suppliers

Cool Precision Turned Elements Suppliers pictures

Cool Precision Turned Elements Suppliers pictures

Klarm Machining

Some cool precision turned components suppliers photos:

Montblanc Watches

Image by antefixus21
Montblanc Flagship Boutique 151 Bloor Street West Toronto ON Canada.

Montblanc Wrist Watch wall display case.

Chronograph – Nicholas Rieussec time piece.

Swiss created.

Montblanc Nicolas Rieussec Chronograph Automatic Watch Assessment
WRIST TIME Reviews
20 COMMENTSJANUARY 3, 2011 BY ARIEL ADAMS

This watch assessment is going to be a bit different than how I normally do them. Why? Simply because shortly before the evaluation I was really capable to pay a visit to the manufacture producing the movements of this watch. That encounter offered me some specific insight that allowed me to comprehend this timepiece far more.
I know there is a lot of talk on the &quotmanufacture&quot movement. In fact, a current panel discussion I had with fellow watch specialist journalists allowed me to recognize that there is no strict definition of &quotwatch manufacture&quot or &quotmanufacture movement.&quot This definitional ambiguity hurts my potential to clarify issues appropriately, but let it be stated that Montblanc tends to make the movement in each of the Nicolas Rieussec watches themselves. Of course there is some help from suppliers, but this is about as &quotin-house&quot a job as most men and women want it to be. My understanding is that the elements of the movements are produced at the Valfleurier facility in Buttes Switzerland. The pieces are then sent to Montblanc Le Locle for assembly and testing.

What fascinated me most about the Montblanc manufacture in Le Locle Switzerland was just how modern it was. I mean it is accurate that several watch manufactures feel like you are in some combo of a hospital and science lab, but the machinery available to the watch makers at the Le Locle facility was impressive. I have a bigger function length post on this topic that will come out quickly – but in short, when it comes to the Nicolas Rieussec line of timepieces, Montblanc relies on a clever atmosphere that combines the human approach of watch makers with the precision help of machines.

A handful of instance of this synergy among man (or lady) and machine? Right here are two. 1 of the pictures here is of a machine that robotically applies lubricant to designated spots in a watch. Such lubricant need to be precisely applied with an precise amount. The more consistently applied the greater. Even though a human assembles the movement, a robot is used to apply the lubricant better and with more precision in terms of quantity than any human can do regularly. One more example is a machine that allows a watch maker to adjust the screws on a balance wheel and test the accuracy of the rate in genuine time. Generally the machine combines a magnifier, pc controlled screw driver, and a watch movement price tester in one particular. Even though it is operated by a individual, the machine makes it simple to adjust a traditional weighted balance wheel to its most precise weight distribution in the escapement assembly.

One particular of my favourite pictures right here that illustrates the culture of the manufacture is the image of the watch tools with the pc mouse. If you appear closely you’ll also notice the presence of a Montblanc pen. Each perform station provides watchmakers a laptop terminal as effectively as watch generating tools. Whilst I have observed this prior to, it surely is not common.

With their movements all produced in Switzerland by Montblanc, the Nicolas Rieussec collection presently consists of a few watches. My main concentrate here is on the Automatic Chronograph that also has a GMT and date complication (that I tested). The movement is known as the R200. The two manually wound variants (with slightly diverse functions) are the R100, R110, and R120 (a restricted edition that utilised a silicium escapement). I am not going to go overboard with technical information, but the movements represent an intriguing medium between the ultra-higher finish, and mass manufactured pieces.

The R200 has a lot of impressive functions on paper. Notable to the watch nerd is that it has a column wheel primarily based chronograph that uses a vertical clutch. These functions offer you far more durability and precision when utilizing the chronograph. There are very few European chronographs that function both of these features. I must also note that some of Seiko’s greater-end chronograph movements also feature column wheels and vertical clutches, as do pieces by brands such as Patek Philippe and (the former) Daniel Roth. Why all the focus on the chronograph? Effectively that is the new signature complication of Montblanc. The brand latched on to the complication for good explanation (as well as to Mr. Nicolas Rieussec). &quotChronograph&quot literally signifies &quottime writer.&quot What is Montblanc identified for? Yes, creating pens. Sound as well very good to be accurate to have a watch in your collection that is a &quottime writer?&quot So the emphasis on this complication make perfect sense. Nicolas Rieussec is guy credited with &quotinventing the chronograph.&quot Montblanc adopted him.

A although ago Rieussec designed a device that looks like an early seismograph. It was a clock with a stop and begin function that pulled a disc of paper along a smaller sized writing tip. This device was the very first known &quotchronograph.&quot It was meant to measure time in horse races and actually &quotwrote.&quot The appear of the chronograph on the watch is taken from this early device. Montblanc keeps replicas of them about the manufacture for inspiration. Each and every Nicolas Rieussec watch makes use of two discs that move along stationary hands to show the chronograph time (up to 30 minutes). These are also monopusher chronographs that use a single pusher to cycle by way of &quotstart, stop, and reset&quot functions for the chronograph. The pusher is large, simple to find, and placed at the 5 o’clock position on the watch. Do not miss the exposed synthetic palette rubies exposed on the top of the chronograph dials.

This chronograph style is the signature look of the Nicolas Rieussec collection. The time is displayed on an off-centered dial at the leading of the face. Whilst little, Montblanc really helped that dial standout and be legible. It utilizes that fancy searching font that you are going to locate on most Montblanc Star watches. I actually do enjoy that font.

On the manually-wound versions of the Nicolas Rieussec, the time dial has a third hand used for the date. On the automatic, the third had is GMT hand. Operating just like you would assume, the major time hour hand can be independently adjusted to alter the time when moving through time zones when traveling. To the left of the dial is a day/night indicator linked to the GMT hand. This beneficial complication aid you know if it is day or evening on your second timezone provided that it is displayed on the 12, versus 24 hour scale. Who’d a although this would turn out to be such a helpful travel watch? Both time zones share the minute hand. I was usually impressed by the GMT functionality of the watch and feels that the R200 movement’s use of the third hand is better than having it be a date indicator.

While the left of the dial has the day/evening indicator, the right has a date wheel. For symmetry Montblanc utilizes a window of a comparable shape, but I never much care for &quotopen&quot date windows. It also does not look spectacular with the upper and decrease date getting partially under the dial – though that does in fact support with maintaining your focus on the actual date. Whilst the windows that flank the time dial look nice, I have a feeling Montblanc might perform to revise or polish the design and style in future generations of the watch.

Coming in a handful of tones, the dial of the Montblanc Nicolas Rieussec is an interesting creature. It took me a although to warm up to it, but I am enjoying the design. Even though entirely distinct than other collection Montblanc provides, the Nicolas Rieussec does share the brand’s DNA nicely. Of course the crown has that lovely white Montblanc star, and the case is really a lot inspired by the Star collection. To produce visual depth, the energy element of the dial is partially &quoteclipsed&quot by a plate of Geneva stripe polished metal – plus, the dial appears to be produced up of a handful of layers. The chronograph dials are covered with a sort of want-bone like bridge that makes use of blued steel screws (blued steel is also utilized for some of the hands). This is a nice element, but I had 1 suggestion for Montblanc. Although this may possibly improve the price a bit, I feel it would be actually welcome. The bridge is produced from stamped steel. What if it could be produced from milled and hand-polished steel? It would supply a wonderful visual cue and reminder that this is a hand-assembled watch. Perhaps in the future.

Let’s visit the R200 movement once again. It is an automatic version of the R100 with a handful of addition complications (as talked about above). You can see the rotor placed over the movement, with the little Montblanc star shaped hole that is made to pass right more than the column wheel opening window. The movement has two mainspring barrels for a power reserve of 72 hours. The movement operates at 28,800bmp and can be adjusted to be very accurate. I saw a movement at the manufacture that was adjusted to operate inside significantly less than one second of deviation a day. I enjoy that the movement combines contemporary technology and traditionalism. Like I mentioned, it uses a free of charge-weighted balance spring and column wheel, enjoys helps from extremely sophisticated machinery in its assembly and manufacture.

The Nicolas Rieussec watch case is 43mm wide and 14.8mm tall. It is not a little watch, but it does put on like a medium one. Its height is visually lowered by the extremely curved lugs. Front and rear crystal are sapphire (with the front crystal possessing double AR coating), even though it is water resistant to 30 meters.

Montblanc has assured me that their dedication to the Nicolas Rieussec collection is intense. The collection will acquire far more interest in the future, which is aided by the fact that the watch is a advertising good results. One particular of the motives for this is the pricing. Whilst the watches are not inexpensive they are a lot more reasonable that you’d expect. The pieces come in gold, platinum, and steel. The gold models are in the ,000 range. Not inexpensive, but Montblanc is not asking for ,000. In fact, their platinum version is about ,000 – which in the luxury market isn’t that a lot for a platinum watch. In steel the watch retails for about ,200. It comes in a steel bracelet or an alligator strap (black or brown). I am told that quickly Montblanc will create a brand new metal bracelet for the Nicolas Rieussec collection.

All round these are enjoyable watches. The Montblanc identity is a main good, and I appreciate the visual style and functionality of the R200 movement. While special in its appears, this is an straightforward watch to wear day-to-day. Montblanc is not generating a mere collector’s piece right here. Developed to avoid boredom but preserve utility the Nicolas Rieussec watch collection is intended for all types of watch lovers to worn day-to-day.

Nice Precision Turned Components Suppliers pictures

Nice Precision Turned Components Suppliers pictures

Klarm Machining

A few nice precision turned components suppliers images I found:

Montblanc Watch

Image by antefixus21
Montblanc Flagship Boutique 151 Bloor Street West Toronto ON.

Montblanc Wrist Watch wall display case.

Chronograph – Nicholas Rieussec time piece.

Swiss made.

Montblanc Nicolas Rieussec Chronograph Automatic Watch Review
WRIST TIME REVIEWS
20 COMMENTSJANUARY 3, 2011 BY ARIEL ADAMS

This watch review is going to be a bit different than how I usually do them. Why? Because shortly before the review I was actually able to visit the manufacture making the movements of this watch. That experience offered me some special insight that allowed me to understand this timepiece more.
I know there is a lot of talk on the "manufacture" movement. In fact, a recent panel discussion I had with fellow watch expert journalists allowed me to realize that there is no strict definition of "watch manufacture" or "manufacture movement." This definitional ambiguity hurts my ability to explain things properly, but let it be said that Montblanc makes the movement in each of the Nicolas Rieussec watches themselves. Of course there is some help from suppliers, but this is about as "in-house" a job as most people want it to be. My understanding is that the components of the movements are made at the Valfleurier facility in Buttes Switzerland. The pieces are then sent to Montblanc Le Locle for assembly and testing.

What fascinated me most about the Montblanc manufacture in Le Locle Switzerland was just how modern it was. I mean it is true that many watch manufactures feel like you are in some combo of a hospital and science lab, but the machinery available to the watch makers at the Le Locle facility was impressive. I have a larger feature length article on this topic that will come out soon – but in short, when it comes to the Nicolas Rieussec line of timepieces, Montblanc relies on a clever environment that combines the human approach of watch makers with the precision assistance of machines.

A few example of this synergy between man (or woman) and machine? Here are two. One of the images here is of a machine that robotically applies lubricant to designated spots in a watch. Such lubricant must be precisely applied with an exact amount. The more consistently applied the better. While a human assembles the movement, a robot is used to apply the lubricant better and with more precision in terms of amount than any human can do consistently. Another example is a machine that allows a watch maker to adjust the screws on a balance wheel and test the accuracy of the rate in real time. Basically the machine combines a magnifier, computer controlled screw driver, and a watch movement rate tester in one. While it is operated by a person, the machine makes it easy to adjust a traditional weighted balance wheel to its most precise weight distribution in the escapement assembly.

One of my favorite images here that illustrates the culture of the manufacture is the image of the watch tools with the computer mouse. If you look closely you’ll also notice the presence of a Montblanc pen. Each work station gives watchmakers a computer terminal as well as watch making tools. While I have seen this before, it certainly isn’t common.

With their movements all made in Switzerland by Montblanc, the Nicolas Rieussec collection currently consists of a few watches. My main focus here is on the Automatic Chronograph that also has a GMT and date complication (that I tested). The movement is known as the R200. The two manually wound variants (with slightly different functions) are the R100, R110, and R120 (a limited edition that used a silicium escapement). I am not going to go overboard with technical details, but the movements represent an interesting medium between the ultra-high end, and mass manufactured pieces.

The R200 has a lot of impressive features on paper. Notable to the watch nerd is that it has a column wheel based chronograph that uses a vertical clutch. These features offer more durability and precision when using the chronograph. There are very few European chronographs that feature both of these features. I should also note that some of Seiko’s higher-end chronograph movements also feature column wheels and vertical clutches, as do pieces by brands such as Patek Philippe and (the former) Daniel Roth. Why all the focus on the chronograph? Well that is the new signature complication of Montblanc. The brand latched on to the complication for good reason (as well as to Mr. Nicolas Rieussec). "Chronograph" literally means "time writer." What is Montblanc known for? Yes, making pens. Sound too good to be true to have a watch in your collection that is a "time writer?" So the emphasis on this complication make perfect sense. Nicolas Rieussec is guy credited with "inventing the chronograph." Montblanc adopted him.

A while ago Rieussec created a device that looks like an early seismograph. It was a clock with a stop and start function that pulled a disc of paper along a smaller writing tip. This device was the first known "chronograph." It was meant to measure time in horse races and actually "wrote." The look of the chronograph on the watch is taken from this early device. Montblanc keeps replicas of them around the manufacture for inspiration. Each Nicolas Rieussec watch uses two discs that move along stationary hands to show the chronograph time (up to 30 minutes). These are also monopusher chronographs that use a single pusher to cycle through "start, stop, and reset" functions for the chronograph. The pusher is large, easy to find, and placed at the 5 o’clock position on the watch. Don’t miss the exposed synthetic palette rubies exposed on the top of the chronograph dials.

This chronograph style is the signature look of the Nicolas Rieussec collection. The time is displayed on an off-centered dial at the top of the face. While small, Montblanc really helped that dial standout and be legible. It uses that fancy looking font that you’ll find on most Montblanc Star watches. I really do love that font.

On the manually-wound versions of the Nicolas Rieussec, the time dial has a third hand used for the date. On the automatic, the third had is GMT hand. Working just like you would assume, the main time hour hand can be independently adjusted to alter the time when moving through time zones when traveling. To the left of the dial is a day/night indicator linked to the GMT hand. This useful complication help you know if it is day or night on your second timezone given that it is displayed on the 12, versus 24 hour scale. Who’d a though this would turn out to be such a useful travel watch? Both time zones share the minute hand. I was generally impressed by the GMT functionality of the watch and feels that the R200 movement’s use of the third hand is better than having it be a date indicator.

While the left of the dial has the day/night indicator, the right has a date wheel. For symmetry Montblanc uses a window of a similar shape, but I don’t much care for "open" date windows. It also does not look spectacular with the upper and lower date being partially under the dial – though that does actually help with keeping your focus on the actual date. While the windows that flank the time dial look nice, I have a feeling Montblanc might work to revise or polish the design in future generations of the watch.

Coming in a few tones, the dial of the Montblanc Nicolas Rieussec is an interesting creature. It took me a while to warm up to it, but I am enjoying the design. While totally different than other collection Montblanc offers, the Nicolas Rieussec does share the brand’s DNA nicely. Of course the crown has that lovely white Montblanc star, and the case is very much inspired by the Star collection. To create visual depth, the power part of the dial is partially "eclipsed" by a plate of Geneva stripe polished metal – plus, the dial looks to be made up of a few layers. The chronograph dials are covered with a sort of wish-bone like bridge that uses blued steel screws (blued steel is also used for some of the hands). This is a nice element, but I had one suggestion for Montblanc. While this might increase the cost a bit, I think it would be really welcome. The bridge is made from stamped steel. What if it could be made from milled and hand-polished steel? It would provide a wonderful visual cue and reminder that this is a hand-assembled watch. Perhaps in the future.

Let’s visit the R200 movement again. It is an automatic version of the R100 with a few addition complications (as mentioned above). You can see the rotor placed over the movement, with the small Montblanc star shaped hole that is designed to pass right over the column wheel opening window. The movement has two mainspring barrels for a power reserve of 72 hours. The movement operates at 28,800bmp and can be adjusted to be very accurate. I saw a movement at the manufacture that was adjusted to operate within less than one second of deviation a day. I love that the movement combines modern technology and traditionalism. Like I said, it uses a free-weighted balance spring and column wheel, enjoys helps from highly sophisticated machinery in its assembly and manufacture.

The Nicolas Rieussec watch case is 43mm wide and 14.8mm tall. It isn’t a small watch, but it does wear like a medium one. Its height is visually reduced by the highly curved lugs. Front and rear crystal are sapphire (with the front crystal having double AR coating), while it is water resistant to 30 meters.

Montblanc has assured me that their dedication to the Nicolas Rieussec collection is intense. The collection will receive more attention in the future, which is aided by the fact that the watch is a marketing success. One of the reasons for this is the pricing. While the watches aren’t cheap they are more reasonable that you’d expect. The pieces come in gold, platinum, and steel. The gold models are in the ,000 range. Not cheap, but Montblanc isn’t asking for ,000. Actually, their platinum version is about ,000 – which in the luxury market isn’t that much for a platinum watch. In steel the watch retails for about ,200. It comes in a steel bracelet or an alligator strap (black or brown). I am told that soon Montblanc will develop a brand new metal bracelet for the Nicolas Rieussec collection.

Overall these are enjoyable watches. The Montblanc identity is a major positive, and I enjoy the visual design and functionality of the R200 movement. While unique in its looks, this is an easy watch to wear daily. Montblanc isn’t making a mere collector’s piece here. Designed to prevent boredom but maintain utility the Nicolas Rieussec watch collection is intended for all types of watch lovers to worn daily.

Montblanc Watch

Image by antefixus21
Montblanc Flagship Boutique 151 Bloor Street West Toronto ON.

Montblanc Wrist Watch wall display case.

Chronograph – Nicholas Rieussec time piece. This was their most expensive time piece in stock that day.

Swiss made.

Montblanc Nicolas Rieussec Chronograph Automatic Watch Review
WRIST TIME REVIEWS
20 COMMENTSJANUARY 3, 2011 BY ARIEL ADAMS

This watch review is going to be a bit different than how I usually do them. Why? Because shortly before the review I was actually able to visit the manufacture making the movements of this watch. That experience offered me some special insight that allowed me to understand this timepiece more.
I know there is a lot of talk on the "manufacture" movement. In fact, a recent panel discussion I had with fellow watch expert journalists allowed me to realize that there is no strict definition of "watch manufacture" or "manufacture movement." This definitional ambiguity hurts my ability to explain things properly, but let it be said that Montblanc makes the movement in each of the Nicolas Rieussec watches themselves. Of course there is some help from suppliers, but this is about as "in-house" a job as most people want it to be. My understanding is that the components of the movements are made at the Valfleurier facility in Buttes Switzerland. The pieces are then sent to Montblanc Le Locle for assembly and testing.

What fascinated me most about the Montblanc manufacture in Le Locle Switzerland was just how modern it was. I mean it is true that many watch manufactures feel like you are in some combo of a hospital and science lab, but the machinery available to the watch makers at the Le Locle facility was impressive. I have a larger feature length article on this topic that will come out soon – but in short, when it comes to the Nicolas Rieussec line of timepieces, Montblanc relies on a clever environment that combines the human approach of watch makers with the precision assistance of machines.

A few example of this synergy between man (or woman) and machine? Here are two. One of the images here is of a machine that robotically applies lubricant to designated spots in a watch. Such lubricant must be precisely applied with an exact amount. The more consistently applied the better. While a human assembles the movement, a robot is used to apply the lubricant better and with more precision in terms of amount than any human can do consistently. Another example is a machine that allows a watch maker to adjust the screws on a balance wheel and test the accuracy of the rate in real time. Basically the machine combines a magnifier, computer controlled screw driver, and a watch movement rate tester in one. While it is operated by a person, the machine makes it easy to adjust a traditional weighted balance wheel to its most precise weight distribution in the escapement assembly.

One of my favorite images here that illustrates the culture of the manufacture is the image of the watch tools with the computer mouse. If you look closely you’ll also notice the presence of a Montblanc pen. Each work station gives watchmakers a computer terminal as well as watch making tools. While I have seen this before, it certainly isn’t common.

With their movements all made in Switzerland by Montblanc, the Nicolas Rieussec collection currently consists of a few watches. My main focus here is on the Automatic Chronograph that also has a GMT and date complication (that I tested). The movement is known as the R200. The two manually wound variants (with slightly different functions) are the R100, R110, and R120 (a limited edition that used a silicium escapement). I am not going to go overboard with technical details, but the movements represent an interesting medium between the ultra-high end, and mass manufactured pieces.

The R200 has a lot of impressive features on paper. Notable to the watch nerd is that it has a column wheel based chronograph that uses a vertical clutch. These features offer more durability and precision when using the chronograph. There are very few European chronographs that feature both of these features. I should also note that some of Seiko’s higher-end chronograph movements also feature column wheels and vertical clutches, as do pieces by brands such as Patek Philippe and (the former) Daniel Roth. Why all the focus on the chronograph? Well that is the new signature complication of Montblanc. The brand latched on to the complication for good reason (as well as to Mr. Nicolas Rieussec). "Chronograph" literally means "time writer." What is Montblanc known for? Yes, making pens. Sound too good to be true to have a watch in your collection that is a "time writer?" So the emphasis on this complication make perfect sense. Nicolas Rieussec is guy credited with "inventing the chronograph." Montblanc adopted him.

A while ago Rieussec created a device that looks like an early seismograph. It was a clock with a stop and start function that pulled a disc of paper along a smaller writing tip. This device was the first known "chronograph." It was meant to measure time in horse races and actually "wrote." The look of the chronograph on the watch is taken from this early device. Montblanc keeps replicas of them around the manufacture for inspiration. Each Nicolas Rieussec watch uses two discs that move along stationary hands to show the chronograph time (up to 30 minutes). These are also monopusher chronographs that use a single pusher to cycle through "start, stop, and reset" functions for the chronograph. The pusher is large, easy to find, and placed at the 5 o’clock position on the watch. Don’t miss the exposed synthetic palette rubies exposed on the top of the chronograph dials.

This chronograph style is the signature look of the Nicolas Rieussec collection. The time is displayed on an off-centered dial at the top of the face. While small, Montblanc really helped that dial standout and be legible. It uses that fancy looking font that you’ll find on most Montblanc Star watches. I really do love that font.

On the manually-wound versions of the Nicolas Rieussec, the time dial has a third hand used for the date. On the automatic, the third had is GMT hand. Working just like you would assume, the main time hour hand can be independently adjusted to alter the time when moving through time zones when traveling. To the left of the dial is a day/night indicator linked to the GMT hand. This useful complication help you know if it is day or night on your second timezone given that it is displayed on the 12, versus 24 hour scale. Who’d a though this would turn out to be such a useful travel watch? Both time zones share the minute hand. I was generally impressed by the GMT functionality of the watch and feels that the R200 movement’s use of the third hand is better than having it be a date indicator.

While the left of the dial has the day/night indicator, the right has a date wheel. For symmetry Montblanc uses a window of a similar shape, but I don’t much care for "open" date windows. It also does not look spectacular with the upper and lower date being partially under the dial – though that does actually help with keeping your focus on the actual date. While the windows that flank the time dial look nice, I have a feeling Montblanc might work to revise or polish the design in future generations of the watch.

Coming in a few tones, the dial of the Montblanc Nicolas Rieussec is an interesting creature. It took me a while to warm up to it, but I am enjoying the design. While totally different than other collection Montblanc offers, the Nicolas Rieussec does share the brand’s DNA nicely. Of course the crown has that lovely white Montblanc star, and the case is very much inspired by the Star collection. To create visual depth, the power part of the dial is partially "eclipsed" by a plate of Geneva stripe polished metal – plus, the dial looks to be made up of a few layers. The chronograph dials are covered with a sort of wish-bone like bridge that uses blued steel screws (blued steel is also used for some of the hands). This is a nice element, but I had one suggestion for Montblanc. While this might increase the cost a bit, I think it would be really welcome. The bridge is made from stamped steel. What if it could be made from milled and hand-polished steel? It would provide a wonderful visual cue and reminder that this is a hand-assembled watch. Perhaps in the future.

Let’s visit the R200 movement again. It is an automatic version of the R100 with a few addition complications (as mentioned above). You can see the rotor placed over the movement, with the small Montblanc star shaped hole that is designed to pass right over the column wheel opening window. The movement has two mainspring barrels for a power reserve of 72 hours. The movement operates at 28,800bmp and can be adjusted to be very accurate. I saw a movement at the manufacture that was adjusted to operate within less than one second of deviation a day. I love that the movement combines modern technology and traditionalism. Like I said, it uses a free-weighted balance spring and column wheel, enjoys helps from highly sophisticated machinery in its assembly and manufacture.

The Nicolas Rieussec watch case is 43mm wide and 14.8mm tall. It isn’t a small watch, but it does wear like a medium one. Its height is visually reduced by the highly curved lugs. Front and rear crystal are sapphire (with the front crystal having double AR coating), while it is water resistant to 30 meters.

Montblanc has assured me that their dedication to the Nicolas Rieussec collection is intense. The collection will receive more attention in the future, which is aided by the fact that the watch is a marketing success. One of the reasons for this is the pricing. While the watches aren’t cheap they are more reasonable that you’d expect. The pieces come in gold, platinum, and steel. The gold models are in the ,000 range. Not cheap, but Montblanc isn’t asking for ,000. Actually, their platinum version is about ,000 – which in the luxury market isn’t that much for a platinum watch. In steel the watch retails for about ,200. It comes in a steel bracelet or an alligator strap (black or brown). I am told that soon Montblanc will develop a brand new metal bracelet for the Nicolas Rieussec collection.

Overall these are enjoyable watches. The Montblanc identity is a major positive, and I enjoy the visual design and functionality of the R200 movement. While unique in its looks, this is an easy watch to wear daily. Montblanc isn’t making a mere collector’s piece here. Designed to prevent boredom but maintain utility the Nicolas Rieussec watch collection is intended for all types of watch lovers to worn daily.

Montblanc Watch

Image by antefixus21
Montblanc Flagship Boutique 151 Bloor Street West Toronto ON Canada

Montblanc Wrist Watch wall display case.

Chronograph – Nicholas Rieussec time piece.

Swiss made.

Montblanc Nicolas Rieussec Chronograph Automatic Watch Review
WRIST TIME REVIEWS
20 COMMENTSJANUARY 3, 2011 BY ARIEL ADAMS

This watch review is going to be a bit different than how I usually do them. Why? Because shortly before the review I was actually able to visit the manufacture making the movements of this watch. That experience offered me some special insight that allowed me to understand this timepiece more.
I know there is a lot of talk on the "manufacture" movement. In fact, a recent panel discussion I had with fellow watch expert journalists allowed me to realize that there is no strict definition of "watch manufacture" or "manufacture movement." This definitional ambiguity hurts my ability to explain things properly, but let it be said that Montblanc makes the movement in each of the Nicolas Rieussec watches themselves. Of course there is some help from suppliers, but this is about as "in-house" a job as most people want it to be. My understanding is that the components of the movements are made at the Valfleurier facility in Buttes Switzerland. The pieces are then sent to Montblanc Le Locle for assembly and testing.

What fascinated me most about the Montblanc manufacture in Le Locle Switzerland was just how modern it was. I mean it is true that many watch manufactures feel like you are in some combo of a hospital and science lab, but the machinery available to the watch makers at the Le Locle facility was impressive. I have a larger feature length article on this topic that will come out soon – but in short, when it comes to the Nicolas Rieussec line of timepieces, Montblanc relies on a clever environment that combines the human approach of watch makers with the precision assistance of machines.

A few example of this synergy between man (or woman) and machine? Here are two. One of the images here is of a machine that robotically applies lubricant to designated spots in a watch. Such lubricant must be precisely applied with an exact amount. The more consistently applied the better. While a human assembles the movement, a robot is used to apply the lubricant better and with more precision in terms of amount than any human can do consistently. Another example is a machine that allows a watch maker to adjust the screws on a balance wheel and test the accuracy of the rate in real time. Basically the machine combines a magnifier, computer controlled screw driver, and a watch movement rate tester in one. While it is operated by a person, the machine makes it easy to adjust a traditional weighted balance wheel to its most precise weight distribution in the escapement assembly.

One of my favorite images here that illustrates the culture of the manufacture is the image of the watch tools with the computer mouse. If you look closely you’ll also notice the presence of a Montblanc pen. Each work station gives watchmakers a computer terminal as well as watch making tools. While I have seen this before, it certainly isn’t common.

With their movements all made in Switzerland by Montblanc, the Nicolas Rieussec collection currently consists of a few watches. My main focus here is on the Automatic Chronograph that also has a GMT and date complication (that I tested). The movement is known as the R200. The two manually wound variants (with slightly different functions) are the R100, R110, and R120 (a limited edition that used a silicium escapement). I am not going to go overboard with technical details, but the movements represent an interesting medium between the ultra-high end, and mass manufactured pieces.

The R200 has a lot of impressive features on paper. Notable to the watch nerd is that it has a column wheel based chronograph that uses a vertical clutch. These features offer more durability and precision when using the chronograph. There are very few European chronographs that feature both of these features. I should also note that some of Seiko’s higher-end chronograph movements also feature column wheels and vertical clutches, as do pieces by brands such as Patek Philippe and (the former) Daniel Roth. Why all the focus on the chronograph? Well that is the new signature complication of Montblanc. The brand latched on to the complication for good reason (as well as to Mr. Nicolas Rieussec). "Chronograph" literally means "time writer." What is Montblanc known for? Yes, making pens. Sound too good to be true to have a watch in your collection that is a "time writer?" So the emphasis on this complication make perfect sense. Nicolas Rieussec is guy credited with "inventing the chronograph." Montblanc adopted him.

A while ago Rieussec created a device that looks like an early seismograph. It was a clock with a stop and start function that pulled a disc of paper along a smaller writing tip. This device was the first known "chronograph." It was meant to measure time in horse races and actually "wrote." The look of the chronograph on the watch is taken from this early device. Montblanc keeps replicas of them around the manufacture for inspiration. Each Nicolas Rieussec watch uses two discs that move along stationary hands to show the chronograph time (up to 30 minutes). These are also monopusher chronographs that use a single pusher to cycle through "start, stop, and reset" functions for the chronograph. The pusher is large, easy to find, and placed at the 5 o’clock position on the watch. Don’t miss the exposed synthetic palette rubies exposed on the top of the chronograph dials.

This chronograph style is the signature look of the Nicolas Rieussec collection. The time is displayed on an off-centered dial at the top of the face. While small, Montblanc really helped that dial standout and be legible. It uses that fancy looking font that you’ll find on most Montblanc Star watches. I really do love that font.

On the manually-wound versions of the Nicolas Rieussec, the time dial has a third hand used for the date. On the automatic, the third had is GMT hand. Working just like you would assume, the main time hour hand can be independently adjusted to alter the time when moving through time zones when traveling. To the left of the dial is a day/night indicator linked to the GMT hand. This useful complication help you know if it is day or night on your second timezone given that it is displayed on the 12, versus 24 hour scale. Who’d a though this would turn out to be such a useful travel watch? Both time zones share the minute hand. I was generally impressed by the GMT functionality of the watch and feels that the R200 movement’s use of the third hand is better than having it be a date indicator.

While the left of the dial has the day/night indicator, the right has a date wheel. For symmetry Montblanc uses a window of a similar shape, but I don’t much care for "open" date windows. It also does not look spectacular with the upper and lower date being partially under the dial – though that does actually help with keeping your focus on the actual date. While the windows that flank the time dial look nice, I have a feeling Montblanc might work to revise or polish the design in future generations of the watch.

Coming in a few tones, the dial of the Montblanc Nicolas Rieussec is an interesting creature. It took me a while to warm up to it, but I am enjoying the design. While totally different than other collection Montblanc offers, the Nicolas Rieussec does share the brand’s DNA nicely. Of course the crown has that lovely white Montblanc star, and the case is very much inspired by the Star collection. To create visual depth, the power part of the dial is partially "eclipsed" by a plate of Geneva stripe polished metal – plus, the dial looks to be made up of a few layers. The chronograph dials are covered with a sort of wish-bone like bridge that uses blued steel screws (blued steel is also used for some of the hands). This is a nice element, but I had one suggestion for Montblanc. While this might increase the cost a bit, I think it would be really welcome. The bridge is made from stamped steel. What if it could be made from milled and hand-polished steel? It would provide a wonderful visual cue and reminder that this is a hand-assembled watch. Perhaps in the future.

Let’s visit the R200 movement again. It is an automatic version of the R100 with a few addition complications (as mentioned above). You can see the rotor placed over the movement, with the small Montblanc star shaped hole that is designed to pass right over the column wheel opening window. The movement has two mainspring barrels for a power reserve of 72 hours. The movement operates at 28,800bmp and can be adjusted to be very accurate. I saw a movement at the manufacture that was adjusted to operate within less than one second of deviation a day. I love that the movement combines modern technology and traditionalism. Like I said, it uses a free-weighted balance spring and column wheel, enjoys helps from highly sophisticated machinery in its assembly and manufacture.

The Nicolas Rieussec watch case is 43mm wide and 14.8mm tall. It isn’t a small watch, but it does wear like a medium one. Its height is visually reduced by the highly curved lugs. Front and rear crystal are sapphire (with the front crystal having double AR coating), while it is water resistant to 30 meters.

Montblanc has assured me that their dedication to the Nicolas Rieussec collection is intense. The collection will receive more attention in the future, which is aided by the fact that the watch is a marketing success. One of the reasons for this is the pricing. While the watches aren’t cheap they are more reasonable that you’d expect. The pieces come in gold, platinum, and steel. The gold models are in the ,000 range. Not cheap, but Montblanc isn’t asking for ,000. Actually, their platinum version is about ,000 – which in the luxury market isn’t that much for a platinum watch. In steel the watch retails for about ,200. It comes in a steel bracelet or an alligator strap (black or brown). I am told that soon Montblanc will develop a brand new metal bracelet for the Nicolas Rieussec collection.

Overall these are enjoyable watches. The Montblanc identity is a major positive, and I enjoy the visual design and functionality of the R200 movement. While unique in its looks, this is an easy watch to wear daily. Montblanc isn’t making a mere collector’s piece here. Designed to prevent boredom but maintain utility the Nicolas Rieussec watch collection is intended for all types of watch lovers to worn daily.

Good Precision Turned Elements Suppliers pictures

Klarm Machining

Some cool precision turned elements suppliers pictures:

Montblanc Boutique 151 Bloor Street West Toronto Ontario

Image by antefixus21
Nicholas Rieussec Chronograph.

Chronograph – Nicholas Rieussec time piece.

Swiss developed.

Montblanc Nicolas Rieussec Chronograph Automatic Watch Overview
WRIST TIME Critiques
20 COMMENTSJANUARY 3, 2011 BY ARIEL ADAMS

This watch overview is going to be a bit distinct than how I typically do them. Why? Just because shortly ahead of the overview I was genuinely capable to verify out the manufacture creating the movements of this watch. That expertise provided me some particular insight that permitted me to recognize this timepiece far more.
I know there is a lot of speak on the &ampquotmanufacture&ampquot movement. In reality, a recent panel discussion I had with fellow watch specialist journalists allowed me to comprehend that there is no strict definition of &ampquotwatch manufacture&ampquot or &ampquotmanufacture movement.&ampquot This definitional ambiguity hurts my capability to explain factors properly, but let it be stated that Montblanc tends to make the movement in each and each of the Nicolas Rieussec watches themselves. Of course there is some help from suppliers, but this is about as &ampquotin-property&ampquot a job as most folks want it to be. My understanding is that the elements of the movements are created at the Valfleurier facility in Buttes Switzerland. The pieces are then sent to Montblanc Le Locle for assembly and testing.

What fascinated me most about the Montblanc manufacture in Le Locle Switzerland was just how modern day day it was. I imply it is precise that numerous watch manufactures really feel like you are in some combo of a hospital and science lab, but the machinery accessible to the watch makers at the Le Locle facility was impressive. I have a larger feature length report on this subject that will come out speedily – but in fast, when it comes to the Nicolas Rieussec line of timepieces, Montblanc relies on a clever environment that combines the human strategy of watch makers with the precision assist of machines.

A few instance of this synergy in between man (or lady) and machine? Here are two. 1 of the pictures here is of a machine that robotically applies lubricant to designated spots in a watch. Such lubricant ought to be precisely applied with an precise amount. The a lot much more frequently applied the far greater. Even though a human assembles the movement, a robot is utilized to apply the lubricant far much better and with far more precision in terms of quantity than any human can do often. One much more instance is a machine that makes it attainable for a watch maker to adjust the screws on a balance wheel and test the accuracy of the price tag in true time. Fundamentally the machine combines a magnifier, laptop controlled screw driver, and a watch movement rate tester in 1. While it is operated by a individual, the machine makes it simple to adjust a normal weighted balance wheel to its most precise weight distribution in the escapement assembly.

A single of my favourite images here that illustrates the culture of the manufacture is the image of the watch tools with the computer mouse. If you appear closely you are going to also notice the presence of a Montblanc pen. Each function station gives watchmakers a computer terminal as efficiently as watch generating tools. Though I have noticed this prior to, it undoubtedly is not frequent.

With their movements all created in Switzerland by Montblanc, the Nicolas Rieussec collection at present consists of a couple of watches. My main concentrate here is on the Automatic Chronograph that also has a GMT and date complication (that I tested). The movement is identified as the R200. The two manually wound variants (with slightly diverse functions) are the R100, R110, and R120 (a restricted edition that used a silicium escapement). I am not going to go overboard with technical details, but the movements represent an fascinating medium amongst the ultra-higher finish, and mass manufactured pieces.

The R200 has a lot of impressive characteristics on paper. Notable to the watch nerd is that it has a column wheel primarily primarily based chronograph that utilizes a vertical clutch. These characteristics offer you considerably much more durability and precision when making use of the chronograph. There are really handful of European chronographs that function each of these functions. I ought to also note that some of Seiko’s larger-finish chronograph movements also function column wheels and vertical clutches, as do pieces by brands such as Patek Philippe and (the former) Daniel Roth. Why all the concentrate on the chronograph? Effectively that is the new signature complication of Montblanc. The brand latched on to the complication for good explanation (as properly as to Mr. Nicolas Rieussec). &ampquotChronograph&ampquot actually implies &ampquottime writer.&ampquot What is Montblanc recognized for? Yes, producing pens. Sound too wonderful to be precise to have a watch in your collection that is a &ampquottime writer?&ampquot So the emphasis on this complication make excellent sense. Nicolas Rieussec is guy credited with &ampquotinventing the chronograph.&ampquot Montblanc adopted him.

A despite the fact that ago Rieussec developed a device that appears like an early seismograph. It was a clock with a cease and commence function that pulled a disc of paper along a smaller sized writing tip. This device was the really first identified &ampquotchronograph.&ampquot It was meant to measure time in horse races and really &ampquotwrote.&ampquot The appear of the chronograph on the watch is taken from this early device. Montblanc keeps replicas of them about the manufacture for inspiration. Each and every Nicolas Rieussec watch uses two discs that move along stationary hands to show the chronograph time (up to 30 minutes). These are also monopusher chronographs that use a single pusher to cycle through &ampquotstart, cease, and reset&ampquot functions for the chronograph. The pusher is enormous, straightforward to find, and placed at the five o’clock position on the watch. Don’t miss the exposed synthetic palette rubies exposed on the leading of the chronograph dials.

This chronograph style is the signature look of the Nicolas Rieussec collection. The time is displayed on an off-centered dial at the prime of the face. While tiny, Montblanc really helped that dial standout and be legible. It utilizes that fancy looking font that you will uncover on most Montblanc Star watches. I genuinely do adore that font.

On the manually-wound versions of the Nicolas Rieussec, the time dial has a third hand employed for the date. On the automatic, the third had is GMT hand. Functioning just like you would assume, the principal time hour hand can be independently adjusted to alter the time when moving by indicates of time zones when traveling. To the left of the dial is a day/evening indicator linked to the GMT hand. This valuable complication help you know if it is day or evening on your second timezone supplied that it is displayed on the 12, versus 24 hour scale. Who’d a even although this would turn out to be such a helpful travel watch? Both time zones share the minute hand. I was normally impressed by the GMT functionality of the watch and feels that the R200 movement’s use of the third hand is considerably better than having it be a date indicator.

Whilst the left of the dial has the day/evening indicator, the correct has a date wheel. For symmetry Montblanc utilizes a window of a associated shape, but I don’t substantially care for &ampquotopen&ampquot date windows. It also does not appear spectacular with the upper and lowered date becoming partially beneath the dial – though that does really aid with maintaining your concentrate on the actual date. While the windows that flank the time dial appear good, I have a feeling Montblanc may function to revise or polish the style in future generations of the watch.

Coming in a couple of tones, the dial of the Montblanc Nicolas Rieussec is an intriguing creature. It took me a even though to warm up to it, but I am enjoying the style. Although completely numerous than other collection Montblanc provides, the Nicolas Rieussec does share the brand’s DNA nicely. Of course the crown has that lovely white Montblanc star, and the case is incredibly considerably inspired by the Star collection. To make visual depth, the power component of the dial is partially &ampquoteclipsed&ampquot by a plate of Geneva stripe polished metal – plus, the dial seems to be developed up of a couple of layers. The chronograph dials are covered with a sort of want-bone like bridge that utilizes blued steel screws (blued steel is also utilized for some of the hands). This is a nice element, but I had a single suggestion for Montblanc. Even although this might effectively enhance the price a bit, I feel it would be actually welcome. The bridge is created from stamped steel. What if it could be designed from milled and hand-polished steel? It would give a great visual cue and reminder that this is a hand-assembled watch. Perhaps in the future.

Let’s go to the R200 movement once more. It is an automatic version of the R100 with a handful of addition complications (as described above). You can see the rotor placed more than the movement, with the modest Montblanc star shaped hole that is produced to pass correct more than the column wheel opening window. The movement has two mainspring barrels for a energy reserve of 72 hours. The movement operates at 28,800bmp and can be adjusted to be really correct. I saw a movement at the manufacture that was adjusted to operate within considerably less than a single second of deviation a day. I enjoy that the movement combines modern day technologies and traditionalism. Like I stated, it utilizes a totally free-weighted balance spring and column wheel, enjoys assists from hugely sophisticated machinery in its assembly and manufacture.

The Nicolas Rieussec watch case is 43mm wide and 14.8mm tall. It is not a tiny watch, but it does wear like a medium 1. Its height is visually lowered by the hugely curved lugs. Front and rear crystal are sapphire (with the front crystal getting double AR coating), though it is water resistant to 30 meters.

Montblanc has assured me that their dedication to the Nicolas Rieussec collection is intense. The collection will obtain far far more focus in the future, which is aided by the reality that the watch is a advertising and advertising great final results. A single of the motives for this is the pricing. Although the watches are not low price they are a lot more inexpensive that you’d anticipate. The pieces come in gold, platinum, and steel. The gold models are in the ,000 variety. Not low expense, but Montblanc is not asking for ,000. In fact, their platinum version is about ,000 – which in the luxury marketplace spot is not that significantly for a platinum watch. In steel the watch retails for about ,200. It comes in a steel bracelet or an alligator strap (black or brown). I am told that quickly Montblanc will generate a brand new metal bracelet for the Nicolas Rieussec collection.

Common these are enjoyable watches. The Montblanc identity is a significant great, and I appreciate the visual style and functionality of the R200 movement. Even even though distinctive in its appears, this is an straightforward watch to put on day-to-day. Montblanc is not creating a mere collector’s piece correct here. Created to avert boredom but sustain utility the Nicolas Rieussec watch collection is intended for all varieties of watch lovers to worn each and every day.

Nice Machining Suppliers images

Klarm Machining

A couple of nice machining suppliers images I located:

A Bitcoin You Can Flip

Image by jurvetson
My son has grow to be fascinated with bitcoins, and so I had to get him a tangible a single for Xmas (thanks Sim1!). The public key is imprinted visibly on the tamper-evident holographic film, and the private essential lies underneath.

I too was fascinated by digital money back in college, and much more specifically by the asymmetric mathematical transforms underlying public-important crypto and digital blind signatures.

I remembered a technical paper I wrote, but could not find it. A desktop search revealed an essay that I totally forgot, anything that I had recovered from my archives of floppy discs (while I nevertheless could).

It is an write-up I wrote for the college newspaper in 1994. Ironically, Microsoft Word could not open this ancient Microsoft Word file format, but the free of charge text editors could.

What a fun time capsule, beneath, with some option naivetés…

I am trying to reconstruct what I was thinking, and asking yourself if it tends to make any sense. I think I was arguing that a bulletproof framework for digital money (and what far better testing ground) could be utilized to secure a digital container for executable code on a rental basis. So the expression of an notion — the distinct code, or runtime service — is locked in a safe container. The notion would be to avoid copying rather of punishing following the reality. Micro-currency and micro-code appear like equivalent exercises in regulating the single use of an issued quantity.

Now that the Bitcoin experiment is underway, do you know of anybody writing about it as an option framework for intellectual property?

IP and Digital Money
@Normal:
Digital Money and the “Intellectual Property” Oxymoron
By Steve Jurvetson

Many of us will soon be working in the details solutions or technologies industries which are currently tangled in a bramble patch of intellectual home law. As the law struggles to discover coherency and an internally-consistent logic for intellectual house (IP) protection, digital encryption technologies might offer a much better remedy — from the point of view of lowering litigation, exploiting the inherent rewards of an data-primarily based company model, and preserving a free economy of ideas.
Bullet-proof digital cash technology, which is now emerging, can supply a protected “cryptographic container” for intellectual expressions, thereby preserving conventional notions of intellectual house that shield particular instantiations of an thought rather than the thought itself. For example, it seems affordable that Intuit need to be capable to safeguard against the widespread duplication of their Quicken application (the expression of an concept), but they must not be capable to patent the underlying thought of single-entry bookkeeping. There are sturdy financial incentives for digital cash to develop and for those methods to be adapted for IP protection — to develop a protected container or expression of an idea. The speedy march of information technology has strained the evolution of IP law, but rather than patching the law, details technologies itself may possibly offer a much more coherent remedy.

Info Wants To Be Totally free
Presently, IP law is enigmatic due to the fact it is expanding to a domain for which it was not initially intended. In building the U.S. Constitution, Thomas Jefferson argued that suggestions should freely transverse the globe, and that tips were fundamentally different from material goods. He concluded that “Inventions then cannot, in nature, be a subject of home.” The troubles surrounding IP come into sharp focus as we shift to being much more of an data-primarily based economy.
The use of e-mail and local Tv footage assists disseminate details about the globe and can be a force for democracy — as observed in the Television footage from Chechen, the use of modems in Prague in the course of the Velvet Revolution, and the e-mail and Television from Tianammen Square. Even Gorbachev employed a video camera to show what was taking place after he was kidnapped. What seems to be an inherent force for democracy runs into issues when it becomes the subject of home.
As larger-level programming languages grow to be much more like organic languages, it will grow to be increasingly hard to distinguish the thought from the code. Language precedes believed, as Jean-Louis Gassée is fond of saying, and our language is the framework for the formulation and expression of our suggestions. Restricting software program will increasingly be indistinguishable from restricting freedom of speech.
An economy of ideas and human attention depends on the continuous and cost-free exchange of concepts. Because of the associative nature of memory processes, no notion is detached from other folks. This begs the query, is intellectual home an oxymoron?

Intellectual Home Law is a Patch
John Perry Barlow, former Grateful Dead lyricist and co-founder (with Mitch Kapor) of the Electronic Frontier Foundation, argues that “Intellectual home law can not be patched, retrofitted or expanded to contain digitized expression… Faith in law will not be an efficient strategy for higher-tech organizations. Law adapts by continuous increments and at a pace second only to geology. Technologies advances in lunging jerks. Real-globe situations will continue to change at a blinding pace, and the law will lag further behind, much more profoundly confused. This mismatch may prove impossible to overcome.”
From its origins in the Industrial Revolution where the invention of tools took on a new significance, patent and copyright law has protected the physical conveyance of an concept, and not the thought itself. The physical expression is like a container for an concept. But with the emerging info superhighway, the “container” is becoming far more ethereal, and it is disappearing altogether. Regardless of whether it is e-mail these days, or the future goods of the Info Age, the “expressions” of tips will be voltage situations darting about the net, very significantly like thoughts. The fleeting copy of an image in RAM is not quite different that the fleeting image on the retina.
The digitization of all forms of information — from books to songs to photos to multimedia — detaches information from the physical plane exactly where IP law has often identified definition and precedent. Patents can not be granted for abstract concepts or algorithms, however courts have lately upheld the patentability of application as lengthy as it is operating a physical machine or causing a physical outcome. Copyright law is even a lot more of a patch. The U.S. Copyright Act of 1976 calls for that operates be fixed in a durable medium, and where an idea and its expression are inseparable, the merger doctrine dictates that the expression can not be copyrighted. E-mail is not presently copyrightable due to the fact it is not a reduction to tangible form. So of course, there is a proposal to amend these copyright provisions. In current rulings, Lotus won its case that Borland’s Quattro Pro spreadsheet copied components of Lotus 123’s appear and feel, yet Apple lost a related case versus Microsoft and HP. As Professor Bagley points out in her new text, “It is tough to reconcile beneath the total idea and feel test the results in the Apple and Lotus instances.” Provided the inconsistencies and financial significance of these troubles, it is no surprise that swarms of lawyers are studying to practice in the IP arena.
Back in the early days of Microsoft, Bill Gates wrote an inflammatory “Open Letter to Hobbyists” in which he alleged that “most of you steal your software program … and need to be kicked out of any club meeting you show up at.” He presented the economic argument that piracy prevents correct profit streams and “prevents very good computer software from becoming written.” Now we have Windows.
But seriously, if we continue to believe that the worth of details is based on scarcity, as it is with physical objects, we will continue to patch laws that are contrary to the nature of details, which in several instances increases in worth with distribution. Small, fast moving organizations (like Netscape and Id) shield their ideas by getting to the marketplace quicker than their larger competitors who base their protection on fear and litigation.
The patent office is woefully understaffed and unable to judge the nuances of application. Comptons was initially granted a patent that covered virtually all multimedia technology. When they tried to collect royalties, Microsoft pushed the Patent Workplace to overturn the patent. In 1992, Computer software Marketing Corp received a patent for “displaying and integrating commercial ads with computer software.” That’s like patenting the concept of a radio industrial. In 1993, a DEC engineer received a patent on just two lines of machine code typically utilized in object-oriented programming. CompuServe announced this month that they plan to collect royalties on the extensively utilised GIF file format for images.
The Patent Office has issued properly more than 12,000 software program patents, and a programmer can unknowingly be in violation of any them. Microsoft had to spend 0MM to STAC in February 1994 for violating their patent on data compression. The penalties can be costly, but so can a patent search. Many of the application patents don’t have the words “computer,” “software,” “program,” or “algorithm” in their abstracts. “Software patents turn every single selection you make while writing a plan into a legal threat,” says Richard Stallman, founder of the League for Programming Freedom. “They make writing a huge system like crossing a minefield. Every single step has a little likelihood of stepping on a patent and blowing you up.” The really notion of seventeen years of patent protection in the quickly moving software market seems absurd. MS-DOS did not exist seventeen years ago.
IP law faces the further wrinkle of jurisdictional issues. Exactly where has an Web crime taken location? In the nation or state in which the laptop server resides? Many nations do not have the same intellectual house laws as the U.S. Even inside the U.S., the law can be challenging to enforce for instance, a group of music publishers sued CompuServe for the digital distribution of copyrighted music. A complication is that CompuServe has no understanding of the activity because it happens in the flood of bits transferring in between its subscribers
The tension noticed in creating digital copies revolves around the concern of home. But as opposed to the theft of material goods, copying does not deprive the owner of their possessions. With digital piracy, it is significantly less a clear ethical issue of theft, and much more an abstract notion that you are undermining the company model of an artist or computer software developer. The distinction among ethics and laws often revolves about their enforceability. Ahead of copy machines, it was challenging to make a book, and so it was apparent and visible if someone was copying your function. In the digital age, copying is lightning quickly and tough to detect. Offered ethical ambiguity, comfort, and anonymity, it is no wonder we see a cultural shift with regard to digital ethics.

Piracy, Plagiarism and Pilfering
We copy music. We are seldom diligent with our footnotes. We wonder exactly where we’ve seen Strat-man’s PIE and the four slices ahead of. We forward e-mail that may contain text from a copyrighted news publication. The SCBA estimates that 51% of satellite dishes have illegal descramblers. John Perry Barlow estimates that 90% of individual tough drives have some pirated application on them.
Or as last month’s Red Herring editorial points out, “this atmosphere of electronic piracy appears to have in turn spawned a freer attitude than ever toward good old-fashioned plagiarism.” Articles from significant publications and WSJ columns seem and circulate extensively on the Internet. Laptop Photographs magazine replicated a full post on multimedia databases from New Media magazine, and then publicly apologized.
Music and voice samples are an increasingly common art kind, from 2 Reside Crew to Negativland to regional bands like Voice Farm and Consolidated. Peter Gabriel embraces the shift to repositioned content “Traditionally, the artist has been the final arbiter of his perform. He delivered it and it stood on its personal. In the interactive globe, artists will also be the suppliers of info and collage material, which men and women can either accept as is, or manipulate to develop their personal art. It’s part of the shift from talent-primarily based function to selection-making and editing operate.”
But many traditionalists resist the adjust. Museums are hesitant to embrace digital art because it is not possible to distinguish the original from a copy according to a curator at the New Museum of Modern Art, “The art planet is scared to death of this stuff.” The Digital Audio Tape debate also illustrated the paranoia the music sector 1st insisted that these DAT recorders had to purposely introduce static into the digital copies they created, and then they settled for an embedded code that restricted the number of successive copies that could be made from the a master source.
For a healthier reaction, appear at the phenomenally productive company models of Mosaic/Netscape and Id Software program, the twisted creator of Doom. Just as McAfee built a organization on shareware, Netscape and Id encourage widespread free distribution of their product. But as soon as you want help from Netscape, or the greater levels of the Doom game, then you have to pay. For industries with robust demand-side economies of scale, such as Netscape web browsers or Safe-TCL intelligent agents, the creators have exploited the economies of information distribution. Software items are especially susceptible to growing returns with scale, as are networking merchandise and most of the information technology industries.
However, the Software Publishers Association reports that 1993 worldwide losses to piracy of enterprise application computer software totaled .45 billion. They also estimated that 89% of software program units in Korea have been counterfeit. And China has 29 factories, some state-owned, that press 75 million pirated CDs per year, largely for export. GATT will impose the U.S. notions of intellectual property on a globe that sees the issue quite differently.
Clearly there are robust economic incentives to protect intellectual house, and affordable arguments can be produced for software patents and digital copyright, but the complexities of legal enforcement will be outrun and potentially obviated by the reasonably rapid developments of an additional technology, digital money and cryptography.

Digital Cash and the IP Lock
Digital cash is in some approaches an extreme instance of digital “property” — given that it can not be copied, it is possessed by one particular entity at a time, and it is static and non-perishable. If the methods for safeguarding against pilferage and piracy operate in the domain of money, then they can be utilized to “protect” other properties by becoming embedded in them. If I wanted to copy-shield an “original” work of digital art, digital cash tactics be used as the “container” to protect intellectual home in the old style. A bullet-proof digital cash scheme would inevitably be adapted by these who stand to acquire from the existing system. Such as Bill Gates.
Several organizations are building technologies for electronic commerce. On January 12, numerous High-Tech Club members attended the Cybermania conference on electronic commerce with the CEOs of Intuit, CyberCash, Enter Television and The Lightspan Partnership. According to Scott Cook, CEO of Intuit, the motivations for digital money are anonymity and effective modest-transaction World wide web commerce. Anonymity preserves our privacy in the age of increasingly intrusive “database marketing” based on credit card purchase patterns and other personal details. Of course, it also has tax-evasion implications. For Web commerce, money is more effective and less complicated to use than a credit card for little transactions.
“A lot of people will commit nickels on the Net,” says Dan Lynch of CyberCash. Banks will soon exchange your current money for cyber-tokens, or a “bag of bits” which you can devote freely on the World wide web. A competitor primarily based in the Netherlands called DigiCash has a Web web page with numerous articles on electronic money and completely functional demo of their technology. You can get some free of charge money from them and commit it at some of their allied vendors.
Digital cash is a compelling technologies. Wired magazine calls it the “killer application for electronic networks which will modify the worldwide economy.” Handling and fraud expenses for the paper funds technique are increasing as digital color copiers and ATMs proliferate. Donald Gleason, President of the Intelligent Card Enterprise unit of Electronic Payment Services argues that “Cash is a nightmare. It fees cash handlers in the U.S. alone roughly billion a year to move the stuff… Bills and coinage will increasingly be replaced by some sort of electronic equivalent.” Even a Citibank VP, Sholom Rosen, agrees that “There are going to be winners and losers, but everyone is going to play.”
The digital cash schemes use a blind digital signature and a central repository to safeguard against piracy and privacy violations. On the privacy situation, the techniques used have been mathematically confirmed to be protected against privacy violations. The bank cannot trace how the cash is becoming utilized or who is using it. Embedded in these schemes are effective digital cryptography tactics which have lately been spread in the industrial domain (RSA Data Safety is a leader in this field and will be speaking to the Higher Tech Club on January 19).
To safeguard against piracy calls for some extra operate. As quickly as I have a digital bill on my Mac hard drive, I will want to make a copy, and I can. (Several companies have busted their picks attempting to copy protect files from hackers. It will never ever perform.). The distinction is that I can only invest the bill as soon as. The copy is worthless. This is possible due to the fact every bill has a special encrypted identifier. In spending the bill, my computer checks with the centralized repository which verifies that my distinct bill is still unspent. As soon as I spend it, it cannot be spent once more. As with a lot of electronic transactions right now, the security of the technique depends on the integrity of a centralized personal computer, or what Dan Lynch calls “the big database in the sky.”
One particular of the most important limitations of the digital money strategies is that they are tethered to a transaction between at least 3 parties — a purchaser, seller and central repository. So, to use such a scheme to shield intellectual home, would demand networked computer systems and “live” files that have to dial up and verify in with the repository to be operational. There are many compelling applications for this, like voter registration, voting tabulation, and the registration of digital artwork originals.
When I asked Dan Lynch about the use of his technology for intellectual home protection, he agreed that the bits that now represent a bill could be utilised for any quantity of things, from healthcare records to photographs. A digital photograph could hide a digital signature in its low-order bits, and it would be imperceptible to the user. But those bits could be utilised with a registry of appropriate image owners, and could be utilized to prove misappropriation or sampling of the image by others.
Technology author Steven Levy has been researching cryptography for Wired magazine, and he responded to my e-mail inquiries with the reply “You are on the correct track in pondering that crypto can preserve IP. I know of numerous attempts to forward plans to do so.” Digital money might supply a “crypto-container” to preserve traditional notions of intellectual house.
The transaction tether limits the short-term applicability of these schemes for software program copy protection. They will not perform on an isolated personal computer. This definitely would slow its adoption for mobile computer systems given that the wireless networking infrastructure is so nascent. But with Windows ’95 bundling network connectivity, quickly most computer systems will be network-ready — at least for the Microsoft network. And now that Bill Gates is acquiring Intuit, rather of dollar bills, we will have Bill dollars.
The transaction tether is also a logistical headache with present slow networks, which may hinder its adoption for mass-market applications. For instance, if an individual forwards a copyrighted e-mail, the recipient may possibly have to have their computer do the repository check ahead of they could see the text of the e-mail. E-mail is slow sufficient right now, but in the close to future, these tactics of verifying IP permissions and paying suitable royalties in digital money could be background processes on a preemptive multitasking pc (Windows ’95 or Mac OS System eight). The digital money schemes are consistent with other trends in software program distribution and improvement — specifically software program rental and object-oriented “applets” with nested royalty payments. They are also consistent with the document-centric vision of Open Doc and OLE.
The user of the future would start working on their stationary. When it’s clear they are doing some text entry, the word processor would be downloaded and rented for its existing usage. Digital pennies would trickle back to the men and women who wrote or inspired the various portions of the core program. As you use other application applets, such as a spell-checker, it would be downloaded as needed. By renting applets, or potentially finer-grained software objects, the licensing royalties would be automatically tabulated and exchanged, and software piracy would require heroic efforts. Intellectual property would become precisely that — property in a marketplace economy, beneath lock by its “creator,” and Bill Gates’ 1975 lament more than software program piracy could now be addressed 20 years later.

——–end of paper———–

On additional reflection, I have to have been considering of executable code (where the runtime needs a cloud connect to authenticate) and not passive media. Verification has been a pain, but possibly it is seamless in a internet-solutions future. Cloud apps and digital cash depend on it, so why not the code itself.

I don’t see it as particularly beneficial for nevertheless images (but it could confirm the official owner of any special bundle of pixels, in the sense that you can &quotown&quot a sufficiently huge quantity, but not the essence of a work of art or derivative works). Frankly, I am not certain about non-interactive content in general, like pure video playback. &quotFixing&quot software IP alone would be a huge adequate accomplishment.

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Puch MV50 Steyr Daimler moped (1980)

Image by British Postal Museum & Archive
In the 1970s, the bigger suppliers of motorcycles to the Post Office steadily gave way to other makes such as Puch, Honda and Kawasaki.

Puch mopeds have been used in little numbers for each Telegram and letter delivery operate. Its small size created it most suitable for low volume deliveries in towns and rural locations.

The machine on show was used at the Northern District Office, London (primarily based at Finsbury Park).

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BSA C10

Image by British Postal Museum & Archive
Following Planet War I the Post Workplace started to obtain the more effective motorcycles then offered. The commence of the 1920s was the starting of The Post Office’s motor transport scheme, during which it bought Matchless, Triumph, Enfield, Douglas, Clyno and Chater Lea motorcycles. 1 of the biggest suppliers of machines to the Post Workplace was BSA.

Combination machines (with sidecars), although much more costly to operate had been frequently utilized each for delivery and collection function. Regardless of this, solo machines such as the BSA C10 were ideally suited for the solo delivery of mail and for telegram function.

This machine is one of the couple of wartime purchases created by the Post Workplace. The continuation of an efficient mail service in the course of the war years was important both as a indicates of communication and to boost morale. In the course of Globe War II this motorcycle would have been fitted with a hooded headlight to conform to wartime blackout regulations.

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FLOOR CLEANING MACHINE – Supplies of floors cleaning machine (flooring) at Pulire 2013

Image by КИИТ
Suppliers of floor cleaning machine and sweppers. Mach is synonymous with producing high quality firm specializing in rental and sale of motorized ideal according to your particular wants. PULIRE 2013 – это международная выставка машин, клинингового оборудования, изделий и систем для индустриальной очистки и клининга. В английской версии – International Exhibition of Machines, Equipments, Merchandise and Systems for Industrial Cleaning. Уборочная техника и оборудование для клининга от ведущих мировых производителей KARCHER, LAVORPRO, FIMAP, COMAC, COLUMBUS. Мы являемся официальными дилерами и дистрибьюторами COMAC в России, FIMAP (Италия), LAVORPRO (Италия). Специальные предложения для клининговых компаний мы осуществляем сервис, ремонт, поставляем запчасти и расходники следующих производителей: Fimap, Kаrcher, COMAC, HAKO, Nilfisk, IPC, Lavor PRO, Columbus, Delvir, Cleanfix, Taski, Tennant Мы работаем по всей России: Москва, Санкт-Петербург, Новосибирск, Екатеринбург, Нижний Новгород, Самара, Омск, Казань, Челябинск, Ростов-на-Дону, Уфа, Волгоград, Пермь, Красноярск, Саратов, Воронеж, Краснодар, Тольятти, Барнаул, Ижевск, Ульяновск, Ярославль, Владивосток, Иркутск, Хабаровск, Новокузнецк, Тюмень, Оренбург, Кемерово, Рязань, Пенза, Тула, Набережные Челны, Астрахань и др. города России. Узнай больше www.kiit.ru/uborochnaya-texnika-i-oborudovanie.html# на сайте ЗАО &quotКомпания инноваций и технологий&quot

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Outing for a choose-up at the Montblanc Boutique on Bloor Street West Toronto (11)

Image by antefixus21
Montblanc Nicolas Rieussec chronograph automatic wrist watch.Swiss created.

Montblanc Wrist Watch wall display case.

Chronograph – Nicholas Rieussec time piece.

Swiss created.

Montblanc Nicolas Rieussec Chronograph Automatic Watch Overview
WRIST TIME Critiques
20 COMMENTSJANUARY three, 2011 BY ARIEL ADAMS

This watch overview is going to be a bit distinct than how I normally do them. Why? Simply because shortly ahead of the overview I was really able to check out the manufacture making the movements of this watch. That experience provided me some special insight that permitted me to recognize this timepiece more.
I know there is a lot of speak on the &quotmanufacture&quot movement. In reality, a recent panel discussion I had with fellow watch professional journalists allowed me to comprehend that there is no strict definition of &quotwatch manufacture&quot or &quotmanufacture movement.&quot This definitional ambiguity hurts my ability to explain things properly, but let it be stated that Montblanc makes the movement in each and every of the Nicolas Rieussec watches themselves. Of course there is some support from suppliers, but this is about as &quotin-property&quot a job as most people want it to be. My understanding is that the components of the movements are made at the Valfleurier facility in Buttes Switzerland. The pieces are then sent to Montblanc Le Locle for assembly and testing.

What fascinated me most about the Montblanc manufacture in Le Locle Switzerland was just how modern day it was. I imply it is accurate that many watch manufactures feel like you are in some combo of a hospital and science lab, but the machinery accessible to the watch makers at the Le Locle facility was impressive. I have a bigger feature length article on this subject that will come out quickly – but in quick, when it comes to the Nicolas Rieussec line of timepieces, Montblanc relies on a clever environment that combines the human method of watch makers with the precision help of machines.

A few example of this synergy between man (or lady) and machine? Here are two. One of the images here is of a machine that robotically applies lubricant to designated spots in a watch. Such lubricant should be precisely applied with an precise amount. The a lot more regularly applied the far better. Even though a human assembles the movement, a robot is utilized to apply the lubricant far better and with more precision in terms of quantity than any human can do regularly. One more instance is a machine that makes it possible for a watch maker to adjust the screws on a balance wheel and test the accuracy of the price in true time. Fundamentally the machine combines a magnifier, laptop controlled screw driver, and a watch movement rate tester in 1. Whilst it is operated by a person, the machine makes it straightforward to adjust a standard weighted balance wheel to its most precise weight distribution in the escapement assembly.

A single of my favourite photos here that illustrates the culture of the manufacture is the image of the watch tools with the pc mouse. If you look closely you are going to also notice the presence of a Montblanc pen. Each function station gives watchmakers a pc terminal as effectively as watch generating tools. Although I have seen this before, it undoubtedly is not frequent.

With their movements all created in Switzerland by Montblanc, the Nicolas Rieussec collection currently consists of a few watches. My primary focus here is on the Automatic Chronograph that also has a GMT and date complication (that I tested). The movement is identified as the R200. The two manually wound variants (with slightly diverse functions) are the R100, R110, and R120 (a limited edition that used a silicium escapement). I am not going to go overboard with technical information, but the movements represent an fascinating medium between the ultra-higher finish, and mass manufactured pieces.

The R200 has a lot of impressive characteristics on paper. Notable to the watch nerd is that it has a column wheel primarily based chronograph that uses a vertical clutch. These characteristics offer much more durability and precision when making use of the chronograph. There are really handful of European chronographs that function both of these functions. I ought to also note that some of Seiko’s larger-finish chronograph movements also feature column wheels and vertical clutches, as do pieces by brands such as Patek Philippe and (the former) Daniel Roth. Why all the concentrate on the chronograph? Properly that is the new signature complication of Montblanc. The brand latched on to the complication for good explanation (as effectively as to Mr. Nicolas Rieussec). &quotChronograph&quot literally implies &quottime writer.&quot What is Montblanc recognized for? Yes, making pens. Sound too great to be accurate to have a watch in your collection that is a &quottime writer?&quot So the emphasis on this complication make ideal sense. Nicolas Rieussec is guy credited with &quotinventing the chronograph.&quot Montblanc adopted him.

A although ago Rieussec produced a device that appears like an early seismograph. It was a clock with a cease and commence function that pulled a disc of paper along a smaller sized writing tip. This device was the very first identified &quotchronograph.&quot It was meant to measure time in horse races and actually &quotwrote.&quot The appear of the chronograph on the watch is taken from this early device. Montblanc keeps replicas of them about the manufacture for inspiration. Each Nicolas Rieussec watch uses two discs that move along stationary hands to show the chronograph time (up to 30 minutes). These are also monopusher chronographs that use a single pusher to cycle via &quotstart, cease, and reset&quot functions for the chronograph. The pusher is huge, easy to locate, and placed at the five o’clock position on the watch. Don’t miss the exposed synthetic palette rubies exposed on the leading of the chronograph dials.

This chronograph style is the signature look of the Nicolas Rieussec collection. The time is displayed on an off-centered dial at the prime of the face. Whilst tiny, Montblanc actually helped that dial standout and be legible. It utilizes that fancy looking font that you’ll uncover on most Montblanc Star watches. I truly do adore that font.

On the manually-wound versions of the Nicolas Rieussec, the time dial has a third hand employed for the date. On the automatic, the third had is GMT hand. Working just like you would assume, the main time hour hand can be independently adjusted to alter the time when moving by means of time zones when traveling. To the left of the dial is a day/evening indicator linked to the GMT hand. This helpful complication aid you know if it is day or evening on your second timezone offered that it is displayed on the 12, versus 24 hour scale. Who’d a even though this would turn out to be such a helpful travel watch? Both time zones share the minute hand. I was generally impressed by the GMT functionality of the watch and feels that the R200 movement’s use of the third hand is much better than having it be a date indicator.

Whilst the left of the dial has the day/evening indicator, the right has a date wheel. For symmetry Montblanc utilizes a window of a related shape, but I don’t significantly care for &quotopen&quot date windows. It also does not appear spectacular with the upper and reduced date becoming partially beneath the dial – although that does really help with keeping your focus on the actual date. While the windows that flank the time dial look good, I have a feeling Montblanc might function to revise or polish the style in future generations of the watch.

Coming in a couple of tones, the dial of the Montblanc Nicolas Rieussec is an intriguing creature. It took me a while to warm up to it, but I am enjoying the style. Although totally various than other collection Montblanc provides, the Nicolas Rieussec does share the brand’s DNA nicely. Of course the crown has that beautiful white Montblanc star, and the case is extremely much inspired by the Star collection. To produce visual depth, the power part of the dial is partially &quoteclipsed&quot by a plate of Geneva stripe polished metal – plus, the dial appears to be created up of a couple of layers. The chronograph dials are covered with a sort of wish-bone like bridge that utilizes blued steel screws (blued steel is also used for some of the hands). This is a nice element, but I had one suggestion for Montblanc. Even though this may well boost the price a bit, I feel it would be really welcome. The bridge is produced from stamped steel. What if it could be created from milled and hand-polished steel? It would provide a wonderful visual cue and reminder that this is a hand-assembled watch. Perhaps in the future.

Let’s visit the R200 movement again. It is an automatic version of the R100 with a few addition complications (as mentioned above). You can see the rotor placed over the movement, with the small Montblanc star shaped hole that is made to pass proper over the column wheel opening window. The movement has two mainspring barrels for a energy reserve of 72 hours. The movement operates at 28,800bmp and can be adjusted to be extremely correct. I saw a movement at the manufacture that was adjusted to operate within much less than a single second of deviation a day. I love that the movement combines modern technologies and traditionalism. Like I stated, it uses a free-weighted balance spring and column wheel, enjoys helps from highly sophisticated machinery in its assembly and manufacture.

The Nicolas Rieussec watch case is 43mm wide and 14.8mm tall. It is not a tiny watch, but it does wear like a medium 1. Its height is visually reduced by the hugely curved lugs. Front and rear crystal are sapphire (with the front crystal having double AR coating), although it is water resistant to 30 meters.

Montblanc has assured me that their dedication to the Nicolas Rieussec collection is intense. The collection will acquire far more focus in the future, which is aided by the reality that the watch is a advertising and marketing good results. A single of the motives for this is the pricing. Although the watches are not low cost they are a lot more affordable that you’d expect. The pieces come in gold, platinum, and steel. The gold models are in the ,000 range. Not low cost, but Montblanc is not asking for ,000. In fact, their platinum version is about ,000 – which in the luxury market place is not that considerably for a platinum watch. In steel the watch retails for about ,200. It comes in a steel bracelet or an alligator strap (black or brown). I am told that soon Montblanc will create a brand new metal bracelet for the Nicolas Rieussec collection.

General these are enjoyable watches. The Montblanc identity is a significant good, and I appreciate the visual style and functionality of the R200 movement. Even though distinctive in its looks, this is an straightforward watch to wear day-to-day. Montblanc isn’t generating a mere collector’s piece right here. Developed to avert boredom but sustain utility the Nicolas Rieussec watch collection is intended for all types of watch lovers to worn every day.

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