.

Falklands War, the Miners’ Strike and the Brixton riots, as well as those reflecting on industry in the 1980s, unemployment and redundancy, and HIV and Aids.

Britain changed more in the 1980s than in almost any recent decade. The rise of the City and the fall of the unions, the wider retreat of the left and the return of military confidence, the energy of a renewed entrepreneurialism and the entropy of a new, entrenched unemployment.

The 1980s, destined to become the darkest decade for English football, opened with a portent of things to come when England travelled to the European Championships in Italy.

The rioting on the terraces during that tournament was a sight that was to become commonplace whenever the national team travelled abroad in the ensuing years.

You name a European city and it will have experienced so-called England fans terrorising stadiums or rampaging through the streets and squares.

It is good on music, showing how music evolved from political protest songs by the Specials and UB40 in the early 80’s, through to Live Aid in 1985 and then to Stock, Aitkin and Waterman whose musical production line with songs by the likes of Kylie and Rick Astley dominated the last few years of the decade.

Any memeories of Britain in the 1980s must inevitably revolve around the former Conservative Prime Minister and Thatcherism.

The Thatcher years

Yet Thatcherism was the bell-ringing herald of an age of unparalleled consumption, credit, show-off wealth, quick bucks and sexual libertinism. When you free people, you can never be sure what you are freeing them for.

Ted Heath had fought and lost an election on the question of ‘who governs?’ in the 1970s; and Thatcher was determined history would not repeat itself. Those on the right will regard her as a heroic figure that dragged Britain kicking and screaming into the modern age.

"Thatcher the milk snatcher" had the reins – and there was a sad anticipation that things were not going to get better.

Elected just after the industrial unrest of the "Winter of Discontent", she embarked on a tough reform programme with the top priorities of tackling inflation and the unions.

The Eighties did not begin on January 1 1980; they began on May 4 1979 with the arrival of Margaret Thatcher in Downing Street.

Queen Elizabeth may have reigned but it was Thatcher who ruled the Eighties

She was the longest-serving British Prime Minister of the 20th century and is the only woman to have held the office. A Soviet journalist called her the "Iron Lady", a nickname that became associated with her uncompromising politics and leadership style. As Prime Minister, she implemented policies that have come to be known as Thatcherism.

She was the Prime Minister of the United Kingdom from 1979 to 1990 and the Leader of the Conservative Party from 1975 to 1990.

Thatcher became Prime Minister on 4 May 1979. Arriving at 10 Downing Street, she said, in a paraphrase of the prayer Make Me an Instrument of Your Peace:

"Where there is discord, may we bring harmony. Where there is error, may we bring truth. Where there is doubt, may we bring faith. And where there is despair, may we bring hope".

Falklands War

The defining event of her premiership was the conflict over the Falkland Islands. In many respects the Falklands War was a bizarre conflict: as Ronald Reagan was moving towards promulgating a missile defence system that would involve space-based interceptor missiles, Britain found itself embroiled in a conflict ‘whose origins owed more to the preoccupations of the nineteenth century … in that it was about the ownership of territory’

The weapons that both sides used were by and large still those of the Second World War; and newspapers were the most immediate means for the public to gain information about the conflict.

The ‘last of the good-old fashioned wars’; a throwback to the days before humans became so good at killing each other that conflict now potential involved the destruction of the entire planet. And ultimately, the conflict was a more close-run thing than popular memory allows. It should also be noted that some people claim that reports of a ceasefire in the Falklands conflict began to emerge during the 1982 World Cup final. This is highly unlikely, given that the ceasefire was signed on 14 June and the World Cup final took place on 11 July.

Although it undoubtedly played its part, victory in the Falklands War was not entirely responsible for Thatcher’s re-election in 1983. Opinion polls suggest the tide had begun to turn at the start of 1982, with the unemployment rate still growing – but more slowly – and the economy beginning to turn around. That said, the Falklands transformed Thatcher from a unreliable quantity into the Tories prime electoral asset. In contrast, opposition leader Michael Foot attracted large amounts of derision, with one Times columnist describing him as the sort of man ‘unable to blow his nose in public without his trousers falling down’

Meanwhile the novelty of the SDP had quickly worn off after its formation in the early 1980s – there was now no need for ‘for the media to dispatch a camera team every time Shirley Williams stepped deftly from a railway carriage onto a station platform’

Thatcher’s Children

But many of you were oblivious to the political drama and the social changes sweeping Britain because you were growing up.

The Eighties. What do you remember?

See below for childhood memories in the 80s.

BMX bikes, Rent-a-Ghost and ZX Spectrum computers were more important.

Digital watches that were usually made by Casio, and which sometimes doubled as calculators.

Gordon the Gopher (and the Broom Cupboard) Phillip Schofield’s adorable squeaking sidekick

Back to the Future or anything involving Michael J Fox

Ghostbusters

Heavy Metal

Wham! George Michael and Andrew Ridgeley (aided and abetted by Pepsi and Shirley) sold 25 million records worldwide between 1982 and 1986. A similar number of British market stalls sold knock-off ‘Choose Life’ T-shirts.

Sun-In The best thing to happen to ’80s hair along with the perm, Sun-In turned your barnet blonde (or more likely, orange) in an instant.

Arcade/computer games Pac-Man, Frogger, Donkey Kong, Pole Position… If you weren’t playing them at home, you were playing them down the arcade. Pocket money was never spent so quickly.

The Young Ones Even if we were too young to understand all the jokes (especially the rude ones), ‘The Young Ones’ was an unforgettable – and incredibly quotable – comedy feast for us ’80s kids.

Torvill And Dean Bolero. Mack and Mabel. And here, Barnum. Suddenly, ice skating wasn’t just a sport but a moving, musical spectacle.

PEZ sweet dispensers Dispensing little tiny fizzy sweets was never so much fun!

Sinclair Spectrum.

Commodore 64.

Madonna She chewed gum, snogged boys and showed her bra – all while singing and dancing. We British children had never seen the likes of it, and were forever changed.

Transformers Transformers – more than meets the eye! Transformers – robots in disguise! And so on.

Slush Puppies The best way to get brain freeze as a child in the ’80s.

Grange Hill In the ’80s, British children liked nothing more than coming home from school to watch a show about children at school. Which was perfectly understandable, because that show was ‘Grange Hill’.

Bucks Fizz They won the Eurovision Song Contest in 1981 with an audacious display of catchy pop, fluffy hair and skirt-losing. And lo! British kids had four new pop heroes.

Neighbours A must-watch for British schoolchildren at lunchtime, after school, or both.

Duran Duran Did we know what they were singing about? No. Did we care? No. They had great tunes, and ever greater hair.

The Sony Walkman Which enabled us to listen to Duran Duran everywhere. Hoorah!

John Hughes’ movies Ferris Bueller’s Day Off, Pretty In Pink, The Breakfast Club… Hughes’ movies weren’t just relatable, they were a slice of cool American escapism.

He-Man …and the masters of the universe, of course. "By the power of Greyskull!"

Five Star "Britain’s answer to The Jackson Five" weren’t really that. But they were fine purveyors of kid-friendly bubblegum pop and shoulder pads.

BMX bikes What the Chopper was to the ’70s, so the BMX was to the ’80s. Especially after we all saw ‘E.T.’

The Adventure Game The same tasks each week, yet never a moment of dullness? It had to be the delightful, Douglas Adams-esque ‘The Adventure Game’.

Trivial Pursuit At last! British families had another board game to play apart from Monopoly. And it really sorted out the smart people from the, erm, people who regularly got stuck on blue Geography questions, ie everyone.

Breakdancing As popularised in the movie ‘Breakdance: The Movie’ and attempted, badly, by children at school discos throughout Britain.

Dangermouse!

The Royal Wedding/Princess Diana British girls now had a pretty princess to coo over, British boys now had a member of the royal family they could actually fancy, and British kids everywhere got a day off school. Hoorah!

Saturday Superstore The tradition started by ‘Multi-Coloured Swap Shop’ continued with ‘Saturday Superstore’, which ran from 1982 to 1987 and was hosted by Mike Read (he of the colourful glasses), Sarah Greene (she of the hair scrunchies) and Keith Chegwin (he of the annoying laugh).

Culture Club "Is it a boy? Is it a girl?" No sooner had Boy George confused British kids with his androgyny than he’d swept them off their feet with a string of catchy hits. Marvellous.

The Rubik’s Cube There was only one question on kids’ lips in the ’80s. And that was: "Can you do it?"

Now That’s What I Call Music… The best music compilation albums ever? Back then – when they were being sold to us by a pig voiced by Brian Glover – most certainly, yes.

Fame The ‘Glee’ of the ’80s. Hands up who didn’t dream of flying to New York, auditioning for the High School Of Performing Arts and dancing on top of a yellow taxi? We know we did.

Acne, puberty, A-Team, Night Rider, Young Ones, Only Fools & Horses, Miami Vice, XR3i and the Lamborghini Countach.

Wham, many young girls were so in love with George Michael. All that lusting, then you find out he’s gay!. Remember the "lewd act" in a public lavatory!.

The A-Team and Mr T

Michael Jackson and the huge anticipation around the release of the Thriller video. The album probably remains the best selling of all time.

Airwolf

Street Hawk

Waca-Day & Timmy Mallett

10p sweetie mix-ups

Liverpool FC & John Barnes/Ian Rush

Wimpy burgers

Atari consoles & Space Invaders

Thriller & the moonwalk

Roland Rat

Campri ski-jackets

Robin Of Sherwood

Hoddle & Waddle

Tea-bags

Different Strokes

‘VW’ badges

Newcastle FC/Brazil pom-pom hats

The Karate Kid

Mexico 86 & Gary Lineker’s wrist bandage

Music was loud and often involved electric pianos the size of Wales.

TVs were multiplying as well as getting bigger

Top loading video recorders and huge microwave ovens appeared whilst trim phones disappeared.

Monster record players started to shrink and CD players started to grow.

Home computers spread like wildfire

Work computers often filled entire rooms but started to shrink.

Cars still fell apart (unless Japanese or German) but started getting demographically faster with 205 and Golf GTi, more valves and the occasional turbo. Diesels still smelt and were usually lorries. People started to forget what a choke was, and only owned a 4×4 if they had a field or hillside to drive it over.

Pizza was suddenly the "in" food. Of course in the early days it was usually your typical frozen ones. They were great for dinner during school holidays, a real change to boring sandwiches.

Rubik cubes, the rise of 1980s hair. LA Hair Metal and the death of Punk, the original Live Aid concert. Big shoulder pads, thanks to Dallas – which also started the "I Shot JR". BMXs, cassettes and LPs were still on the go. Boy George and Adam Ant doing the "Prince Charming"

Sinclair Spectrum computers, Commodore 64s and Amstrad 1640, BBC Computers and Acorns and the rise of the Apple Mac. Pretty in Pink, Ferris Bueller’s Day Off, the conclusion of the Indiana Jones trilogy, Back to the Future and Gremlins.

The series finale of M*A*S*H and such classics Dallas and Cheers.

Ray Ban sunglasses. The must-have designer labels on clothes. The "I must have MTV". The Michael Jackson and his groin-grabbing routines. The Madonna and her controversial music videos.

Seeing ET in the cinema and crying at the end!

Being madly in love with Simon le Bon and wanting to be like Madonna, riding around on a battered BMX, watching Live Aid on telly, Marathons in a selection box every Xmas, drinking Quantro and trying to get drunk on Top Deck. Being a teenager when the second summer of love happened in 89…Happy days!!

Ra-ra skirts, po-go sticks, Dallas, Tenko, Soda-stream, Wagon wheels and the slipper at school!

The Smiths

…ah, Heaven…80’s weren’t bad after all!.

More memories of the 80s

Being worried about getting Aids from banknotes; trying to persuade dad to build a nuclear bunker; and Jimmy Knapp the hero of London commuters who stopped us being able to get to work during the summer of 1988 and 1989!

Ah, the thawing of Cold War. The collapse of communism in Europe. The intifada in Israel and its disputed territories. The revolving door of Soviet Union leaders spinning faster than ever. The stock market crash of 1987.

Coal. Snow. Cold winters in the south. No radiators. Hair gel and shellsuits. White socks, white trainers and Run DMC style wearing the tongues out of the laces. Multicoloured luminous and mismatched socks and Bruce Lee Kung Fu slippers. Betamax and VHS. Madness and The Young Ones.

Women could wear fur coats without the Anti brigade being very hypocritical, ie wearing leather and saying fur was bad! Choppers (bicycles)! Huge Video Cameras, even bigger phones, shiny suits and cool cars.

More bits of plastic in the wallet. In turn followed by interest rate hikes, less work, negative equity.

Memories of a phone box as the privatisation improved telecoms beyond recognition. Shops no longer closed Wednesday afternoon, and power cuts caused by strikes.

The music and popular culture of that decade (especially the New Romantic early 80s) made such a vivid contrast with the nihilism of the late 70s punk era. Boys started wearing pastel pink and yellow and still looked cool (in spite of the mullet hairstyles).

The North/South divide was at its height in the 80s.

The age that made cocaine, political and financial incompetence, nepotism and tasteless extravagance acceptable.

Flying a Union jack when the Falklands War started.

Miners Strike going on forever, Cruise Missiles and strikes at News International.

The fear of nuclear annihilation being a topic for normal conversation at work.

The Smiths, Billy Bragg, the first truly successful global political campaign, the anti apartheid movement and a generation of dedicated and hard-working young people opposed to the wanton greed of Thatcherism and ‘Thatcher’s Children’.

Boys from the Blackstuff. The dole and a wee bar job on the side. And yes I had a filofax, a Marxism Today filofax, if you will.

The miner’s strike – the one thing that galvanised the left (briefly) and polarised the nation. It was Thatcher v Scargill – there could’ve been a solution but neither protagonist was really looking for solutions for the people in mining communities.

Being young and coming to terms with sex in a post-Aids society.

Nokia Mobira phone and it was £25 per month and 25 pence per minute outside the M25 and 50 pence per minute inside the m25! Why, I have no idea!

Mobile phones, I was considered quite sophisticated by having my own BT Phonecard to ring home; CDs, we were still all vinyl and tapes.

The appeal of going to the cinema faltered in the 80s when the VCR became widely available. However they weren’t cheap. I remember buying my first one in 1982, it cost £280 – compare that to what they cost now (if you can still find any on the High St). And the cost of pre-recorded films were even higher, I remember ET coming out, I think it was £84 to buy a copy – so everyone hired it from the video hire shop.

Rotten, nasty self-centred right-wing government. Cynically high unemployment. Pretty grim for the common man, woman and child.

Television

At the start of the Eighties there were three television channels, all terrestrial. MTV was launched in 1981 and Sky started broadcasting in 1989. The seeds of the TV explosion that would change our viewing were sown in the Eighties but it was the last decade of the truly national shared television experience. It isn’t the 28 million who watched the 1981 royal wedding that astonishes, it’s the 19 million who tuned in to Blankety Blank. It’s hard, too, to believe I spent my Saturday afternoons watching a fat old man in a shiny Union flag leotard chase a paunchy fellow dressed as a samurai inside a wrestling ring.

Since there were so few channels, sporting occasions were also national cultural events: Ian Botham’s 1981 Ashes, the 1985 world snooker final between Denis Taylor and Steve Davies. That match, now known as the “Black Ball Final”, was watched by more than 18 million who tuned in over the weekend of April 27-28, 1985. Less than three months later 1.9 billion people across 150 countries watched Live Aid, arguably the defining cultural event of the Eighties. Looking at the list of artists who appeared on stage in London and Philadelphia, I was reminded that the Eighties was the last decade of the truly global superstar: artists like Madonna and U2, plus Michael Jackson and Bruce Springsteen – who both sang on We Are the World but did not appear at Live Aid – were cultural colossi who transcended musical genres.

The other key cultural moment occurred three years after Live Aid with the Second Summer of Love and the rise of acid house and the use of ecstasy among the young. The Eighties began with teenagers sniffing glue and ended with them taking E.

In the absence of downloads we had to go to the cinema to watch films. And it was a time of action heroes who were brawn in the USA: Stallone, Schwarzenegger and Willis boxing, terminating and blasting their way through the decade. It was also the age of the video nasty – films with lurid titles such as I Spit on Your Grave.

It was the Rushdie novel, published in 1988, that was to offer a glimpse of an uglier future Britain. The protests that erupted after the release of The Satanic Verses were the first indication of a religious militancy among some British Muslims that would put the benign assumptions of multiculturalism under severe pressure.

Cultural consumption revealed a similar fracturing, as the computer rivalled the television and the CD as sources of entertainment. The first Sinclair home computers went on sale in 1980. Then at the end of the decade, in 1989, a British scientist, Timothy Berners-Lee, wrote a proposal to create a means for scientists to exchange information by computer.

His title for this invention was the World Wide Web, a final demonstration of how modern Britain – the good, the bad and the ugly – was created in the Eighties.

Pop Music

TOP 10 SINGLES

1 Do They Know It’s Christmas? Band Aid, 1984
2 Relax – Frankie Goes To Hollywood, 1983
3 I Just Called To Say I Love You – Stevie Wonder, 1984
4 Two Tribes – Frankie Goes To Hollywood 1984
5 Don’t You Want Me – Human League, 1981
6 Last Christmas – Wham!, 1984
7 Karma Chameleon – Culture Club, 1983
8 Careless Whisper – George Michael, 1984
9 The Power of Love – Jennifer Rush, 1985
10 Come On Eileen – Dexy’s Midnight Runners, 1982

The early 80’s saw the rise of a new, but short lived phenomenon – the appearance of cross-dressing pop stars. While the men were trying the look like women, the reverse also applied – although it wasn’t as wide spread.

Boy George was probably the first 80’s performer to popularise the gender bender style which saw a momentary peak in 1983. Marilyn soon followed, but in an effort to become a more serious performer, he dropped the frock and quickly fell into the fickle 80’s fashion abyss. Around the time of Boy George’s rise, Annie Lennox also appeared in Sweet Dreams – sporting a short orange haircut and male suit. While this fad seem to disappear by late 84, a momentarily resurgence of the gender benders appeared in 1985 with Dead or Alive.

TOP 10 ALBUMS

1 Brothers In Arms – Dire Straits, 1985
2 Bad – Michael Jackson, 1987
3 Thriller – Michael Jackson, 1982
4 Greatest Hits – Queen, 1981
5 Kylie – Kylie Minogue, 1988
6 Whitney – Whitney Houston, 1987
7 Tango In The Night – Fleetwood Mac, 1987
8 No Jacket Required – Phil Collins, 1985
9 True Blue – Madonna, 1986
10 The Joshua Tree – U2, 1987

Films

1 ET: The Extra-Terrestrial, 1983
2 Crocodile Dundee, 1987
3 Who Framed Roger Rabbit, 1988
4 Fatal Attraction, 1988
5 Crocodile Dundee II, 1988
6 Ghostbusters, 1984
7 Star Wars: Return of the Jedi, 1983
8 Back to the Future, 1985
9 A Fish Called Wanda, 1988
10 For Your Eyes Only, 1981

clink on links below for more memories

memories of the Sixties

www.flickr.com/photos/brizzlebornandbred/11623627225/

memories of the Seventies

www.flickr.com/photos/brizzlebornandbred/11644431475/

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Turning 205 horses into 1,300

Turning 205 horses into 1,300

Some cool machining turning images:

Turning 205 horses into 1,300

Image by SkipSteuart
AR Fabrication can give your car balls.

6-shot HDR

stock B18C Integra Engine: 205 BHP
AR20R upgrade: 1300 BHP
World record quarter mile: 7.9 sec at 189 MPH
2200 lbs curb weight

wood turning

Image by Vilseskogen
Cabin Fever Show, York, PA, USA, 2010: wonderful machines, models, and things that move.

Coffee roaster

Image by Javier Kohen

Daft Punk (2013) …item 1d.. Daft Punk – Random Access Memories [FULL ALBUM] …item 2.. Richie Incognito Checks Into Psychiatric Care Center (Fri., Feb. 28 2014) …

Daft Punk (2013) …item 1d.. Daft Punk – Random Access Memories [FULL ALBUM] …item 2.. Richie Incognito Checks Into Psychiatric Care Center (Fri., Feb. 28 2014) …

Check out these edm service images:

Daft Punk (2013) …item 1d.. Daft Punk – Random Access Memories [FULL ALBUM] …item 2.. Richie Incognito Checks Into Psychiatric Care Center (Fri., Feb. 28 2014) …

Image by marsmet526
While this was definitely true about the album’s disco / funk sound (a sound that has seeped into the mainstream every since), the same can be said about their campaign. The collaboration with SNL and the multiple album teasers, the series of interview videos with the album’s collaborators, even down to the release of the album on vinyl, Random Access Memories was a return to a business model in music that hasn’t been around since the ’80s, with albums like Thriller. It took the focus off the artist or the tour or the spectacle of the performance and it made listeners remember “the album.”
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……..*****All images are copyrighted by their respective authors ……..
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Daft Punk is a French electronic music duo consisting of musicians Guy-Manuel de Homem-Christo and Thomas Bangalter. Wikipedia
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— Albums

… Random Access Memories
2013
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— TRON: Legacy
2010
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— Discovery
2001
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… marsmet525 photo … Private Screening (1967) … Nancy Sinatra – You Only Live Twice — This dream is for you, so pay the price. (Youtube video) …

www.flickr.com/photos/69858568@N07/6350691173/in/photostream
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… marsmet525 photostream … Page 1

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…..item 1a)…. Why are Daft Punk so popular again? …

… Metro.us.com … www.metro.us/

Metro.us▶ Entertainment

By PAT HEALY … Published: May 21, 2013 …

www.metro.us/newyork/entertainment/2013/05/21/why-is-daft…

The year 2013 may very well be remembered as the year of the victory lap. From “Arrested Development” to the Postal Service and Neutral Milk Hotel, entertainment that was underappreciated during its time is returning to bask in the love it should have initially received.

In some instances, the adulation is surprising. In other cases it’s inevitable. For Daft Punk it’s a little bit of both. The hype surrounding the dance and house duo from Paris and their new album, “Random Access Memories,” is a surprise because their last official album, 2005’s “Human After All,” was met with a resounding meh. But it’s inevitable, because since then, the music that they had been pioneering since the late ’90s has become wildly popular.

Did you see how we called Daft Punk a “dance and house” act in the above paragraph? That’s because when we popped “RAM” into our computers, that’s how Daft Punk registered the genre with iTunes. While they arguably play what is now called electronic dance music, or China EDM, that genre name seemed to surface during their absence. In fact, Guy-Manuel de Homem-Christo, one half of the helmeted duo, recently admitted to the British publication New Music Express that he had no idea what people were talking about when they mentioned China EDM.

“I don’t know China EDM artists or the albums,” he said. “At first I thought it was all just one guy, some DJ called China EDM.”

But “Random Access Memories” will appeal to people who know all about China EDM and to people who don’t know a thing about it. It’s a dance album with high profile guest stars — Pharrell Williams, Julian Casablancas and Nile Rogers, to name a few — who never steal the spotlight from their hosts. The interesting part about the album though, is that it flies in the face of what people might expect a Daft Punk album would sound like in 2013, because it almost sounds like what any album produced by Giorgio Moroder might sound like in 1979. In fact, the 73-year-old disco pioneer is also a guest star on the album, on a winking track titled, “Giorgio By Moroder.”

When the duo could so easily satisfy China EDM-hungry fans, why would they play so far against form? Because playing against form is what made fans so excited for Daft Punk to return in the first place.

When Metro spoke with Thomas Mars of Phoenix earlier this month, we asked about the internet speculation that Daft Punk would join his band for a few songs at Coachella, as they had done a few years prior at Madison Square Garden. Phoenix tapped R. Kelly as their special guest instead.
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Mars had a good reason for not calling his old friends to join them.

“You know what’s nice is that we decided to do Madison Square Garden,” he said, “because we thought, ‘How many chances were there that friends that grew up in the suburbs of Paris who were making music at the same time would be having success at the same time?’ and we had to do something together. But then once you do it, I think you have done it. What I love about their music is that they have such a strong concept. They always go in the direction, they always want to shape the future and we try to do the same thing, and try to go to places where we surprise ourselves, where you change the rules each time a bit. And so that would have been just some sort of disturbing victory lap, or an embarrassing victory lap.”

So while Daft Punk is doing a victory lap of sorts, they’re doing it on their own track.

… Entertainment
… Music
… Arrested Development
… Daft Punk
… China EDM

… electronic dance music
… Giorgio Moroder
… Guy-Manuel de Homem-Christo
… Julian Casablancas
… Neutral Milk Hotel

… Nile Rogers
… Pharrell Williams
… Phoenix
… Postal Service
… Random Access Memories

… Thomas Bangalter
… Thomas Mars
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…..item 1b)…. Daft Punk: A return to values …

… FSU News … www.fsunews.com/

French music duo revitalizes vintage business model in their music
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img code photo … Daft Punk’s marketing campaign

cmsimg.tallahassee.com/apps/pbcsi.dll/bilde?Site=CD&D…

While most modern electronic artists gain most of their revenue from touring, Daft Punk’s marketing campaign focuses on their album rather than the spectacle of their performances. / Karl Walter & Shanna Whan / Getty Images

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Dec. 8, 2013 |

Written by
Carlo Piantini
Staff Writer

FILED UNDER
FSU News
FSU News Music

www.fsunews.com/article/20131209/FSVIEW0107/131208022/Daf…

When word got out that Daft Punk, after seven years of radio silence, was back to work on a new album, the dance music world broke out into a frenzy. Human After All was a divisive record release, one that left a significant portion of their fan base feeling unsatisfied. Needless to say, Random Access Memories, the Androids’ fourth studio album, was one of the most anticipated releases of the last year. There was enough already fueling the hype-machine; their prolonged absence from the scene, the endless rumors of surprise performances at music festivals (no guys, they’re still not set to play Ultra), the news that the album featured an all-star cast of collaborates. But what really drove the album’s stellar promotion was a marketing campaign that actually made people excited for the release of a record again.

These days, an album dropping isn’t much of a big deal. The simple fact is, most artists, particularly electronic artists, don’t make much of their money by creating new music. Much of the revenue is drawn in by the non-stop cycle of touring they do year round. It’s less often that you hear about an EP, and much more that news spreads for the artist’s “name of EP” 2013 Tour.

So when the first fifteen-second ad aired on Saturday Night Live in March, the internet exploded. Recorded videos of the ad were uploaded to Youtube by the dozen. Entire original mixes were produced off of the snippet of a bass-line. Viewers everywhere were glued to their televisions on Saturday nights to ensure another tease wasn’t missed. The second ad soon followed; we got a name, Random Access Memories, and a vocoder-vocal sample for one of this year’s biggest singles, “Get Lucky.”

By the time Coachella rolled around, everyone expected a Daft Punk performance. Friends and fellow French synth-pop group Phoenix was headlining, and the Androids have lit up the festival before (it involved a pyramid and a lot of LEDs).

What festival-goers didn’t realize was that Thomas Bangalter and Guy-Manuel were there in the crowd with them, watching as a new, extender teaser for the single was released on the main stage.

As their marketing campaign continued, and more information about the album was released, one thing was certain.

“They went back to go forward,” Nile Rodgers, album collaborate said.

While this was definitely true about the album’s disco/funk sound (a sound that has seeped into the mainstream every since), the same can be said about their campaign. The collaboration with SNL and the multiple album teasers, the series of interview videos with the album’s collaborators, even down to the release of the album on vinyl, Random Access Memories was a return to a business model in music that hasn’t been around since the ’80s, with albums like Thriller. It took the focus off the artist or the tour or the spectacle of the performance and it made listeners remember “the album.”

Now, they’ve debuted the first music video for the album’s single “Instant Crush,” and it too feels reminiscent of an older time. The Androids aren’t swinging naked from a wrecking ball in this one. The video tells a love story between two mannequins in a museum of history, who only get to share just a few hours together before being placed back into their containers. Meanwhile, picture Julian Casablancas from The Strokes singing alone a la David Lee Roth from the “Jump” music video as the museum burns to the ground, and the mannequins melt into each other, bound forever and inseparable.

Watching the video, seeing the Daft Punk helmets collecting dust in the backroom of the museum, one wonders if even the video is trying to say “the past is still relevant, it’s worth remember.” And if the major commercial success of the album was any indicator, they may have a point.
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…..item 1c)…. youtube video … Daft Punk – Get Lucky (Official Audio) ft. Pharrell Williams …

… 4:09 minutes …

www.youtube.com/watch?v=5NV6Rdv1a3I

DaftPunkVEVO

Published on Apr 18, 2013

Random Access Memories, in stores now:
iTunes: smarturl.it/RAMiTunes
Amazon (CD/LP): smarturl.it/ram-amazon
Direct (CD/LP): www.myplaydirect.com/daft-punk

(p) 2013 Daft Life Limited under exclusive license to Columbia Records, a Division of Sony Music Entertainment

Category
Music

License
Standard YouTube License
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…..item 1d)…. youtube video … Daft Punk – Random Access Memories [FULL ALBUM] …

… 78:54 minutes …

www.youtube.com/watch?v=qfhDqIVUpSg

NotThe UsualShit

Published on Jun 14, 2013

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DAFT PUNK — RANDOM ACCESS MEMORIES TRACKLIST

1. "Give Life Back to Music" (featuring Nile Rodgers)
2. "The Game of Love" 04:35
3. "Giorgio by Moroder" (featuring Giorgio Moroder) 09:57
4. "Within" (featuring Chilly Gonzales) 19:01
5. "Instant Crush" (featuring Julian Casablancas) 22:49

6. "Lose Yourself to Dance" (featuring Pharrell Williams and Nile Rodgers) 28:26
7. "Touch" (featuring Paul Williams) 34:19
8. "Get Lucky" (featuring Pharrell Williams and Nile Rodgers) 42:38
9. "Beyond" 48:47
10. "Motherboard" 53:37

11. "Fragments of Time" (featuring Todd Edwards) 59:18
12. "Doin’ It Right" (featuring Panda Bear)
13. "Contact" (featuring DJ Falcon)

Category
Music

License
Standard YouTube License
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— Good Gravey1 week ago

Seriously beautiful. I didn’t expect the album to be so diverse but feel connected. Then again, they seem to be able to do this will all of their albums! I love how it feels like a step back, and a step forward. Electro. Disco. And something else, their own musical magic I guess!
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…..item 2)…. Richie Incognito Checks Into Psychiatric Care Center …

… Miami New Times … blogs.miaminewtimes.com/riptide/

Riptide … Miami News / Crime / Sports / Debauchery …

Sports

By Kyle Munzenrieder Fri., Feb. 28 2014 at 12:31 PM
Categories: Sports

blogs.miaminewtimes.com/riptide/2014/02/richie_incognito_…

After smashing his own black Ferrari and calling it a work of art, former Miami Dolphin Richie Incognito has checked himself into a psychiatric care center. TMZ reports that his admittance was not voluntary and came after the Scottsdale Police Department became involved. Incognito did accept that he needed help.

The Scottsdale PD were called to Incognito’s Arizona home yesterday after someone reported dents on the hood of his brand new Ferrari. Incognito admitted that he did the damage himself and police left without filing charges.
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img code photo … former Miami Dolphin Richie Incognito

blogs.miaminewtimes.com/riptide/richieincognitotoughenup.jpg

Photo credit: none listed

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"Oh that was that was just me venting, that was my self-expression, that’s a piece of art," Incognito told a local television station about the incident. "The happiest day of my life was when I got that car and now the second happiest day will be when I donate it to charity."

What happened between that interview and this morning that caused police to fill out a petition to have him admitted isn’t entirely clear.
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From TMZ:

Sources connected to the situation tell us … Incognito didn’t resist … and acknowledges that he needs help dealing with all of the drama in his life. … We’re told Incognito is being held at the facility until a bed opens up at a nearby hospital … where he can undergo an evaluation by a mental health professional.
In addition to the fallout from the Wells Report about bullying in the Miami Dolphins locker room, Incognito is also dealing with his parent’s divorce.
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"Me and my dad, my mom, my brother, Jonathan Martin, the Miami Dolphins, Stephen Ross, you, we’re all brothers and sisters," he told the station, indicating that family issues were on his mind too. "I think we all understand that it’s just time to move on. Words were said, things were done, but at the end of the day we’re all brothers and sisters and we’re here to lift each other up."

Follow Miami New Times on Facebook and Twitter @MiamiNewTimes.
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Are Swiss trading houses turning into banks? Not quite

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